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This blog covers choosing the perfect topic for your next Oral Presentation. To get a better overview of what's expected of you in Oral Presentations, writing up your speech, and speech delivery, check out Our Ultimate Guide to Oral Presentations.
The following is the LSG criteria that will ensure you find an interesting topic!
Step 1: Select a topic that has appeared in the media since 1 September of the previous year
Getting started on this first part can be tricky, especially if you want to choose something a bit more original or fresh.
In any case, the first thing you need is an event. An event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the Australian bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
So where do you find an event? If you can’t think of a particularly interesting one right away, you could always try Wikipedia. Seriously, Wikipedia very helpfully has pages of things that happened in specific years in specific countries, so “2019 in Australia” might well be a starting point. The ABC news archive is also really helpful since you can pick dates or periods of time and see a good mix of news events from then.
I wouldn’t underestimate your own memory here either. Maybe you attended the School Strike for Climate and/or you feel vaguely disappointed in the government. Maybe there was something else happening in the news you remember (even though it is often about the environment these days). It doesn’t have to be from the news though—maybe there was a movie or TV show you watched recently that you have thoughts about. You could really do a speech on any of these, as long as you suspect there might be recent, opinionated media coverage.
Only once you have an event should you look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister, whether or not it’s appropriate to discuss policy already when people are still grieving. All of these issues are going to be more current and more focused than just ‘climate change’, so pick one that resonates for your speech. In the next couple of sections, I’ll offer you a list of 2019-20 issue-debate breakdowns (i.e. topic ideas!).
Most importantly, choose an event/issue that is interesting for you. You’re the one who’s going to deal most intimately with this event/issue - you’ll have to research multiple sources, come up with a contention and arguments, write the essay, present the essay - so make it easier for yourself because you’re going to be spending a lot of time completing all these steps. Besides, an inherently interesting topic means that you’ll showcase your opinions in an authentic way, which is incredibly important when it comes to presentation time.
Step 2: Filter out the boring events/issues
“Your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” -The VCAA English Study Design
Next, you’ll need use this test to see whether or not your topic will stand up to the test of being ‘interesting’ enough for your audience. My first question to you is: who is your audience?
Is it your classroom and teacher? Is it a handful of teachers? If you don’t know, stop right now and find out. Only continue to the next question once you’re 100% certain of your audience.
Once you know who your audience is, ask yourself: Does this event and issue relate to my audience?
This question matters because “your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” This means that what you say to your audience and how they respond to your speech matters. Even if your assessor isn’t counting exactly how many people are still listening to your speech at the end, everyone knows a powerful speech when they’re in the presence of one - it hooks the audience from start to end - and an assessor, consciously or subconsciously, cannot deny that the collective attentiveness of the room has an influence on their marking of your Oral Presentation.
That’s why you should choose a topic that your audience can relate to. This is just my personal opinion, but I don’t find a speech on the Adani Coalmine (broad issue = climate change) as interesting and engaging as School Strike For The Climate (broad issue = climate change). That’s not to say that I’m for or against the Adani Coal Mine, but I know that if I’m speaking to a crowd of 17-18 years olds, the School Strike For The Climate would be a better choice because it’s going to hit a lot closer to home (1) (perhaps some of those in your audience - including yourself - have attended one of those strikes).
To extrapolate this idea further, I try to avoid topics that have too many unfamiliar words for my audience. For example, I recall one year when one of my students decided to take a stance on pain medications and that they should be restricted to only over-the-counter in pharmacies. Have I lost you already with the ‘over-the-counter’? Yeah, I have no doubt that some of you are unfamiliar with that word (don’t stress, I didn’t know it either when I was in school). On top of this phrase, she used words like ‘Schedule A’, ‘Pharmaceuticals Benefits Scheme’, ‘Medicare rebate’, ‘opioids', ‘subsidised’, and other words that aren’t part of the usual vocabulary of her audience. I’d take heed because in order to captivate the audience’s attention, they need to understand what you’re talking about. As soon as there’s something they don’t understand, it becomes much harder for them to follow your speech, and before you know it, Sarah, the class sleeper is taking her afternoon snooze and the others are struggling to keep their eyes open! Having said all that, if you have an equivalent jargon-heavy topic like pain medications that really does interest you, then go for it. Just bear in mind that you’ll need to explain any new vocabulary during your speech to keep your audience’s attention.
Keen to learn more? My How To Write A Killer Oral Presentation eBook continues on this same path, covering the next steps in your Oral Presentation journey!
Access a step-by-step guide on how to write your Oral Presentation with simple, easy-to-follow advice
Read and analyse sample A+ Oral Presentations with EVERY speech annotated and broken down on HOW and WHY students achieved A+ so you reach your goal
Learn how to stand out from other students with advice on your speech delivery
Sounds like something that'd help you? I think so too! Access the full eBook by clicking here!
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Oral Presentations - fun and full-scoring. Bet you’ve never heard those words in the same sentence before! As much as the Oral is a SAC that is often feared by many English students, I managed to come out of my presentation not completely terrified - I was actually able to somehow enjoy myself a little up there, and I might have even had a smile on my face when it was all done. And, what’s even better is that I managed to score full marks!
In this blog post, I’m going to be guiding you through how I approached the Oral Presentation in Year 12 to achieve full marks. I’ll be breaking down my Oral Presentation script as well as giving some pointers about giving the Oral Presentation on the day.
Scroll down to the bottom to read my full Oral Presentation script!
The Topic I Chose and How I Chose It
You’ve probably heard a million times before to choose an issue that you’re passionate about. This can often leave you thinking, I don’t know what I’m passionate about! or I’m not passionate about anything in the media right now! I was one of those students in the beginning, but this is how I chose an issue that I ended up loving.
Taking Inspiration From My Other Year 12 Subjects
The subject I enjoyed the most in Year 12 was Legal Studies, and my love for this subject guided me in choosing an issue that I genuinely wanted to speak about. I was lucky to have a Legal Studies teacher who was a big nerd in everything law-related, and he often liked to update us about recent and ongoing legal cases that he found interesting. One case that he told us about that I became very interested in was the Ben Roberts-Smith defamation case against Nine Entertainment where some journalists called out Ben Roberts-Smith (a war veteran) for committing war crimes. Roberts-Smith sued these journalists, alleging that this wasn’t true.
I knew I wanted to speak about this case, but I also knew that I had to argue an opinion, and not just provide an overview of the case. So, I began my research into the views of the stakeholders in the case. Something that was very useful to me in my research was news podcasts! In particular, I came across a podcast episode from a podcast called Please Explain(as of 26/02/2024 it seems to have been rebranded and is now called The Morning Edition) by The Age and The Sydney Morning Herald, where the actual journalists that were getting sued in the case talked about their experiences. After listening to this podcast episode on the way home from school, I found myself really sympathising with the journalists and that’s how I knew that I wanted to speak about this defamation case from the journalists’ perspective.
After some thinking, the contention that I arrived at was this:
More should be done to protect public interest journalism.
So my advice for choosing an Oral Topic that you love is to take inspiration from other subjects you’re studying and enjoying, and to pick up on and research anything that your teachers tell you about that piques your interest!
Breaking Down My Script
The Introduction
A Hook Start
Let me take you back in time. Six years ago, in 2017, many of us in this classroom were in Year 6, probably sitting in a primary school classroom, learning what an isosceles triangle is. And obviously, we had all been paying attention because now everyone’s thinking, “Oh yeah, I remember what an isosceles triangle is!” and we’re all imagining a tall triangle that looks like this.
Grabbing the audience’s attention from the very start of your speech is key! To do this, I tried to open up my speech in an interesting way by encouraging the audience to do something - to reflect on what their lives looked like six years ago. Hook starts such as the one I used (which establish a common ground with the audience) were commonly used among my classmates - they quickly grab the audience’s attention and are relatively easy to implement!
In my Statement of Intention*, I wrote that ‘I initially engage[d] my audience with a hook start, encouraging them to cast their minds back to 2017, and through the imagery of a primary school classroom, I aim[ed] to establish relatability and common ground with the audience, positioning them to be more agreeable to my arguments later on.’
*Statement of Intention - a written statement accompanying my Oral Presentation, where I explained the choices I made in my presentation. As of 2024 and with the implementation of the new study design, students are no longer required to submit a Statement of Intention with their Oral Presentations. However, if you’re curious to know more about Statements of Intention, check out this blog.
Providing Context
Now, while our Year 6 teachers were providing us with the life-changing information that is the different types of triangles, something bigger was happening on Collins Street. A huge news sausage was in the making. Picture this: a conversation between two passionate and overworked journalists, working for The Age and The Sydney Morning Herald. One of which had heard whispers from his contact book of Australian military circles that our most decorated living soldier was not the person that everyone thought he was, and that he had in fact been involved in war crimes like the killing of unarmed civilians. A shared desire to put these rumours to the test, with an open mind, wanting to disprove them as much as to prove them.
This marked the start of a 4-year long legal battle in the form of a defamation lawsuit lodged by decorated war vet Ben Roberts Smith against two investigative journalists, Chris Masters and Nick McKenzie. And, after more than 100 days of hearings, this battle recently ended, with the judge ruling overwhelmingly in favour of Masters and McKenzie that what they had reported about Roberts Smith was substantially true, hence the two had not defamed him.
I spent a fair bit of time explaining the issue of protections around public interest journalism in the context of the Ben Roberts-Smith defamation case because it was a bit of a niche issue and I thought that my audience of Year 12 students were unlikely to have known too much about it. To keep this explanation engaging, I tried to explain the case in a descriptive and dramatic way, as if the events were unfolding in front of their eyes, and I tried not to make it sound like I was just listing background information. To do this, I used phrases like ‘A huge news sausage was in the making’, ‘Picture this’, to really set the scene in a dramatic way!
A side note on choosing niche topics for the Oral Presentation: I know it’s often NOT recommended to choose topics that are unlikely to be well-known by your fellow students. This is because it can be disengaging when a student goes on a 5-minute tangent using complicated jargon on a topic that none of the other students know anything about. And… I guess I kind of turned that rule on its head! But this was precisely why I wanted to spend a chunk of my speech explaining the context of my issue - so that my speech would be accessible to my audience, so they wouldn’t be bored, and so we would all be on the same page.
At the end of the day, it’s all about finding a balance between choosing a topic that you love and a topic that is easy for the audience to understand. So, if the topic that you would love to present to the class might be a bit less well-known, my advice would be to make sure to provide adequate context and spend a bit of time explaining key information at the start so that your speech is more accessible to the audience!
Stating Contention
ABC News called it a win for public interest journalism. So why have I brought up this case today to highlight that not enough is being done to protect public interest journalism?
After my explanation section, I smoothly slid into contention territory. Even though I didn’t directly state my contention (i.e. I didn’t say “I believe that more should be done to protect public interest journalism”), through the question, ‘Why have I brought up this case to highlight that not enough is being done to protect public interest journalism?’, I implied that my contention was exactly that - that not enough is being done to protect public interest journalism.
The Supporting Arguments
I actually only had one supporting argument throughout my whole Oral Presentation, and although this might be an unusual way to do it, it worked well for me since I needed to spend quite a bit of time introducing the issue at the start. My one supporting argument was bulky enough that I had a complete speech with just a long introduction, bulky argument and conclusion.
Work out what might work best for you in your presentation. If your issue needs a bit of breaking down like mine did, it might be easier to stick to a very simple structure.
Outlining the Supporting Argument and Providing Evidence
Legal battles in general are a huge issue for journalism because they can be used as a threat to journalists. This defamation lawsuit was only the tip of the legal iceberg for Masters and McKenzie. They also faced challenges to source protection and Roberts-Smith’s numerous attempts to silence the two and other witnesses by sending them legal letters telling them to shut up, to suppress the truth about his actions from coming to light.
I then went on to explain my supporting argument - that legal battles such as defamation cases put public interest journalism at risk (which is why, going back to my overall contention, more should be done to protect public interest journalism). As you can see, I constantly linked back to the Roberts-Smith defamation case because that’s what I wanted to speak about, but I did not have to do this and you absolutely don’t have to - a general explanation would have gotten the job done just as well.
You might be wondering why I didn’t signpost at the start of my supporting argument - in other words, why I didn’t include a sentence like “My first supporting argument is that legal battles such as defamation cases put public interest journalism at risk”. Some teachers love signposting and encourage students to do so. If your teacher seems to prefer clear signposting, go ahead and do that!
TIP: Keep in mind that for anything internally marked, it is important that you keep your teacher/school’s preferences and requirements in mind.
My teacher wasn’t as insistent on signposting, and I personally didn’t like how clear signposting made my speech sound a bit robotic, so to keep the flow of the speech I decided to fluff it out and start my argument the way that I did. You’ll also notice a lack of signposting throughout my speech in general for the same reasons.
The biggest issue about the Ben Roberts Smith defamation case for journalists and news corporations has been costs. Their win has come with a hefty price tag estimated to be around $25 million, and even though the majority of this is to be borne by the loser of the trial, The Age and The Sydney Morning Herald newspapers will still end up losing millions of dollars, just for defending themselves and their journalists in court.
I backed up my supporting argument with some evidence. To quote my Statement of Intention, ‘I went on to use numerical statistics like “4 year[s]” and “100 days of hearings” to emphasise that much of Masters and McKenzie’s time and energy was taken by BRS’s claim, aiming to evoke sympathy for them and positioning readers to agree that more protections are needed to prevent journalists from being involved in these time-consuming legal battles. I also established costs as another major issue using the statistic of “$25 million” to emphasise that not only are these legal battles time-consuming, but also expensive, and through connotations of immensity when describing this as a “hefty price tag”’.’
Explaining the Argument and How It Is Relevant to the Audience
But why exactly is this our issue? It’s not like we’re the ones having to pay millions of dollars.
But it becomes our issue when this financial burden creates a chilling effect on public interest journalism. Fear of bankruptcy or crippling financial strain forces journalists to retreat, self censor or settle for silence. This financial issue for news organisations becomes our issue as the quality of our public interest journalism deteriorates and we are deprived of vital information.
Throughout my speech, I made an effort to constantly tie it back to the audience and explain why exactly this issue was important and relevant to them. This was important for me to do because the issue I chose was relatively niche so I felt like I had to prove to them that this issue was worth presenting. Even if the issue you’re presenting isn’t exactly niche, it’s important to link back to the audience every now and then and to remind them why it’s important to them. In my case, I explained that defamation cases like the Roberts-Smith case against journalists and news corporations were a threat to high school students having access to information that they should be aware of!
Something else that I attempted to do here was to include some persuasive devices! To quote my Statement of Intention, ‘having established costs as a major issue, I segued into the effect that these costs can have on journalists, listing these effects as causing journalists to “retreat, self-censor or settle for silence”, and through listing and sibilance in the latter half of this phrase, I aimed to make these effects memorable to listeners, emphasising the consequences of the costs of legal battles on journalists and public interest journalism.”’
Evidence
Masters and McKenzie talked about the pressure that was put on them to leave the rumours about Ben Roberts Smith be. Chris explained that his colleagues tried to convince him not to fight with Ben Roberts Smith by telling him that it was like shooting Bambi. Well, I guess in that case, he would have been shooting Bambi for shooting unarmed civilians, which sounds pretty fair to me. Nick explained that convincing their bosses to publish the story was an exhaustive process, and even after successfully having their story on Roberts Smith published, Chris said there was a propaganda war waiting for them, with their former colleagues being hired by other news corporations to criticise them and disassemble their work, with their story being put on the cover of a rival newspaper, as an attack on Chris, accusing him of smearing the memories of dead soldiers, and it was designed to intimidate and hurt him and his biding relationships with people in the military who consider him a deep friend. These attempts of BRS to silence the two are not just unfair - as students, we want to grow up in a world where people are held accountable regardless of their connections or wealth.
After explaining my argument, I backed it up with evidence by going back to the defamation case and giving practical, real-life examples of how this case may have worked to hinder the quality of public interest journalism. I took much of the information in this section from the podcast that I talked about earlier (where Masters and McKenzie talked about their firsthand experiences) - for example, the so-called “propaganda war” that Masters faced after having the story published, rival news outlets who were on the side of Roberts-Smith publishing articles attacking Masters - and explained that this was designed to intimidate the two investigative journalists and deter them from exposing controversial stories against prominent figures. I not only told but also showed my audience that legal battles were a very real threat to journalism. I referred to this section of my speech as ‘personal anecdotes’ in my Statement of Intention and I wrote that I hoped to make my speech more convincing by illustrating the consequences of legal battles that Masters and Mckenzie experienced firsthand.
I tried my best to not make this section sound too much like a “he said, she said” situation by slipping in some of my own commentary. My tutor at the time (yes, I also had an LSG English tutor!) gave me the idea of mirroring ‘shooting Bambi’ with ‘shooting unarmed civilians’, and it was so brutal but I liked it so much that I decided to implement it as part of my commentary. In my Statement of Intention, I wrote that this comparison ‘aims to portray Masters and McKenzie as merely holding him accountable for his actions rather than bullying him, encouraging audiences to view journalists as necessary whistleblowers that require protections.’
My final sentence in this section worked to link all of this back to the audience and remind them, again, why all of this was relevant to them!
The Conclusion
It’s obvious that in the end, it didn’t really matter that, this time, the courts sided with the journalists and news corporations in this legal battle. Because the reality is that the fact that this legal battle existed in the first place has been enough of a threat to public interest journalism, with cover up attempts and pressures to retreat, and may be a sign of many other stories being covered up. If two journalists, working for big news companies, felt the chilling effect of the legal battles that they came across, how much worse is it for smaller news organisations or independent journalists, who don’t have the deep pockets that The Age, Masters and McKenzie had in withstanding these challenges? This is only the tip of the iceberg of other stories that need to be broken and known by the public. We can’t continue to allow the law to be weaponised against journalists and against democracy. Thus, the recent conclusion of the Ben Roberts-Smith defamation case is a sign that more should be done to protect public interest journalism.
In my concluding paragraph, I did three things:
I wrapped up
I aimed to evoke a sense of urgency on the issue (the bolded part)
I restated my contention at the very end to seal the deal
I didn’t exactly include a call to action in the part where I evoked a sense of urgency, but you totally could if that would work for your speech!
It’s optional to restate your contention as your final sentence, and I opted to do this. I wanted to emphasise the point of my speech again so that my conclusion didn’t sound like it was straying away from the actual contention. I’d say do it if it flows well with the rest of your conclusion because when it’s done right, it really is like ending your speech with a bang!
I’ve Finished Writing a Killer Oral Script. What Now?
When you’ve perfected your speech script, it’s practice time! The way you present the speech is arguably as important, if not even more important than the script itself - presenting your speech in an engaging way can really make your script shine while presenting it in a dull way can make even the best script sound unappealing.
Practice saying your speech out loud as early as possible and work towards having at least 85-95% of your speech committed to memory (especially if you’re paranoid and get anxious about public speaking like me). By the time I presented my Oral, I had memorised about 95% of my speech and the fact that I knew it off by heart gave me confidence and helped me feel less paranoid that I would mess up. This being said, I would definitely recommend having cue cards with dot points of your main ideas or little prompts with you in the presentation (which I also did), just in case you suddenly blank out!
I spent a week memorising my speech, reciting it out loud over and over again in my bedroom. In doing this, I pretty intuitively found the spots where I wanted to include pauses, change up my intonation or emphasise certain words or phrases - I committed these things to my muscle memory. If public speaking doesn’t come naturally to you, it might be a good idea to highlight and annotate your script and physically write in the parts where you want to include pauses or emphasise words. Practice with that script in front of you until you’ve memorised those things.
I also generally focused on my projection making sure to speak loudly, and I paid attention to my speed and diction. I tend to speed up and start rapping my speech when I’m nervous, so I made a conscious effort to speak slower and steadier in my practice runs, trying to engrain the perfect speed in my muscle memory (to varying levels of success haha). I also tried to make sure I was pronouncing everything clearly and that I wasn’t mumbling.
Before I started my presentation, I took a moment to take a deep breath, shake out my nerves and fix my posture. Good posture is the first step to feeling confident or faking confidence (which we all are when we’re up there)!
What I Wish I Had Done Before I Did My Oral Presentation
If I could go back and give my Year 12 self advice on the Oral, it would be this:
Practice saying my speech in front of someone.
I was pretty shy about my speech - you might relate - so I was very reluctant to practice my speech in front of my peers and even my friends. Unfortunately, this meant that I never practised it in front of another person at all, not even once. This is something that I really regret because I didn’t get to practice keeping a good balance between holding eye contact and looking at my cue cards. This ended up being a criticism from my teacher when she assessed my presentation! My teacher also criticised the fact that I didn’t hold an equal amount of eye contact throughout the whole classroom - she wrote that the right side of the classroom must have felt left out because I barely looked in their direction, haha! So, if you can, I really recommend getting out of your comfort zone and practising presenting your Oral in front of your friends or family members… and practice holding eye contact!
If you’ve made it to the end of this blog post, I’m assuming you’ll be having your Oral Presentation soon. Good luck, and try to enjoy presenting your speech if you can, because it’s the first and last time you will ever have the opportunity to present it!
My Full Oral Presentation Script: More Should Be Done To Protect Public Interest Journalism
Let me take you back in time. Six years ago, in 2017, many of us in this classroom were in Year 6, probably sitting in a primary school classroom, learning what an isosceles triangle is. And obviously, we had all been paying attention because now everyone’s thinking, “Oh yeah, I remember what an isosceles triangle is!” and we’re all imagining a tall triangle that looks like this.
Now, while our Year 6 teachers were providing us with the life-changing information that is the different types of triangles, something bigger was happening on Collins Street. A huge news sausage was in the making. Picture this: a conversation between two passionate and overworked journalists, working for The Age and The Sydney Morning Herald. One of which had heard whispers from his contact book of Australian military circles that our most decorated living soldier was not the person that everyone thought he was, and that he had in fact been involved in war crimes like the killing of unarmed civilians. A shared desire to put these rumours to the test, with an open mind, wanting to disprove them as much as to prove them.
This marked the start of a 4-year long legal battle in the form of a defamation lawsuit lodged by decorated war vet Ben Roberts Smith against two investigative journalists, Chris Masters and Nick McKenzie. And, after more than 100 days of hearings, this battle recently ended, with the judge ruling overwhelmingly in favour of Masters and McKenzie that what they had reported about Roberts Smith was substantially true, hence the two had not defamed him.
ABC News called it a win for public interest journalism. So why have I brought up this case today to highlight that not enough is being done to protect public interest journalism?
Legal battles in general are a huge issue for journalism because they can be used as a threat to journalists. This defamation lawsuit was only the tip of the legal iceberg for Masters and McKenzie. They also faced challenges to source protection and Roberts-Smith’s numerous attempts to silence the two and other witnesses by sending them legal letters telling them to shut up, to suppress the truth about his actions from coming to light.
The biggest issue about the Ben Roberts Smith defamation case for journalists and news corporations has been costs. Their win has come with a hefty price tag estimated to be around $25 million, and even though the majority of this is to be borne by the loser of the trial, The Age and The Sydney Morning Herald newspapers will still end up losing millions of dollars, just for defending themselves and their journalists in court.
But why exactly is this our issue? It’s not like we’re the ones having to pay millions of dollars.
But it becomes our issue when this financial burden creates a chilling effect on public interest journalism. Fear of bankruptcy or crippling financial strain forces journalists to retreat, self censor or settle for silence. This financial issue for news organisations becomes our issue as the quality of our public interest journalism deteriorates and we are deprived of vital information.
Masters and McKenzie talked about the pressure that was put on them to leave the rumours about Ben Roberts Smith be. Chris explained that his colleagues tried to convince him not to fight with Ben Roberts Smith by telling him that it was like shooting Bambi. Well, I guess in that case, he would have been shooting Bambi for shooting unarmed civilians, which sounds pretty fair to me. Nick explained that convincing their bosses to publish the story was an exhaustive process, and even after successfully having their story on Roberts Smith published, Chris said there was a propaganda war waiting for them, with their former colleagues being hired by other news corporations to criticise them and disassemble their work, with their story being put on the cover of a rival newspaper, as an attack on Chris, accusing him of smearing the memories of dead soldiers, and it was designed to intimidate and hurt him and his biding relationships with people in the military who consider him a deep friend. These attempts of BRS to silence the two are not just unfair - as students, we want to grow up in a world where people are held accountable regardless of their connections or wealth.
It’s obvious that in the end, it didn’t really matter that, this time, the courts sided with the journalists and news corporations in this legal battle. Because the reality is that the fact that this legal battle existed in the first place has been enough of a threat to public interest journalism, with cover up attempts and pressures to retreat, and may be a sign of many other stories being covered up. If two journalists, working for big news companies, felt the chilling effect of the legal battles that they came across, how much worse is it for smaller news organisations or independent journalists, who don’t have the deep pockets that The Age, Masters and McKenzie had in withstanding these challenges? This is only the tip of the iceberg of other stories that need to be broken and known by the public. We can’t continue to allow the law to be weaponised against journalists and against democracy. Thus, the recent conclusion of the Ben Roberts-Smith defamation case is a sign that more should be done to protect public interest journalism.
1. ‘Implementing a sugar tax to curb Australian obesity.’
Premise: Mexico and UK have already implemented the ‘Sugar Tax’ on soft drinks to prevent obesity through the avenue of consumer choices, with this debate being sparked in Canada and Australia as to whether this is a viable solution. The World Health Organization believes this could reduce consumption of sugar by reinvesting the more expensive prices into health initiatives against ‘Childhood Obesity’. The Federal Government is facing this decision in 2019, to introduce these radical changes. Thus, whether or not the sugar tax should be implemented would be the core of your oral.
2. ‘What can Australia do to reduce the dangers of paramedic assault and overtime?’
Premise: Lately in the media, paramedic attacks and unreasonable overtime shifts means that the safety of our ambulance staff is compromised. A series of movements and a necessity for awareness has been sparked in Australia, with one paramedic being assaulted every 50 hours, and 147 assaulted in 2018. Whether or not people choose to support ambulance safety on a political front, social front or preemptive front (see Ambulance Victoria’s ‘Help keep our ambos safe at work’), action has been gaining momentum in contemporary news and campaigns. Is Australia doing enough for paramedic safety? This would be the basis of your oral.
3. ‘How are our politicians dealing with events of Melbourne CBD terrorism?’
Premise: A series of concentrated terrorist attacks on Melbourne’s Bourke Street and around Melbourne’s CBD has led to preventative measures such as 88 concrete blocks and anti-terror speaker systems. With politicians such as Matthew Guy pushing movements such as suspects facing curfews and counselling and drones around the city being put in place to monitor events like Christmas Day and New Years, this issue is being noted. But is enough being done? How effective are these measures, and are the police and government working closely enough to avoid these situations? This would be the basis of your oral.
Premise: The question of whether loot boxes being utilised in video games marketed to underage children are in fact exposing them to gambling is currently being debated at a Senate level in Australia and around the world. Whilst opinions are segregated on whether this is harmless or harmful, statistics and experts seem to believe in Europe that the detriment is too high, with 15 gambling regulators pinning game developers and publishers. Similarly, the UK and especially Australia have been making movements to rid the gaming industry of this practice. However, ‘EA Games’ is a big player against this, thriving of their sales in games such as ‘FIFA Coins’ and ‘Star Wars: Battlefront’. Thus, whether it is just gambling or gaming would form this oral.
Premise: The anti- vaccination movement, concentrated in the beachside town of Byron Bay in Australia is claiming more young lives daily, as medical reports are starting to note a greater toll in whooping cough cases and other vaccination related diseases. With campaigns such as the ‘No Jab, No Play’ initiative and other experts stating the way vaccinations are being handled, the situation is not apt in the current necessity for herd immunity amongst young Australians. Whether or not vaccination should be more heavily emphasised would be explored in this oral.
6. ‘The competition of Uber, Taxis and other ride sharing services.’
Premise: The hyper competitive nature of ride-sharing services and transport on the Australian field means that Uber and taxis have a lot more competition with one another, meaning shared business can affect the others customers in a major way. Hence, the Australian approach of lawsuits and the pickup of other services such as Shebah, Gocatch and Ola, means that drivers are facing harder times finding customers and also maintaining a steady stream of income. Whether or not these competing companies escalate the quality of transport or are too detrimental to driver’s livelihood would be explored in this oral.
Premise: Communities within Australia, specifically in Queensland, prepare themselves for overwhelming drought this 2019, with as their profits will most probably drop below $13,000 in this next financial year for farmers. Whilst milk companies and other politicians have attempted to rally with farmers, more attention seemingly may have to be put in place to assure the livelihood of these agricultural practitioners. Hence, even with drought relief practices and campaigns with many stakeholders in the government and as owners of business, it may require more of a push on a formal level in these pivotal years for farmers. The necessary movements and activism for greater support of farmers would be explored in this oral.
Premise: The rise in plastic consumption on a global scale and also lack of environmental solutions has led sea turtle’s digestive tracts and parts of the deepest oceans to be littered with seemingly minute particles called ‘microplastics’. However, these particles have detrimental effects and often litter foods, water sources and our ecosystem, usually sinking to the bottom of the ocean, with 99% of the plastic the seas contain building on the bottom. Ultimately, how we deal with these microplastics and whether it is important would be illustrated in this oral.
Premise: The ‘Close the Gap’ campaign originally focused on integrating the Indigenous people back into modernized society that excluded them wrongly. Objectives were necessary to fulfill educational reforms, social necessities and the favour within employment that needed to be shown in order to “even the playing field”. Over the years, this has been scrutinised and subjected to downfalls, both political and social, with many of these objectives not achieved. Thus, greater attention or movement may have to be incited. Hence, whether enough is being done or more needs to be provoked would inspire this oral.
10. ‘Can we use genetically modified foods in daily life?’
Premise: The discussion of GMOs (genetically modified foods) and their ethical, moral and health implications have segregated both consumers and producers alike. Australia’s viewpoint of the scientific practice in modifying foods has been portrayed in the recent elongation to bans in South Australia until 2025, but has also been challenged with groundbreaking research that could double the crop yield in theory, due to the advances in photosynthetic characteristics and other chemical properties of plants. Thus, whether or not they should be refuted or supported would form the basis of this oral.
Premise: It is rare to find a career where the exact same work will be paid differently based on sexuality, race or gender. It seems in the contemporary age the real issue is that cultural norms raise more women lawyers, doctors and teachers than engineers, physicists and STEM workers. Rather than a direct percentage of the pay gap, it is made apparent that it is rather a systematic average of less over time because of the careers being chosen. Whether or not the wage gap is due to STEM and what we can do to prevent this would be the formation of your oral.
12. ‘Should we take on Finland’s education system?’
Premise: Standardised testing is often a debate that goes without alternatives that truly work. But the core of Finland’s number 1 education system in the world is that they hire so many good teachers, hence independent learning is monitored and possible. The VCE system and IB curriculum does not streamline because students are so pressured they do not take time to explore and ultimately find what they want to do in tertiary. In Finland, it is less about the competition, and more about individual learning up until university so that they excel in different pathways. What would it take to change Australian systems to model this? This would be a key idea within your oral.
Premise: This is a heavily utilised oral topic. The Australia Day debate is a popular one, and this is because it is rich in cultural, social, ethical and political stances within itself. With the date remaining the same in 2019, and with the fireworks of the Perth council still going ahead, more protests and council movement means that these discussions are still very contemporary and readily available online. The bids and failed attempts to change the day to a Reconciliation Week celebration, or any date but ‘Invasion Day’ all form evidence to back up either side. Hence, the question of whether or not the date should be moved would be the primary focus of this oral.
Premise: The National Broadband Network policy meant that the telecommunications sector was supposed to gain momentum and strengthen itself, however, downfalls of the technicians and rollout of the service have meant public scrutiny and Government blame being laid. Telstra’s work on this with ping and download speeds being effective, but upload speeds suffering means that Australian consumers are not completely satisfied with the service, putting into question the ultimate effectiveness of NBN as an invested infrastructure. The success of NBN would form the base of this oral.
15. ‘Teaching standards for undergraduates in Australia.'
Premise: The teaching standards of Australia have been heavily scrutinised after certain lower ATAR scores were primarily accepted into the fields. Thus, the question of whether the right teachers are being accepted and their skills are being honed is put into the spotlight, as a lower bar for the academic necessity of the career sparks debate on whether the standards for Australian education has fallen. However, with 2 teachers in the Global Top 50 for the education sector means there is still hope, and with lots of regional areas geographically, it can be difficult- So whether or not Australia is doing enough would form this oral.
16. ‘Is the cost of living rising too high in Australia?’
Premise: The cost of living within Australia is inevitably rising, with a spike of homelessness within Sydney and the common retiree locations being in Asian countries forming the basis of whether or not we should start working on this sector of Australia’s wealth. However, some sources argue that our economy is steady and positive, with the perspective gained on this challenging what 2019 seems to hold for the cost of living. It is a contemporary topic as the next generation will have to face these challenges, proving an interesting oral if you focus on the stakeholders in each category (teenagers, workers, government and retirees).
17. ‘Are we doing enough to aid beekeepers in Australia?’
Premise: The ‘Save the Bees’ campaign begun as we started to realise the necessity and imminent danger we would face if bees were in harm's way. Recently, South Australia faced some strange occurrences with mysterious bee deaths, and younger stakeholders attempting to grasp Australia’s bee population. National Geographic focused on real steps and actions that could be taken within Australia, with measures that could potentially be put in place in order to protect these bees. Hence, this could be a unique oral if presented with the statistics and urgency of this issue.
Premise: The Strawberry Needle Scare was a 2018 issue, with 2019 implications in the dangers of food tampering, and a case of needles in grapes at a Melbourne store. Moreover, the implications for farmers and the agricultural community meant that many workers were affected by this, as consumers initially feared the worst, affecting Australian livelihood at its core. Thus, in order to do a contemporary oral on this, you would focus primarily on the impact on the farmers, what future fears could arise, (eg. the grape needle scare), and what consumers need to be aware of in future contamination.
Premise: In a digital, gratification-desiring age, anxiety and depression are symptoms of the high pressure scenarios within daily life. Recently, new studies proving the dire nature within Australia’s mental health provoked more attention by experts and the population into methods and the ‘epidemic’ we face, as we continue to head down a dark spiral. With case studies, statistics and the current situation within pressurised work situations, this could form a strong oral.
Premise: The concept of the ‘Towards Zero’ campaign is that we would have no deaths on the roads in short. This takes drink driving measures, the hazardous first months of a probationary driver and the zones in which these accidents are most highly occurring into consideration, as the government, younger drivers, and adult drink drivers are all concerned. There are already worrying trends going into 2019 however, as this forms the basis of some concerning patterns, and could be explored either way in an oral of whether or not the ‘zero road toll’ is truly possible.
We've all been there. You're moments away from having to deliver your 5-6 minute long oral to all of your classmates and your teacher, and you're still trying to memorise that one bit that you just can't seem to get down pat. It sucks.
For many VCE English students, the oral presentation is the scariest part of the course; it’s often also the first.
Doing a speech can indeed be daunting— you’re marked in real time, you can’t go back and edit mistakes, and the writing part itself is only half the battle. Nonetheless, the oral SAC can also be one of the more dynamic and engaging tasks you complete in VCE English, and there’s plenty of ways to make it more interesting and also more manageable for yourself.
We’ll break the whole process down into three parts (don’t worry, one of these will be the delivery itself) and have a look at ways to tackle each; hopefully, you’ll feel more empowered to give it a go on your own terms. Don't forget to also check out Our Ultimate Guide to Oral Presentations for everything you need to know for Oral Presentations.
Part One: Choosing a good topic
(In this section—researching events & issues, topic ideas)
For a bit of a head start on this step, be sure to check out our blog post filled with Oral Presentation Topics for 2020. It's one of our best kept secrets!
In the study design, the description that’s given for the Oral Presentation is:
“A point of view presented in oral form using sound argument and persuasive language. The point of view should relate to an issue that has appeared in the media since 1 September of the previous year.”
Besides this restriction on how current/recent your issue is, the expectations themselves for this task are pretty standard (and therefore pretty broad): you
select a topic or point of view
research arguments and supporting evidence; and
position the audience accordingly in your speech
Getting started on this first part can be tricky though, especially if you want to choose something a bit more original or fresh.
In any case, the first thing you need is an event. As a reminder, an event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
So where do you find an event? If you can’t think of a particularly interesting one right away, you could always try Wikipedia. Seriously, Wikipedia very helpfully has pages of things that happened in specific years in specific countries, so “2019 in Australia” might well be a starting point. The ABC news archive is also really helpful since you can pick dates or periods of time and see a good mix of news events from then.
I wouldn’t underestimate your own memory here either. Maybe you attended the School Strike for Climate and/or you feel vaguely disappointed in the government. Maybe there was something else happening in the news you remember (even though it is often about the environment these days). It doesn’t have to be from the news though—maybe there was a movie or TV show you watched recently that you have thoughts about. You could really do a speech on any of these, as long as you suspect there might be recent, opinionated media coverage.
Only once you have an event should you look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister, whether or not it’s appropriate to discuss policy already when people are still grieving. All of these issues are going to be more current and more focused than just ‘climate change’, so pick one that resonates for your speech. For a list of 2019-20 issue-debate breakdowns (i.e. topic ideas!), give this a read!
From there, you might delve a little deeper into viewpoints around your chosen issue, and you’d do this mostly by reading opinion or analysis articles (rather than hard news reports). Opinion is great to see what other people are thinking, and could help you bolster or reinforce your own arguments, whereas analysis is good to get a little deeper into the implications of and evidence behind the issue. The actual contention itself comes last—even though you might already have an idea what you think about the issue, you’ll be best prepared to articulate it after doing the research first.
Part Two: Writing a good speech
(In this section—register/tone selection, personas, openings, how formal you need to be, drafting & rehearsing)
For this part of the task, I’d keep in mind a specific snippet of its description: the need to use sound argument and persuasive language.
To be fair, persuasive language mightn’t necessarily be something you actively think about when you write persuasively—you wouldn’t ever really be like “hey, this is a great spot to include an appeal to compassion.” However, while you don’t need to start now, it’s good to have in mind a general register for your speech before you start. It’s one of the first things you might analyse in a written essay for good reason—it’s broad and it sets the tone for your argument/s.
With the bushfires for instance, you might contend that even though grief is a strong emotion, it should also be a trigger for resolute, permanent policy reform. But will you come from a frustrated, this-is-what-we’ve-been-saying-for-years register, or a compassionate look-at-the-damage-caused register, or an assertive, we-need-to-bring-the-community-together-first register?
Maybe you can incorporate a bit of each, or maybe (probably) there are more options, but in any case, making this decision first will help with stringing together arguments and incorporating more persuasive language techniques (PLTs). Note that most PLTs can be used across a number of registers, but there are some that might work more effectively with some of these.
For example:
Register
Arguments
PLTs
Frustrated
Climate activists have been stating the facts for years now; we suffered more extensive damage this bushfire season than ever before and our politicians are still clinging to coal; if this doesn’t trigger change, what will?
Statistics + other evidence
Attacks (on government, climate denialists etc.)
Calls to action
Emotive language
Compassionate
There’s been so much damage, and grief is an understandable and necessary response; if we don’t do something now though, how many more years will we have to suffer through the same (if not worse)?
Appeals to sympathy
Anecdotes (especially if you adopt a persona)
Rhetorical questions
Imagery
Assertive
Never before has the community been so united on combating an issue; even international communities are involved; we have to take advantage of how the issue has brought everyone together to enact meaningful, permanent change now.
Inclusive language
Generalisations (ALL Australians want change)
Appeals to community and/or hope, optimism
Repetition/emphasis
These are things you’ll have to think about for your written explanations, and might also help you shape future research if you need to shore up the speech a little more.
Something you may consider as well is adopting a persona, that is a character and a context for your speech. You don’t have to, but it may help you get started. It can be hard to just write a speech from scratch, but if you’re the mayor of a township affected by the fires and you’re outlining a course of action, it’ll help with your register and outlook.
Openings in general can be tricky though. Try to avoid stating your event, issue and contention outright—the audience doesn’t need to know that “recently, Australia experienced a horrific bushfire season and I’m going to talk about why now is the time to act on climate change.” They’ll figure it out.
Instead, try to start with something that clearly communicates your register and/or persona (if you have one). If you’re a frustrated climate activist, start by illustrating the historical patterns of bushfires getting worse and worse. If you’re a compassionate community-builder, start with anecdotes of the damage. If you’re an assertive leader, explain who you are, what your experience is and how you want to create change. Don’t worry if you feel like the issue won’t be clear enough—again, they’ll figure it out!
The opening also sets the bar for formality in your speech, and it’s honestly up to you how formal you’ll want to be. As a rule of thumb, don’t be so formal that you can’t use contractions (such as “you’ll” and “can’t”)—avoid those in essays for sure, but they’re a natural part of speaking and it’ll feel strange if you don’t use them.
I’d also recommend you draft and rehearse in front of others, highlighting areas where you think are the weakest and asking them for specific advice on those sections at the end. Having specific questions to ask, such as “should I include more data/quantitative evidence in x section?” or “is this specific appeal to x obvious enough?”, also means you get better feedback (since these are much easier to answer than “Was that fine?”).
Part Three: Delivering an engaging presentation
(In this section—body language, eye contact, rehearse rehearse rehearse, tone variation)
Most of you probably find this the most daunting part of the SAC—honestly, me too—but this is the part with the most tried-and-tested tips for success.
With regard to body language, stand with your feet shoulder width apart and, more importantly don’t move your legs. Especially if you’re nervous, swaying or shuffling will be noticeable and make you appear more nervous—when you practise, pay attention to the lower half of your body and train it to stay still if possible. That being said, do use your arms for gestures. Those are more natural and will help engage the audience, though don’t overdo it either—usually, holding cue cards in one hand frees up the other but also stops you from going overboard.
And cue cards brig us up to another important consideration—eye contact. Hold cue cards in one hand as high as you can without it feeling uncomfortable. This means you don’t have to take your eyes away from the audience for too long or too noticeably to check your notes.
Of course, knowing your speech better means having to check your notes less frequently. When I did my speech, I’d read it out aloud to myself 3-5 times a day for a week or two in advance, which made me feel like I was going insane but also meant that my speech was basically memorised. The cue cards were there in case of emergency, but I really didn’t need them at all. Absolutely make sure to rehearse your speech.
Further, when you rehearse, try to pretend that you’re actually delivering the speech. This means:
looking up ahead
holding the cue cards in the right spot; and
not just reading the words but speaking as if to an audience.
This last point is really important—tone variation might come naturally to some but not to others. I always found that building it into rehearsal helped with getting it consistent and natural. Tone variation involves things like emphasising certain words, using pauses or slowing down for effect, or modifying volume. Incorporating some of these elements—even writing them into your notes by bolding/italicising/underlining—will help you break out of monotony and make the speech more engaging as well. Be sure to emphasise things like emotive language and any evidence you might use to illustrate your arguments.
And one last thing—don’t speak too quickly! Easier said than done, but often the icing on the cake for a speech that is memorable for the right reasons.
Wondering where to go from here? Well, luckily, my eBook, How To Write A Killer Oral Presentation, details my exact step-by-step process so you can get that A+ in your SAC this year.
Access a step-by-step guide on how to write your Oral Presentation with simple, easy-to-follow advice
Read and analyse sample A+ Oral Presentations with EVERY speech annotated and broken down on HOW and WHY students achieved A+ so you reach your goal
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Written Explanation (also known as Statement of Intention, SOE, and various other names throughout different schools) is a short introductory piece to your essay. The Written Explanation is intended to explore the reasons behind why you made particular writing decisions. This is done via FLAPC:
Form, Language, Audience, Purpose, Context
2. Creative Response-Based Written Explanations
The following is taken from the VCAA study design for Creative Response-Based Written Explanations:
'a written explanation of creative decisions and how these demonstrate understanding of the text.'
Most assessors are quite lenient with how you want to approach the Written Explanation – there is no rigid structure that you need to abide by. As we will discuss below, this allows you to consider which aspects of form, language, audience, purpose and context you wish to include. Each of the points should establish why you have written your piece. They are considered as part of your SAC and thus, are marked accordingly. They are not examinable during the English exam.
Form
There are traditionally three forms of writing accepted in assessments: expository, creative or persuasive essay.
‘I chose to write in an expository style, employing conventions of format and style of a traditional essay. This allows me to express my ideas in a logical order while adopting a sophisticated tone.’
Language
When writing, you choose particular words and phrases to illustrate your ideas. Think about what type of language have you used and why. Perhaps your piece is formal or informal, sophisticated or simple, or from a first or third person perspective. All these factors are important in shaping your Context piece. Also consider language techniques you may have incorporated such as repetition, rhetorical questions, metaphors, symbolism and more.
‘I have chosen to write from a first person perspective to shed light on the inner workings of Gardiner from The Lieutenant.'
Audience
You must select a targeted audience for your essay. Your choice can be adults to young children, or even to your future self. Make sure your target audience is suitable for your essay – select a group that would realistically be interested in your work.
‘My piece is to be published in an anthology for those who have had difficulty assimilating into a new group or culture. As they have familiarity with the concepts I discuss, I intend for readers to depart with a greater understanding and appreciation of the ideas in my written piece.’
Purpose
The purpose section is where you discuss the message you would like to send to your audience. Here you discuss your contention or arguments; whether you completely agree, disagree or a bit of both in regards to your prompt.
‘The purpose of this essay is to demonstrate that there can be different outcomes from encountering conflict: firstly, that conflicts can change many people through growth in understanding or a sense of self-development and secondly, that there are times when people remain unaffected by conflict and thus, unchanged.’
Context
Since your essay is based on your studied text, you should provide a brief discussion of the basic ideas behind the Context. You can do this prior to your Purpose section since it is a good lead-in.
‘In this essay, I explored the idea that ‘Conflict inevitably changes people’; a concept heavily explored in The Lieutenant. Every person encounters conflict. It drives individuals to challenge themselves, and deal with new experiences.'
Different schools will set different word limits for Written Explanations. These can range from 300 – 350 words based on the VCAA study design. With such a small word limit, be succinct and choose wisely what you will discuss in order to score the maximum marks allocated to Written Explanations.
3. Oral Presentation-Based Written Explanations
The VCAA study design requests students write:
'a written statement of intention to accompany the student’s own oral presentation, articulating the intention of decisions made in the planning process, and how these demonstrate understanding of argument and persuasive language.'
Using the topic, 'Why we need to stop crying "cultural appropriation" when cultural exchange is far more important', let's see how this can be done with FLAPC with some examples below (if you need help selecting a topic, check out our 2020 Oral Presentation topics to get those brain juices flowing):
Form
‘I chose to adopt the conventions of a persuasive speech, where I use a structure of presenting my main ideas by rebutting arguments made by the opposition. Throughout my speech, I embed persuasive tactics in an effort to firstly, encourage engagement from the audience and secondly, sway them to readily accept my point of view.
Language
‘Since I am an Asian-Australian, I have purposefully forgone the opportunity to adopt a persona and instead, have chosen to write from a first person perspective as I can uniquely shed light on my own experiences towards cultural exchange and how that has directly impacted me. My speech heavily focuses on delivering tangible examples, such as anecdotes and social media usage, as I aim to heighten the topic’s relevancy and relatability for my audience. Moreover, as my focus is to reinforce positive attitudes towards cultural exchange, I have adopted a light-hearted approach with humour through the first portion of my speech, then moving into an urgent tone towards the end to highlight the importance of this issue.'
Audience
'I have opted to target young Australian adults since we are the generation of the future, and have a major role to play in positively shaping the Australian society’s views and attitudes towards cultural exchange.
Purpose
'I aim to convince my audience that it is too easy to cry 'cultural appropriation' by being overly sensitive, and instead, we need to consider the benefits of cultural exchange. Cultural exchange itself, has shaped the world as we know it today – it has an important role in globalisation, understanding foreign cultures and the development of Australian society.'
Context
'Australia is known to be one of the most multicultural countries in the world. However, recent media has drawn attention to cries of 'cultural appropriation' towards Indigenous Australians and other cultures, claiming that we fail to appreciate and respect cultural values when we take others' culture for our own (whether it be fashion, music, food or otherwise).'
Sample FLAPC compiled and rearranged for flow and fluency:
Australia is known to be one of the most multicultural countries in the world. However, recent media has drawn attention to cries of 'cultural appropriation' towards Indigenous Australians and other cultures, claiming that we fail to appreciate and respect cultural values when we take others' culture for our own (whether it be fashion, music, food or otherwise). I aim to convince my audience that it is too easy to cry 'cultural appropriation' by being overly sensitive, and instead, we need to consider the benefits of cultural exchange. Cultural exchange itself, has shaped the world as we know it today – it has an important role in globalisation, understanding foreign cultures and the development of Australian society. I chose to adopt the conventions of a persuasive speech, where I use a structure of presenting my main ideas by rebutting arguments made by the opposition. Throughout my speech, I embed persuasive tactics in an effort to firstly, encourage engagement from the audience and secondly, sway them to readily accept my point of view. Since I am an Asian-Australian, I have purposefully forgone the opportunity to adopt a persona and instead, have chosen to write from a first person perspective as I can uniquely shed light on my own experiences towards cultural exchange and how that has directly impacted me. This also has an additional persuasive effect as I invite my audience to relate to my opinions through their own similar experiences as young Australian adults. I have opted to target this audience since we are the generation of the future, and have a major role to play in positively shaping the Australian society’s views and attitudes towards cultural exchange. My speech heavily focuses on delivering tangible examples, such as anecdotes and social media usage, as I aim to heighten the topic’s relevance and relatability for my audience. Moreover, as my focus is to reinforce positive attitudes towards cultural exchange, I have adopted a light-hearted approach with humour through the first portion of my speech, then moving into an urgent tone towards the end to highlight the importance of this issue.
1. What is an Oral Presentation? 2. What are you expected to cover? (Oral Presentation Criteria) 3. Choosing your Topic 4. Choosing your Contention 5. Writing your Speech 6. Presenting your Speech 7. Writing the Written Explanation 8. Resources to help you prepare for your Oral Presentation
What is an Oral Presentation?
For many VCE English students, the oral presentation is the scariest part of the course; it’s often also the first.
Doing a speech can indeed be daunting— you’re marked in real time, you can’t go back and edit mistakes, and the writing part itself is only half the battle. Nonetheless, the Oral SAC can also be one of the more dynamic and engaging tasks you complete in VCE English, and there’s plenty of ways to make it more interesting and also more manageable for yourself.
Keep reading for a comprehensive overview of what you need to know to succeed in your Oral Presentation. We’ve got you covered- from choosing your topic and contention, to writing and presenting your Speech.
We’ll also be suggesting useful resources, Study Guides and YouTube videos that will provide more detailed information and give you more confidence. Let’s get into it!
What are you expected to cover in an Oral Presentation? (Oral Presentation Rubric)
1. Your Oral Presentation SAC has two components. The first is the Oral Presentation itself (“a point of view presented in oral form”), and the second is a Written Explanation, also known as a Statement of Intention.
2. Your selected topic needs to be an issue that has appeared in the media since 1 September of the previous year
3. Your aim for this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.
Here’s the raw version of VCAA’s expectations from you, taken from the VCAA website:
How to choose your Oral Presentation topic
1. Select a topic that has appeared in the media since 1 September of the previous year
This can be time consuming and tricky, especially if you want to choose something a bit more original or fresh.
Firstly, you need an event. An event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the Australian bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
The ABC news archive is also really helpful for finding events since you can pick dates or periods of time and see a good mix of news events from then. Otherwise, Wikipedia has helpful pages of events that happened in specific years in specific countries, so “2023 in Australia” might well be a starting point.
When you have your event, you can then look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister.
Most importantly, choose an issue from an event that’s interesting and important to you. After all, you’re going to be spending the time researching, writing and presenting!
2. Filter out the boring events/issues
Understand who your audience is.
Once you know who your audience is, ask yourself: Does this event and issue relate to my audience?
This question matters because “your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” This means that what you say to your audience and how they respond to your speech matters.
Even if your assessor isn’t counting exactly how many people are still listening to your speech at the end, everyone knows a powerful speech when they’re in the presence of one - it hooks the audience from start to end - and an assessor, consciously or subconsciously, cannot deny that the collective attentiveness of the room has an influence on their marking of your Oral Presentation.
That’s why you should choose a topic that your audience can relate to. Also, avoid topics that have too many unfamiliar words, because as soon as there’s something they don’t understand, it becomes much harder for them to follow your speech.
Now you may be asking yourself; what is the best topic for oral presentation?
Here are some example topics from previous years to give you inspiration:
Once you've chosen an interesting topic and have researched all of its different viewpoints, it's time to formulate your contention.
Often, creating a killer contention is about avoiding some common traps that will make your overall presentation boring, bland and just like the rest of your cohorts'.
So, there are three things I like to AVOID:
1. Broad, Overarching statements
2. A Contention That Is Just Plain Obvious
3. Avoid A Contention That Is Generally Accepted As True In Today’s Age
1. Have a CAPTIVATING introduction sentence; use a short, clear and powerful sentence.
2. RELATE to your audience so that it keeps them interested so they actually WANT to listen.
3. If you are taking on a persona, firstly study and UNDERSTAND your character.
4. Don’t forget your persuasive techniques. I usually use repetition in conjunction with the ‘rule of three’.
5. Remember that you are writing a SPEECH, not an essay. Instil your oral with emotion, varied tone and sentence lengths.
In fact, I've talked about a few of these in a 'Must Dos and Don'ts' video. If you haven't seen it yet, watch below before you read on.
4 Tips on Presenting Your Speech
1. Body Language
Confidence is key. Stand with your feet shoulder width apart and, more importantly don’t move your legs. Especially if you’re nervous, swaying or shuffling will be noticeable and make you appear more nervous—when you practise, pay attention to the lower half of your body and train it to stay still if possible.
That being said, do use your arms for gestures. Those are more natural and will help engage the audience, though don’t overdo it either—usually, holding cue cards in one hand frees up the other but also stops you from going overboard.
2. Eye contact
Cue cards brings up another important consideration- eye contact. Hold cue cards in one hand as high as you can without it feeling uncomfortable. This means you don’t have to take your eyes away from the audience for too long or too noticeably to check your notes.
Eye contact increases your engagement with the audience. It also gives the impression of confidence and that you’ve been practicing and know your speech inside and out!
3. Rehearse, rehearse, rehearse
In a best case scenario, you won’t need to rely on your cue cards as you will have your speech basically memorised! Read your speech aloud and pretend that you’re actually delivering your speech. This means:
- Looking up ahead
- Holding the cue cards in the right spot; and
- Not just reading the words, but speaking as if to an audience
It’s extremely helpful to also practice your speech to an actual audience! Practice in front of your family and friends. An alternative is to put a sticker next to your camera and record yourself. The sticker will help indicate where you should create eye contact. Look back at the video and give yourself some feedback, you might be surprised at your presentation!
4. Tone variation
Tone variation involves emphasising certain words, using pauses or slowing down for effect, or modifying volume. Incorporating some of these elements- even writing them into your notes by bolding/italicising/underlining will help you break out of monotony and make the speech more engaging.
Be sure to emphasise emotive language and any evidence you might use to illustrate your arguments. Most importantly, don’t speak too quickly!
5 things to keep in mind while writing the written explanation
For oral presentation based written explanations, the VCAA study design requests students write...
"A written statement of intention to accompany the student’s own oral presentation, articulating the intention of decisions made in the planning process, and how these demonstrate understanding of argument and persuasive language."
Using the topic, 'Why we need to stop crying 'cultural appropriation' when cultural exchange is far more important, ‘let’s see how this can be done with FLAPC with some examples below:
Resources to help you prepare for your Oral Presentation
Doing this study all by yourself can be rather daunting, so we've got your back. We specialise in supporting VCE English by creating helpful videos, study guides and eBooks. Here are some just to get your started:
The oral presentation SAC is worth 40% of your unit 4 English mark and is comprised of two sections: your statement of intention, and your oral presentation. It can be difficult to understand what is expected of you, as this SAC definitely varies from your typical English essay! So, if you need help understanding what’s expected of you, check out Our Ultimate Guide to Oral Presentations. If you’d like an even more in-depth guide on how to approach this assessment, definitely check out the How to Write a Killer Oral Presentationstudy guide!
Here, I’m going to dissect five of the most common mistakes students make during their oral presentation, and gloss over ways in which you can improve your marks for this critical SAC.
1. Writing an Unentertaining Speech
Whilst your other English SACs may require you to write in a formal and sophisticated manner, the oral presentation SAC is the one shining exception! Many students fall into the trap of writing a frankly boring and uninspiring speech that does no justice to their academic ability. Here are some mistakes to watch out for:
Choosing the Wrong Topic
Your school may or may not already give you a list of topics to choose from. However, in the event that you must research your own topic, it is essential that you choose an issue relevant to your current audience. You must adopt a clear contention in your speech.
Do not, for example, write a five-minute speech on why one sports team is better than the other, or why murder should be illegal. Choose an issue that you can take a passionate stance on and engage the audience with. Avoid a contention that is obvious and aim to actually persuade your class. Make sure you choose a 'WOW' topic for your VCE Oral Presentation.
Writing With the Wrong Sense of Tone
This is one of the biggest mistakes students make when writing their oral presentation. I cannot stress this enough – your speech is not a formally written text response! You are presenting your stance on an issue, which means that you are allowed to be passionate and creative. You can educate your audience on the facts without boring them to sleep. Let’s analyse two sample excerpts on the same issue to see why:
Issue: Should the Newstart allowance be increased?
Sample 1: 722,000 Australians are on Newstart. Single people receive approximately $40 a day. The Australian Bureau of Statistics recently increased this payment by $2.20 to adjust to price inflation. However, I am arguing that this price should be increased more.
Sample 2: As Australians, we pride ourselves on community values, and supporting one another. Yet, the way in which we treat 722,000 of our most vulnerable people doesn’t reflect this. The Australian government recently increased the Newstart payment by $2.20 weekly. But this means that Newstart recipients still live on just over $40 a day. Ask yourself, is that really enough to survive?
Samples 1 and 2 have the same information. Yet, Sample 2 engages with the audience in a much more effective manner. Try to avoid an overly formal tone and speak with passion and interest.
2. Presenting Without Confidence
Presenting in front of your class can be a very daunting experience. However, in order to distinguish yourself from your classmates, you must speak clearly and with confidence. Try to avoid making the following mistakes:
Reading Instead of Talking
Think back to primary school. Remember when your teacher would read you a storybook, and they would put on voices to make the story more engaging and interesting? The same sort of idea applies to your oral presentation. Simply reading a well-written speech will not get you marks. Rather, you should talk to your audience. Make eye contact, maintain good posture, and project your voice. Confidence is key!
Stalling for Time
I’m sure we’ve all been in a situation where we haven’t prepared ourselves for a test as well as we should have. The oral presentation SAC is not an assessment that you can simply wing on the day. Oftentimes, poor scores stem from a lack of preparation which can be reflected in the way students present themselves – and stalling for time is a big giveaway. Save yourself the mental stress and prepare for your SAC by writing out your speech beforehand (or even preparing a few dot points/cue cards). I personally find it helpful to practise in front of a mirror or even in front of pets/stuffed toys.
3. Not Distinguishing Yourself From Your Class
If you’re gunning for a good mark, you want to stand out from your class. This can be especially difficult if you are presenting the same topic as one of your peers. Avoid:
Starting in an Uninspiring Way
This is another big mistake students make when presenting. Let’s just estimate that there are approximately 20-25 people in your English class. Now, imagine if every person who presented before you began their speech with:
“Good morning, today I’ll be talking about why Newstart should be increased”.
It gets repetitive. You can distinguish yourself by beginning in a myriad of other ways. Here’s an example of how I started my own oral presentation for my SAC:
Topic: Should we ban sunscreens with oxybenzone and octinoxate?
Imagine you are a foreigner, excited to visit Australia. In your head, you’re picturing our beautiful flora and fauna, our stunning beaches, and the Great Coral Reef. You finally arrive after a long flight, eager to explore the country. You’re expecting the Great Coral Reef to be boasting colour, to look like all the pictures spotted online. Instead, you find what looks like a wasteland – a reef that has essentially been bleached to death. As Australians, we have to wonder what went wrong. If we really loved and cared for our environment, how could we not be protecting the reef, preventing any further damage? Recently, Hawaii banned sunscreens containing the chemicals oxybenzone and octinoxate, reasoning that these chemicals were causing harm to coral. Yet, in Australia, banning sunscreens with these chemicals are seen as drastic and useless measures, which simply isn’t true when you look at the facts.
This is an example of an “imagined scenario” starter. How to Write a Killer Oral Presentation outlines other ways to start your speech with examples! If you’re having trouble figuring out how to start with a BANG, definitely make use of this resource.
No Enthusiasm
I say this to my students regardless of the English SAC that they’re writing – you want your writing/speech to reflect that you are indeed learning and enjoying your education. Your teacher will be able to tell if you choose a topic that you have no interest in, or if you are simply regurgitating information. Use this SAC to learn about an issue and take interest in your learning. Believe me, your grades will thank you for it.
4. Incorrectly Using Visuals
Whether you are allowed to present with visuals or not is up to your English teacher. However, it is essential that you do not incorrectly use these visuals, as it can cost you marks. Avoid:
Overusing PowerPoint Slides
I’m a bit old-fashioned myself and honestly prefer presenting a speech with no images. That’s not to say that some images can’t be a great addition to your piece. However, PowerPoint can quickly steer you away from presenting your topic in an engaging manner.
This is an oral presentation with a stance on an issue, not an assessment where you are marked for presenting information to an audience. Therefore, reading off of PowerPoint slides is a big NO.
Using Cluttered Infographics
The point of focus of your oral presentation should be on YOU – your words, your stance on the issue. This ties into the PowerPoint criticism I made above, but using a cluttered infographic takes away from your well-written speech. Below is an example of an overly cluttered infographic:
If your speech was on renewable energy, your audience would be detracted from your stance, and too focussed on reading the information from the visual. If you have any key information that needs to be explained, it is better to embed this into your speech than rely on an infographic.
5. Disregarding the Statement of Intention
If you’ve finished writing your speech, you may have let out a big sigh of relief. But don’t get too comfortable yet – you still have to write your statement of intention (SOI). This piece of writing is supposed to accompany your speech, and it’s worth 25% of your SAC mark. Do not waste all your hard efforts by not taking the SOI seriously.
I like to think of an SOI as a language analysis of your own speech. Essentially, you should be explaining your choice of language, tone, and rhetoric, and justifying why that would make a profound impact on the audience. Make sure you understand what an SOI is.
I like thinking of this as a three-step approach:
Quote my own speech
Explain why and how my language would impact the audience
Link back to my overall contention of the issue
How to Write a Killer Oral Presentation outlines exactly what is expected of you in this section of your SAC. If you’d like to see an annotated A+ statement of intention, be sure to check it out!
I hope that going through these mistakes will help you when writing your own oral presentation! It’s always best to ask your teacher or English tutor for advice if you’re unsure of where to start. Happy writing!
As you all know, English subjects are integral to VCE studies, since it is compulsory that at least all four units of an English subject be done in order for you to reach that ATAR goal at the end of the VCE tunnel. Given the richness in cultural backgrounds of VCE students cohort, EAL is designed to mend the linguistic gaps between local students and those from non-English speaking backgrounds. Students eligible to complete EAL are those who have no more than 7 years residency in a predominately English-speaking country AND no more than 7 years having English as their main language of instructions. Therefore, it is generally considered ‘easier’ than mainstream English. So how exactly is this subject easier, or is this just some unproven prejudice? Let’s find out through my quick comparison between the two!
Purposes
According to the study design published by VCAA, both these English subjects ‘[contribute] to the development of literate individuals capable of critical and creative thinking, aesthetic appreciation and creativity…’ It might sound complex, but this basically just means that these subjects enable us to enhance our understanding and usage of the English language, which, in my opinion, serves to support our daily English communication. This purpose holds even greater significance to students from non-English speaking backgrounds, as those skills offered by English subjects are essential to their life in Australia. That’s said, EAL can be different from mainstream English in the sense that it also assists students whose mother tongue is not English in adapting to the predominately English-speaking community, via developing their language skills.
Structure
Both EAL and English assess students on multiple areas, including: Text response, Creative writing, Argument Analysis, Compare and Contrast, Presenting Argument. The only difference is in Unit 3, where EAL students are required to do a Listening task, whereas mainstream students study an additional text. Shown below is Unit 3 coursework for these two subjects (from the VCAA English/EAL study design):
ENGLISH
EAL
We can see that there is an extra outcome for Unit 3 EAL, which is ‘Comprehension of a spoken text’. This is where you will listen to two texts (twice each), take quick notes and fill in short-answers. Listening, therefore, is viewed by many as the least difficult compared to other tasks, because all you need to do is hear people speak English – something students do everyday. Yet it is absolutely not easy at all to attain a perfect score on this component! You have to pick up the right information from bunches of words, structure your response well so that the examiner understands what you try to convey, pay attention to paralinguistic elements (tone, volume, pitch…), etc. All of these skills can never be acquired without persistent practice.
In place of Listening component, mainstream English students get to do creative response to a different text. This is why Year 12 English students study a total of 4 texts (selected from VCAA text list), whereas it’s only 3 for EAL students.
VCAA has also noted down differences in the two subjects’ tasks conditions, as shown below:
End-of-year exam
Let’s have a look at another table:
Overall, they have similar components, except for the orange-shaded cells. Though EAL students do have a SAC on comparative analysis, this area is not assessed in their exam but replaced by the Listening task. Section C often has similar texts in both exams, with some modifications in language expression.
Both exams are to be done in 3 hours, non-stop! You’ll get quite weary I’m sure, but trust me, it will be followed by a sense of accomplishment to see all your hard work paid off on the exam papers!
Is EAL really easier?
So yep, EAL students get to write fewer essays and have lower word limit than mainstream students. But should we say that it’s easier? My personal opinion is: NO. The reason being learning a language that is not your mother-tongue is really never easy. Australian students doing VCE French will definitely agree with me! Given a large number of EAL students is international students, this subject can be a challenge to them. Yes, Listening might be easier than comparing texts, but taking super quick notes, picking the correct piece of info, paying attention to the way the speech is delivered, watching out for traps… are not that simple! I believe that no matter what subject you do, whether it be EAL or English or Maths… it only gets ‘easier’ after a period of constant effort and hard work.
For those eligible for both English and EAL, you might be tempted to go for EAL, but my advice is to consult available resources (the study design, this blog, teachers, peers…) before making a decision so as to figure out which style of learning best suits you. After all, you’ll learn most where you enjoy the most.
We’ve come to that time in the year when everyone is scrambling to find the perfect Oral Presentation topic. Choosing the best topic for you is easily the most difficult part of this SAC, so to hopefully ease the burden, I’ve crafted this list with the latest and biggest global debates. My two biggest pieces of advice are NOT to choose an overly complex subject and NOT to choose anything you don’t really understand. A simple idea that is argued effectively works far better than a complex idea argued poorly. Moreover, find a topic that you are genuinely passionate about; regardless of what your ideas are, your passion is the key to success.
That being said, if you are currently struggling to find some inspiration, have a read of the following oral topics that will hopefully bring light to the relevant and pressing issues of the world.
1.Not enough is being done to address gender discrimination, violence and inequality in Australia
We are lucky to live in a country where gender discrimination is on the decline, and where we’re progressively making our way towards equality. Unfortunately, we haven’t quite reached it yet. Gender discrimination and sexist ideologies slowly make their way through our school locker rooms, into our classrooms, across our halls, and most tragically, into our homes. Do we really focus on fixing these issues from youth through education, or are the government and media just letting these problems run their course?
The key thing to focus on is the barriers still present in society that are preventing us from reaching true equality. Search for famous female figures in Australia and the struggles they had to overcome solely based on their gender like Julia Gillard, Grace Tame and Nicole Kidman. Moreover, in a country as advanced and progressive as Australia, why are hundreds of women continuing to be murdered in domestic abuse disputes? It’s these terrifying statistics that demonstrate how far we have to go as a country, and how quickly we need action.
2.Addressing the ‘Climatic Catastrophe’ is being hindered by climate scepticism and multimillion-dollar corporations
Climate change. A buzzword for the top problem of the future. Even now, we’re feeling the terrible effects of the heating climate - floods, droughts and life-changing bush fires that have misplaced thousands of Aussies. A problem this big should require immediate action, right?
Well, two things are preventing us from slowing the changing climate and growing emissions. Firstly, Australia is clearly over-reliant on the coal industry. It is our top export after all, and our mining industry always proves to be a ‘booming success’. Not to mention the several ‘generous’ donations provided from multimillion-dollar fuel corporations to several of our own government parties.
Secondly, there seems to be certain online rhetoric that perpetuates false information. Otherwise known as ‘climate scepticism’, there are people who genuinely believe that climate change is a ‘hoax’ and not worth the time or effort to address. Think about the impact that the spreading of this misinformation can do.
3.Are we too reliant on fossil fuels?
The Russian war against Ukraine has had several terrible impacts across the world, affecting countries that weren’t even involved in the conflict to begin with. You may have heard your parents complain about the soaring fuel prices, or even had to cash out almost double for petrol yourself. The main reason for this is Australia’s reliance on fuel imports from Russia, which have quite obviously been disrupted.
This brings forward an important question, are we too reliant on fossil fuels as a nation? Imagine if we had made the switch to electric cars even just a few years earlier. I have a feeling our transport situation would be significantly better. Think about the policies we would need to introduce to become greener and more self-sufficient.
4.Indigenous injustices and deaths in custody are still being ignored
WARNING: This topic contains descriptions and the name of a recently deceased Indigenous person.
Veronica Nelson, a 37-year-old Indigenous woman, died whilst in custody after calling out 40 times for help from prison staff while being tragically ignored. Her unjust death evaded all sorts of media attention until her recent coroner’s report was revealed. According to doctors, if she had simply received medical attention that night, she would still be here with us today. Unfortunately, this is not an isolated issue.
Hundreds of reports of police brutality, deaths in custody and compliant media sources have been covered up or callously ignored. Take a look at the recent Royal Commission into the almost 500 Indigenous deaths in custody. What can we do as a nation to prevent further harm to our First Nation People?
5.Are social media ‘influencers’ skewing our perceptions of reality?
There’s no denying it, social media is one of the most influential platforms across the world. We often look towards celebrities and new ‘influencers’ for inspiration, life advice and familiarity. Especially coming out of the pandemic, these influencers have been a source of comfort for many during lockdowns. Unfortunately, lives are easy to fake and we are left wondering whether the people we look up to in the social media world are creating unrealistic expectations for us. Are they gaining profit at the expense of our mental health, or do they genuinely care for human connection?
6.Overconsumption in the fashion world: SHEIN, Fashion Nova and more
Online shopping is becoming our new reality, but rapidly growing fashion trends have led to mass production and inhumane outsourcing of labour. Think about the new fast fashion outlets that opened in Melbourne. Should we really be giving a retail platform to businesses that exploit workers and tailors, consistently produce poor-quality clothes and contribute to extensive land pollution? We’ve experienced huge clothing turnover over the past decade, contributing to one of our biggest land-fill issues at the moment. The emphasis on the constant need for more ‘trendy’ pieces results in items of clothing being poorly produced and going ‘out of fashion’ faster and consequently getting thrown out at the end of a new season. Fast fashion is an affordable option for many, but it comes at a cost of underpaid labour and pollution. How can society work towards finding the middle ground, so that everyone benefits and more importantly, what individual efforts can be made to ensure this?
7.Alcohol consumption amongst youths is becoming increasingly normalised
Everyone knows about the impact of alcohol on the body and mind, especially when it is consumed under age. Yet, binge drinking in Australia is a common weekend occurrence for students and is constantly normalised at social gatherings. Turning 18 and officially becoming an adult is exciting for many because of the prospect of finally being able to legally purchase and consume alcohol. However, even now, the long-term effects of alcohol have been proven to be the same as certain drugs and yet, it is heavily marketed by various companies, particularly to young Australians (Cassidy, 2021).
Many healthcare professionals stress that we need to work on reducing the culture of heavy drinking in Australia by increasing awareness of the genuine dangers. Think about ways in which we can do this that are different from what we have in place already.
8. The treatment of Ukraine vs. the Middle East/Sri Lankan/Asian refugees
When the war began in Ukraine, it rightfully caused worldwide outrage. Countries pledged artillery, medical aid and further security assistance for those fighting and opened their borders to Ukrainian refugees. However, during numerous conflicts in the Middle East, Sri Lanka and Southeast Asia, the world remained silent. The irony lies too within our own government, which was quick to reprimand Russia during the war and willingly state Australia will accommodate Ukrainian refugees, yet sends all other refugees that arrive in Australia to Christmas Island, or back home. There was, and still is, a difference in the treatment of vulnerable people that has long been tied into prolonged systematic racism, and it is still not being addressed.
9.‘Financial influencers’ are damaging people’s lives and careers
We’ve all seen it online, across Facebook and TikTok. ‘Financial influencers’ that can ‘turn you into a millionaire’ as long as you invest in their 12-step monetised plan for monetary freedom. For the most part, it is unsupported financial advice from online influencers who don’t have any qualifications. They cover bitcoin, cryptocurrency and ‘NFTs’ on social media, mainly encouraging people to quit their jobs and fully focus on the stock markets. Whilst some people have given out genuinely helpful and accessible advice, most end up teaching teenagers and young adults the wrong information, or strategies that have a low chance of success. We have a duty to protect people online, and adults making unsupported gambles with their finances is going against that. A good place to start would be to find out the real-life experiences of people who have lost money and stability as a result of this ‘advice’.
10.Social media has led to growing desensitisation and a lack of human empathy
The internet can be a place of joy and entertainment, allowing us to connect with people across the world and have access to endless information. Unfortunately, it is also a dark space filled with unregulated content that can be easily accessed. We’ve seen mass shootings, suicides and other disturbing material live streamed, exposing us to the worst acts of human nature. There are even those with a ‘morbid curiosity’ who purposefully try and find this content. Continued exposure to this type of content results in more desensitisation towards this material. If we continue this path, are the majority going to lack empathy towards others? Have a look at the wider effects of this type of content on the development of the brain.
11.The gaps in our labour market are only going to grow without rapid action
Over the past year, we have had some of the worst gaps in the labour market. There have been shortages in some of the most essential positions such as nursing, teaching, paramedics and 000 operators. The low wages and stressful nature of the jobs have made it difficult to find enough people willing to enter those job sectors. However, they are vital for our society to function, so how come nothing has yet been introduced to rapidly fix these shortages? Currently, we are out-sourcing labour, but this isn’t a long-term solution and we need to ensure that we don’t experience these problems in the future.
12.Vaccine privilege
Over the past few years, especially in Australia and the USA, we have noticed an increasing trend in people refusing vaccines (COVID and others) due to growing anti-vax sentiments. Despite the plethora of evidence online that discusses the benefits and heavy testing that vaccines have and continue to undergo, people still claim that they do more harm than good. Moreover, it has now been noted that we now have a surplus of vaccines within Australia because of our vaccine hoarding during the middle of the pandemic.
Yet, there are still people across the globe who are dying from various illnesses due to their country’s inability to afford or get access to vaccines. It is now our responsibility to ensure nothing like this happens again in the future, by finding ways to reduce these inequities and tackle vaccine privilege.
13.Our personal data, information and finances are becoming increasingly exposed
This might seem like a bold statement to make, but imagine the sheer level of data that you store online or on your phone. There’s GovID data that is simply stored on your phone that contains information about your entire identity, facial recognition technology that is used everywhere (biotech), cameras and fingerprint access everywhere. The debate is extremely two-sided, with increased cyber protection assisting in solving crimes and preventing identity fraud, but with the growing level of cybercrimes, we’re also put at risk.
It’s that time of year again when many VCE English students start brainstorming their Oral Presentation SACs. To help you out, we’ve collated some of the biggest names and issues in the recent Australian media.
Each heading represents a broad, ongoing issue, and under it are more specific debates within each issue. Going down a more precise route with your topic selection can make your speech a lot more engaging and current, so pick a broad issue that speaks to you, and ‘zoom in’ on a debate for your speech. Don't forget to also check outOur Ultimate Guide to Oral Presentations for everything you need to know for Oral Presentations.
CLIMATE CHANGE
1. Green New Deal
Originally, the 'New Deal' was a bunch of economic reforms that restimulated the economy back into action after the Great Depression. The 'Green New Deal' is a bunch of policies that combines this economic approach with the need to fight the climate crisis. It was first brought before the United States Congress by Alexandria Ocasio-Cortez in late 2018, but was ultimately voted down. It called for a 10-year transformation of the economy to provide green jobs; transition to renewable, zero-emission energy sources; and eliminate pollution across sectors such as manufacturing, agriculture and transport.
Is this something that we need to adopt in Australia? Is now the best time for that conversation, given the political climate (not to mention the actual climate of the worst bushfire season in history)? And what exactly are the options?
2019 saw the emergence of the 'school strike for climate', an international movement of students skipping school to demonstrate and demand action on climate change. It took off after Greta Thunberg, a Swedish schoolgirl, began protesting outside the Swedish parliament in late 2018.
It sparked widespread discussion on young people, education and the merits of striking. Scott Morrison was drawn into the discussion, stating that he doesn’t 'want our children to have anxieties about these issues', while defending his government’s track record on renewable energy investment.
So - should young people be worrying about these issues at all? Are they missing out on crucial years of education by taking to the streets? And, is what they’re saying really unreasonable at all?
What should a Prime Minister do in a state of national emergency? While Morrison delegated many of the duties to state premiers, are these distinctions important in times of crisis? Is he the leader we deserve after his resounding, miraculous election victory in 2019? Where to from here?
An ETS basically makes carbon gas emissions an economic good that gets bought and sold like any other - corporations that emit more gas will need to now purchase permission to emit, while corporations that emit less will be able to sell their permits. The debate for an ETS in Australia is old (surprisingly perhaps, John Howard first broached the idea towards the end of his Prime Ministership), but became political poison after Julia Gillard introduced it despite promising that her government wouldn’t introduce a carbon tax in the 2010 election. It has since been scrapped, making Australia the only government in the world to ever dismantle an operational ETS.
A decade later, is it now the right time to revisit this discussion? Just why are so many people opposed to policy that would stop corporations from emitting for free? And what does this mean for our international reputation and commitments?
So this is nothing particularly new, but it’s unfortunately still present even as we move into 2020. Should sports stars be penalised for their opinions when they’re exclusionary and harmful, or should we respect them for their sporting prowess? Maybe this speaks more broadly to the standards we expect sporting stars or public figures in general to set as role models…
Bear with me on this one - while she isn’t specifically a ‘social equity’ debate, Lizzo’s emergence as a breakout singer of 2019 intersects with a lot of social equity movements, from body positivity and feminism to racial justice and self-empowerment. Her upcoming shows in Australia sold out in minutes, which speaks to her newfound popularity as a global star.
What is it about Lizzo that resonates with so many people? What and who does she represent? Is the new decade also a watershed moment for diversity in entertainment?
Again, this one isn’t too new, but a fresh wave of activism for equal pay in sport was sparked this year by Megan Rapinoe, the captain of the US women’s national soccer team (which won the World Cup in 2019). She, her team and the men’s team sued the national soccer federation for gender discrimination and other countries, Australia included, followed suit.
Why does the wage gap exist and what are the reasons for closing it? Is a preference for the men’s game enough to justify paying women less (despite the fact that preferences like this are usually rooted in misogyny and are subjective anyway)? And how does this translate between different sports such as soccer, AFLW and tennis (where Serena Williams and Novak Djokovic have clashed over this before)?
Newstart is Australia’s income support for those aged 22 to 64 who are unemployed. Though a form of social security, it’s fallen behind in terms of how much economic security it can provide recently, with years of no real increases (that is, increases which offset inflation - basically things are getting more expensive and even if Newstart increases, it doesn’t give you more purchasing power in reality).
Is it finally time to increase Newstart? There was some discussion around the holiday season being particularly expensive, but should an increase be permanent? How hard is it to get a job in today’s economy? And are the payments enough to live on if you can’t find a job?
'Voice' was the Australian National Dictionary Centre’s word of the year in 2019, in the context of Indigenous representation in the Australian parliament. A Voice to Parliament would enshrine Indigenous input into laws and policies on issues affecting First Nations communities, and has been called for by activists for some time now.
How does this tie into/is this distinct from other issues such as constitutional recognition? Why haven’t we seen a lot of progress or consensus on these issues? And what might it mean for those communities to be able to make autonomous decisions?
Australian teachers have been struggling with increasingly difficult jobs and flat-lining pay in recent years, and teachers’ unions haven’t been able to successfully find a solution to offset these concerns. Tertiary students are now turning away from pursuing a career in education, and there could be many reasons as to why.
What does this mean for the future of Australian education? In what ways do you as a student feel the impacts? And what could be some solutions - perhaps both from a teacher’s point of view, but also from a student-centric viewpoint?
Unfortunately, Australian students have been falling behind many of their global counterparts in terms of educational outcomes - we even hit our worst ever results in the OECD’s international student assessment in 2018.
What does this mean in an increasingly globalised world and is there a way to turn this around? How might a student perspective on this be unique from that of a politician for example, or another stakeholder? And is education an isolated issue, or should we be looking at more holistic solutions that incorporate health-related, economic and/or social solutions as well?
This is another one of those long-running debates, though it’s on the table again as the ACT has recently legalised recreational cannabis. This goes against federal law, which still bans the possession and use of weed, and makes Canberra the first Australian jurisdiction to decriminalise it. Canberra has also led the way on issues such as same-sex marriage, legalising it as early as 2013 (four years before the rest of the nation would follow suit).
Discussion about other drugs such as ecstasy has also been raised as a result, and this piece might be an interesting read on why different drugs have different legal statuses.
Still, is legalising pot the way to go considering how other Western democracies are already moving in this direction? Is it even a harmful drug at all? And what about the others, such as ecstasy? Or even alcohol, for that matter?
This is an interesting and pretty recent phenomenon - climate grief or climate burnout are new terms that have come into existence to describe the mental health impacts of the climate crisis. In particular, they describe the frustration and despair that people may feel as a result, given that progress on reducing carbon emissions is frighteningly slow and natural disasters are becoming more frequent and devastating at the same time.
What is your take on it and who’s feeling it? Do you have to be affected by disasters, or can it also affect young people who feel pessimistic about the future of the planet? And what could be some strategies for overcoming it? What is the importance of seeing climate through a health lens and how might it inspire activism or change?
2019 saw some other new developments in the conversation around mental health in Australia. A report found that mental health concerns are getting more widespread among young people, while government investment doesn’t really seem to be effective.
Meanwhile, we’re also seeing progress on destigmatising mental health issues within sport - overseas, athletes such as Paul Merson and Stan Collymore have shared stories of their battles, while Cricket Australia looks into ways of creating more supportive environments for their players.
How can we streamline the message around mental health, or the relevant support networks? What solutions haven’t we tried yet, and how might the discussion around this shift in the next decade? What are the implications if we don’t address these issues?
Note that this can be a sensitive issue which may cause distress to some people.
NSW recently legalised abortions for pregnancies shorter than 22 weeks after one of the longest debates in their state Upper House. While the choice versus life debate has raged around the world for decades now (i.e. maybe don’t do a pro-choice speech that people will have heard before, and probably don’t do a pro-life speech in 2020), what is the landscape of the debate like in our day and age?
Who opposes it and why? What is the problem with making health issues criminal issues instead (e.g. drug policy as well)? And what other issues might be linked to this? Can someone who is pro-life also support tougher border restrictions that lead to refugee deaths at sea, for example?
Note that this can be a sensitive issue which may cause distress to some people.
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In Stasiland, Anna Funder, the author and first-person narrator, meets and listens to the ordinary people of East Germany: those who resisted the GDR dictatorship, those who were crushed by it, and those who diligently and remorselessly worked for it as Stasi informants or officers. As Anna speaks with those whose lives have been traumatised by the Stasi, she reflects on how the reunified Germany has dealt with (or ignored) its citizens' trauma and whether memory can be reconciled. Anna is an Australian working for a television station in Berlin in 1996. As an outsider Anna is uniquely positioned to ask East Germans about their experiences, as they do not have to battle with prior knowledge and experience to share their stories. She is interested in the former German Democratic Republic and what has happened to the East German people since the country reunified with West Germany. She became curious after learning that there are people putting together documents that were shredded by the Stasi.
Anna travels to Leipzig and visits the former headquarters of East Germany’s secret police, the Stasi, which is now a museum. The Stasi were the East German secret police and internal surveillance and defense force. Headed by Erich Mielke, they conducted surveillance on the East German population, aided by a vast number of civilian informants. While in Leipzig, Anna meets with a woman called Miriam Weber, who attempted to sneak out of East Germany when she was just a teenager. Miriam, sleep deprived and tortured, lied about receiving help from an organisation to cross the Wall and was sentenced to jail time. Her husband Charlie was also imprisoned by the Stasi and died while in custody. Miriam was told he committed suicide by hanging, but she suspects he was killed after the Stasi refused to show her his body and went to great lengths to hide Charlie during the funeral.
Returning to the apartment she rents in Berlin, Anna puts an advertisement in the paper calling for former Stasi agents and informers to share their stories with her. She meets with several ex-Stasi men, including Herr Winz, Herr Christian, Herr Bohnsack and Hagen Koch. She also visits and speaks to Karl-Eduard von Schitzler, a hateful man who hosted a propaganda-filled television program that criticised West Germany and gave false information about Communist success. In their discussions the former Stasi agents are concerned with justifying their involvement with the Stasi, although many also remain committed to communist ideals and await with anticipation the next revolution and restoration of the communist government.
Anna rents her apartment from an unpredictable and evasive young woman called Julia. Over time, Julia comes to trust Anna and shares her story of the Stasi cruelly interfering with her life. Anna also speaks with her rock musician friend Klaus Renft – East Germany’s Mick Jagger, and a woman named Frau Paul who was separated overnight from her sick infant son when the Berlin Wall went up and was later imprisoned for inflated charges of assisting people to escape East Germany.
After Anna’s mother is diagnosed with cancer, she goes home to Australia for 3 years, returning to Berlin to meet with some of the people she spoke with during her earlier stay, including Hagen Koch and Miriam. She also finally visits the ‘puzzlers’ in Nuremberg, whose story first sparked her interest in investigating the lives of East Germans affected by the Stasi. Anna is disappointed in the puzzlers, realising that their work is futile and there is no real effort put towards uncovering the lost information.
Almost all East Germans were left reeling at the sudden collapse of their government. For many, the collapse of the GDR took with it ideological security and made them nostalgic for the past. For others, being confronted with the level of the Stasi’s intrusion into their lives was deeply traumatic, as people realised they had been grievously betrayed by their fellow citizens, neighbours and even family members. The nostalgia for the regime that Funder witnesses shows how people cling to certainty and position and sometimes struggle with new freedoms. However, having spoken with so many individuals whose lives were ruined by the Stasi, Anna feels that the old regime was oppressive and authoritarian, and that the East Germans are better off with the challenges of their freedom, rather than stuck with the certainties of their oppression.
Never Let Me Go
Never Let Me Go is set in a dystopian alternative reality in England in the 1990s. The narrator, Kathy H, is a thirty-one-year-old 'carer' – a clone who looks after other clones who are donating their organs. Kathy is about to retire after a long career as a carer to become a donor herself, meaning she will soon 'complete' (a euphemism for dying). However, this premise is not immediately apparent to the reader. At the start of the novel, Kathy informs us she will be leaving her role as carer in a few months and has started to write down memories of her life, sorting through her time as a 'student' at Hailsham. However, at the start of the novel the reader is not aware that Kathy is a clone, although she appears to be addressing an insider from her world.
In the first third of the novel Kathy reflects on her childhood and teenage years at Hailsham. Hailsham is an institution where clones are looked after by 'guardians' and referred to as 'students', and which at first appears to be a private boarding school with a heavy focus on the arts and creativity. Their best works of painting, pottery, drawing or poetry were selected and taken away by a woman known as 'Madame', for what the students presume, and what is later confirmed to be, a gallery. The students know they are different from their guardians and the people who live outside Hailsham, referred to as 'normals', but the truth of what the clones are and their certain fate is not fully articulated until the characters are adults.
Kathy is close friends with a confident and controlling girl called Ruth and a boy named Tommy, whose work is never selected for the Gallery – an acknowledgement that defines status at the school. Tommy, teased and excluded, struggles to control his temper and often explodes into furies of rage. The students collect items and other students’ artwork for their own memory boxes, bought or traded at the school’s Exchanges and Sales. Kathy buys a cassette tape by a woman named Judy Bridgewater that contains a song called ‘Never Let Me Go’. This song makes Kathy emotional, and one day she is caught dancing to it by Madame, who Kathy is surprised to see is in tears watching her. Kathy presumes Madame is upset because she knows Kathy can never have children.
Ruth and Tommy start dating and Part Two sees the three friends reach early adulthood and move to a place known as the Cottages, to live with other clones from around the country and experience some freedom before beginning their donations or training to become a carer. When Rodney, another Cottage resident, believes he saw Ruth’s 'possible' – an original that one of the clones was modelled off – the three friends along with Rodney and his girlfriend Chrissie, take a trip to Norfolk to find her. Norfolk exists in the imagination of the Hailsham students as a 'lost corner', where things they have lost will be found. While the 'possible' is not Ruth’s original, Kathy and Tommy find a copy of the Judy Bridgewater tape that Kathy had lost. Ruth was secretly desperate to find her possible and hoped to find her working in an office. Ruth dreams of working in an office and her wish that her possible will be an office worker is one of the only suggestions we have that the clones secretly long for more from their lives and view their possibles as versions of them and what they are capable of. Back at the Cottages, Ruth continues to be manipulative and self-promoting, leading to a falling out with Kathy where she decides to leave early to begin training as a carer and falls out of contact with Ruth and Tommy.
Part Three encompasses Kathy’s time as a carer. Years after the time at the Cottages, Kathy organises to be Ruth’s carer and Ruth reconnects Kathy and Tommy, admitting she knew they loved each other and deliberately kept them apart. She hopes they will attempt to get a deferral from Madame. After Ruth 'completes', Kathy and Tommy finally become a couple. They visit Madame to ask for a deferral, who informs them there is no such thing. They learn from Madame that Hailsham was an attempt to reform the treatment of clones in their youth by proving they had souls. In most centers, clones are reared in deplorable, abusive conditions. They also learn that Hailsham had to be shut down. The normals became too uncomfortable with the reality of the clones’ souls but were not prepared to lose their organ supply.Never Let Me Go is a story about injustice and social stratification, where one group is made to suffer for the benefit of another. The 'normals' can deny their mortality while forcing the clones to confront their death sooner than their natural life span, and by shutting down schools like Hailsham, they do not need to think about the ethics of their choices.
Tommy dies and Kathy resigns herself to her fate as a donor. At the end of the novel, Kathy misses Tommy and Ruth, but consoles herself that she will always have her memories with her. Ishiguro explores the extent to which people accept their predetermined fate and how they can find meaning and love within those often-cruel limitations.
2. Textual Features Analysis
A textual feature is a component of the text used by authors to give meaning to their work. It is necessary to engage with the actual construction of the texts and to discuss textual features using metalanguage (terms that describe and analyse language). To write a thorough and thoughtful essay, you need to understand the textual features and how they are connected to overall thematic ideas. Structural features and metalanguage can be used as evidence of authorial intent and deepen our understanding of how writers use literary techniques to develop ideas and create meaning. Let’s take a look at Genre.
Stasiland
Stasiland is an example of creative nonfiction, meaning it tells a story of factual events and real people using literary and poetic techniques. The word ‘creative’ doesn’t give authors permission to exaggerate or dramatise the truth, instead this genre is one of factually accurate prose about real people and events that is told in a vivid and compelling way.
The reason Stasiland is classified as creative nonfiction and not under the genre of memoir is because although the events follow Anna Funder’s experiences in Berlin, they are not predominantly about her. A memoir is the writer’s own personal journey and life, whereas creative nonfiction generally has more public relevance and commentary. In Stasiland, Funder’s experiences in Berlin structure the chronology of the narrative but take a thematic backseat to the stories of the East Germans she meets and the historical events she relays.
Never Let Me Go
Never Let Me Go has elements of multiple genres: dystopian fiction, speculative historical fiction, science fiction and bildungsroman.
‘Dystopia’ means the opposite of ‘utopia’, but you’ll notice that most dystopian novels are set in societies where the ruling classes believe they are in a utopia. This is true of Never Let Me Go, as the clones pay with their lives and freedom for the utopian elimination of disease and extended life spans of the 'normals'. However, while clearly set in a horrific dystopian world, Never Let Me Gonotably differs from other novels in the dystopian genre, as the oppressed clones never once consider rebelling against the status quo – the most Kathy and Tommy hope for is an extension before beginning their donations and 'completing'. Ishiguro has stated in multiple interviews that he was most interested in exploring why oppressed persons never consider rebelling against their fate – what leads them to passive acceptance of their position in society?
In his exploration of this question, Ishiguro explores the development and growing up of Kathy, Ruth, and Tommy, trying to understand why they all submit without protest to their fate. In this sense the novel is a bildungsroman. Bildungsroman is a genre concerned with the psychological and moral development of a protagonist from childhood to adulthood, focusing on a person’s formation or coming of age. Never Let Me Go follows Kathy, Ruth and Tommy throughout their childhood and adolescence at Hailsham, their experience of limited freedom at the Cottages as young adults, and finally the reality of their short adult life as organ donors.
Of course, Never Let Me Go also fits into the category of speculative historical fiction and science fiction. The novel is set in an alternate historical reality where genetic science rapidly advanced after World War Two (significantly outstripping the real-world) and clones have been used to extend life in the UK for decades. However, Ishiguro does not give much narrative weight to describing the political reality of his fictional world, and neither does he offer much scientific explanation for the existence of clones. As we’ve already discussed, Ishiguro was vastly more interested in using these scientific and political circumstances to create conditions within which to explore characters and, by extension, human nature, so Never Let Me Go fits uneasily in these genres.
3. Themes (Convergent and Divergent Strategy)
Now that we’ve looked closely at both Stasiland and Never Let Me Go, it’s time to discuss in depth the key themes and ideas. Themes are the big ideas about human experience that a text explores, and form part of the message the author is hoping to communicate. A sound knowledge of key themes is essential for developing a thoughtful essay. All essay topics will ask you to explore thematic ideas in one way or another. If you have a strong understanding of both texts’ themes and how they are communicated, you will be able to generate arguments for any essay topic with confidence.
I’ll be adhering to the CONVERGENT and DIVERGENT strategy. This guide doesn’t go into too much detail about using LSG’s CONVERGENT and DIVERGENT strategy, so perhaps familiarise yourself with it by readingHow to Write a Killer Comparative.
Convergent Idea: The Importance of the Act of Remembering
Both Stasiland and Never Let Me Goillustrate the importance of remembering through the very construction of the text: in the narrative voice and narrative structure. Both narrators are looking into the past to try to make sense of history. For Kathy, this is a personal history whereas for Funder it is an act of witnessing a nation’s past and elevating the voices of the victims.
Stasiland is a compilation of the stories of all kinds of people involved and impacted by the GDR, including those who rebelled against the system, those who supported it and those crushed by it. Thus, ‘both sides’ of history are represented. Funder said in an interview with the Sydney Morning Herald after the publication of Stasiland that, 'When [Germans] read my book, people in the East are not proud of themselves. They'd rather not be reminded that other people were braver than they were. So there is a huge force to pretend that the Stasi regime was not as bad as it was.' This desire to forget the past so as to ignore confronting the terrible and terrifying truths contained within it is what Funder is working against by writing Stasiland. At one point in the text, she explicitly states what she’s doing:
'I’m making portraits of people, East Germans, of whom there will be none left in a generation. And I’m painting a picture of a city on the old fault-line of east and west. This is working against forgetting, and against time' (Stasiland, 147).
Julia explains the importance of these portraits, telling Anna 'For anyone to understand a regime like the GDR, the stories of ordinary people must be told. …You have to look at how normal people manage with such things in their pasts' (144). These 'things in their pasts' are not just trauma and hardship, but the knowledge that people just like them – their spouses, children, friends and neighbours – were capable of such cowardice, betrayal, self-interest and cruelty. It is this knowledge that Funder wants to preserve – that ordinary people are capable of both extraordinary courage and extraordinary cowardice.
Anna comes across a sobbing man 'I don’t want to be German anymore!...We are terrible…They are terrible. The Germans are terrible' (Stasiland, 253-4). Anna reflects that East Germans were 'long used to thinking the bad Germans were on the other side of the Wall' and now he is forced to ask 'were his people, now broke or drunk, shamed or fled or imprisoned or dead, any good at all?' (Stasiland, 254).
Although Kathy’s narration is entirely from her perspective, her act of remembering is also in many ways a political statement that forces us to consider the inhumanity people are capable of.
Kathy recollects and structures her memories of her childhood and relationships to understand them as a unified whole, essentially establishing her identity. More importantly, it is evident in phrases such as 'I don’t know how it was where you were, but at Hailsham…' (NLMG, 13) and 'I’m sure you’ve heard it said plenty more' (NLMG, 4) that Kathy is positing a reader for her writing. Assuming a reader places her autobiography in a social framework with the purpose of communicating her life, which turns it into a historical account that exists beyond the limit of her death. Kathy’s attempt to leave a legacy by writing down her experiences and structuring her identity is an act of protest against a society that believes she is sub-human, without feelings or motivations, and that her life meant nothing.
Divergent Idea: The Role and Value of Nostalgia
The way memory can be distorted is particularly clear in relation to the idea of nostalgia for a brutal past. This idea is explored differently in Stasiland and Never Let Me Go, with Funder condemning nostalgia as blinding people to the horrors of the past, and Ishiguro illustrating how drawing comfort from the past can help people through difficult times.
In Stasiland, many disaffected former East Germans tell Anna that things were 'so much better before' (Stasiland, 251) the country’s reunification. Anna reflects:
'I don’t doubt this genuine nostalgia, but I think it has coloured a cheap and nasty world golden; a world where they was nothing to buy, nowhere to go and anyone who wanted to do anything with their lives other than serve the Party risked persecution, or worse' (Stasiland, 251-2).
Similarly, while working at the radio station on Ostalgie parties (Ostalgie is nostalgia for life in Communist East Germany), Miriam observes 'a crazy nostalgia for the GDR – as if it had been a harmless welfare state that looked after people’s needs. Most of the people at these parties are too young to remember the GDR anyway. They are just looking for something to yearn for' (Stasiland, 275). Funder is critical of nostalgia because it minimises past injustice.
Conversely, in Never Let Me Go, nostalgia and false memories are shown to be consolatory and even useful. Before Kathy begins to recount her childhood, she mentions a donor who was once under her care who 'knew he was close to completing' (NLMG, 5). He asks Kathy to share memories of her childhood and 'What he wanted was not just to hear about Hailsham, but to remember Hailsham, just like it had been his own childhood. …so the line would blur between what were my memories and his' (NLMG, 5). Although this man is falsifying his memories, he is not editing and revising history like some people in east Berlin, he is replacing them entirely to suppress the trauma of his own past. He is not yearning for a return to an idealised past the way some people in Stasiland do. For Kathy, nostalgia for her childhood helps her reconnect with her friends, creating a sense of belonging and identity. Her attachment to Hailsham strengthens her worldview, her relational bonds and gives meaning to her life. Nostalgic memory in Never Let Me Go brings comfort, although you could argue that it also fosters passivity and acceptance in the face of oppression.
4. LSG’s Bubble Tea (BBT) Strategy for Unique Strategies
Why Is an Interpretation Important?
Your interpretation is what English is all about; it’s about getting you to think critically about the essay topic at hand, to formulate a contention (agree, disagree, or sit on the fence) and argue each of your points with the best pieces of evidence you can find - and it’s something you might already be starting to do naturally.
In this section, we aim to help you develop your own interpretation of the text, rather than relying on your teacher, tutor or even a study guide (including this one) author’s interpretation. By developing your own interpretation, you become a better English student by:
Writing with meaning. For a text to be interpreted, you need a text and an interpreter (i.e. you!). Whenever we read a new text, our interpretation of a text is shaped by our pre-existing beliefs, knowledge and expectations. This should be reassuring because it means that you can leverage your own life experiences in developing a unique interpretation of the text! We’ll show you how this works in the next point.
Remembering evidence (quotes or literary devices) more easily. If you know you admire a character for example (which is in itself an interpretation 😉), you can probably remember why you admire them. Perhaps the character’s selflessness reminds you of your Dad (see how you’re using real life experiences mentioned in Point 1 to develop an interpretation of the text?). You will then more easily recall something the character said or did in the text (i.e. evidence) that made you admire them.
Having an analysis ready to use alongside the evidence. As a result of Point 2, you’ll be able to write a few sentences based on your own interpretation. Rather than memorising entire essays (we’ve talked about this before) and regurgitating information from teachers, tutors, study guides and other resources - which can be labour intensive and actually detract from the originality of your essay - you’re approaching the essay with your own thoughts and opinions (which you can reuse over and over again across different essay topics).
Let’s look on the flip side. What happens when you don’t have your own interpretation?
When you don’t take the time to actively think for yourself - i.e. to think through your own interpretations (we’ve talked about the importance of THINK in theTHINK and EXECUTE strategy here) - when it finally comes to writing an essay, you may find it difficult:
a) to get started - formulating a contention in response to the essay topic is challenging because you have no strong opinion about the text,
b) complete the essay - writing up arguments and using evidence in paragraphs becomes challenging because you have no strong opinion about the text,
c) to score higher marks - ultimately, you end up regurgitating other people’s ideas (your teacher’s, tutor’s or from study guides) because you have (you guessed it) no strong opinion on the text.
Having your own interpretation means that you’ll eliminate issues a, b and c from above. Overall, you’ll have opinions (and therefore contentions) ready for any prompt when you go into your SACs or exams, which means it’ll be easier not only to write a full essay, but an original and insightful one as well.
Your Goal
To overcome the issues above, you need to be confident with your own interpretation of the text. This doesn’t come naturally to a lot of students, and it makes sense why. After all, so many subjects reward specific answers (2 + 2 = 4), whereas English is tricky because there’s so much more flexibility in what constitutes a ‘correct answer’. It’s scary treading the sea of different possible interpretations because you’ll ask yourself questions like:
How do I know if my interpretation is correct?
How do I know if my evidence actually backs up what I’m arguing?
What if I disagree with my teacher, and they mark me down for a differing opinion?
Or worse - I’m not smart enough to come up with my own interpretation!
Let me say that you are absolutely smart enough to develop your own interpretation, and I’ll show you how to do so in A Killer Comparative Guide: Stasiland & Never Let Me Go with LSG’s unique strategy - the BUBBLE TEA (BBT) strategy. By following our step-by-step framework, you can be confident that your interpretation is valid, that it backs up your argument, and that most importantly, you won’t lose marks for it!
5. Sample Essay Questions
1. ‘To conform is to be safe and to survive.’ Compare how this idea is examined in both texts.
2. 'The earlier years…blur into each other as a kind of golden time' (Never Let Me Go) 'I don’t doubt this genuine nostalgia, but I think it has coloured a cheap and nasty world golden.' (Stasiland) Compare what the two texts say about the dangers of willful ignorance.
3. 'For Miriam, the past stopped when Charlie died.' (Stasiland) '…I’d see it was Tommy, and he’d wave, maybe even call…and though the tears rolled down my face, I wasn’t sobbing…I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.' (Never Let Me Go) What role do love and relationships play in helping people withstand persecution?
4. ‘It is impossible to be free when you are unaware of your confines.’ Compare how the two texts explore freedom and confinement.
4. ‘The past is always harder to access than we think’. Compare the ways in which Stasiland and Never Let Me Go depict the difficulties in uncovering the past.
Essay Topic Breakdown
As with all our essay topic breakdowns, we'll follow LSG's THINK and EXECUTE strategy, as taught in our How To Write A Killer Text Response study guide. The LSG's THINK and EXECUTE strategy follows three steps in the THINK phase - Analyse, Brainstorm, and Create a Plan. Learn more about this technique in this video:
'To remember or forget? Which is healthier? To demolish it or fence it off? To dig it up, or leave it to lie in the ground?' (Stasiland). 'What he wanted was not just to hear about Hailsham, but to remember Hailsham, just like it had been his own childhood' (Never Let Me Go). How does memory inform identity in Stasiland and Never Let Me Go?
Step 1: Analyse
This quote-based prompt is constructed a bit like a theme-based prompt as it directs us to talk about memory’s role in forming identity. However, the quotes act as an additional hint in terms of what else we’re supposed to discuss. We need to identify where these quotes come from in the texts and why they might be significant. The Stasiland quote (from p. 52) comes from the question of what the nation should do with Hitler’s bunker. In the end the only decision was indecision, the mayor buried the bunker and hoped that people in 50 years might know what to do with it. Thus, this quote points to the difficulty countries have in creating a national identity when there is horror and trauma in their history. The Never Let Me Go quote (from p. 5) points towards an ill donor’s recreation of his identity using someone else’s memories. Therefore, this quote points to how memories, even false ones, can reconstruct individual identity.
Step 2: Brainstorm
Because of the direction of the two quotes, I am going to explore memory’s role in forming individual and group identity.
Individual identity:
Kathy and Julia develop greater self-insight through sharing their memories in a structured, logical narrative.
Kathy and Herr Koch fear that the loss of the physical presence of Hailsham and the Berlin Wall will undermine the significance of their memories of these places, which form a substantial part of their pasts and identities. They therefore pay much more attention to preserving their memories of these places to affirm their identity.
Group identity:
East Germany’s rewriting and erasure of history meant that they no longer identified as the same Germans responsible for Hitler’s regime.
The episode in which a distressed man sobs 'I don’t want to be German anymore!' reveals how difficult memories can generate confusion and internal conflict over an individual’s perception of their national identity.
In NLMG, the country’s determined forgetting of the circumstances of the clones allows them to preserve their own interests and maintain an uncomplicated, guilt-free, but false, innocent national identity.
Step 3: Create a Plan
P1: Both texts show that the degree to which one’s memories have been investigated and illuminated impacts how well they understand their identity.
Compare Kathy and Julia and the way they reconstruct their understanding of their identity by reflecting on their memories with the new information offered by hindsight.
Conversely, the ill donor that Kathy cares for at the beginning of the novel sought to purposefully suppress his own identity by replacing his memories. This speaks to the same idea that memories can evolve and shape identity but shows how that can be misaligned with reality and truth (note: this discussion of the donor is your opportunity to use the quote from the prompt, which is a requirement of a quote-based topic).
P2: Sometimes people hold on tightly to particular memories as a way to affirm their identity as losing those memories is akin to erasing or denying the legitimacy of their experiences.
Compare Hagen Koch’s obsession with the Berlin Wall and Kathy’s preoccupation with Hailsham.
P3: Choosing what gets remembered or forgotten in a nation’s ‘official history’ drastically impacts how their national identity is perceived and how well that identity aligns with reality.
'History was so quickly remade, and so successfully, that it can truly be said that the easterners did not feel then, and do not feel now, that they were the same Germans as those responsible for Hitler’s regime'
'I don’t want to be German anymore!'
'To remember or forget? Which is healthier?'
'The world didn’t want to be reminded how the donation program really worked.'
'They preferred to believe these organs appeared from nowhere.'
We've all been there. You're moments away from having to deliver your 5-6 minute long oral to all of your classmates and your teacher, and you're still trying to memorise that one bit that you just can't seem to get down pat. It sucks.
For many VCE English students, the oral presentation is the scariest part of the course; it’s often also the first.
Doing a speech can indeed be daunting— you’re marked in real time, you can’t go back and edit mistakes, and the writing part itself is only half the battle. Nonetheless, the oral SAC can also be one of the more dynamic and engaging tasks you complete in VCE English, and there’s plenty of ways to make it more interesting and also more manageable for yourself.
We’ll break the whole process down into three parts (don’t worry, one of these will be the delivery itself) and have a look at ways to tackle each; hopefully, you’ll feel more empowered to give it a go on your own terms. Don't forget to also check out Our Ultimate Guide to Oral Presentations for everything you need to know for Oral Presentations.
Part One: Choosing a good topic
(In this section—researching events & issues, topic ideas)
For a bit of a head start on this step, be sure to check out our blog post filled with Oral Presentation Topics for 2020. It's one of our best kept secrets!
In the study design, the description that’s given for the Oral Presentation is:
“A point of view presented in oral form using sound argument and persuasive language. The point of view should relate to an issue that has appeared in the media since 1 September of the previous year.”
Besides this restriction on how current/recent your issue is, the expectations themselves for this task are pretty standard (and therefore pretty broad): you
select a topic or point of view
research arguments and supporting evidence; and
position the audience accordingly in your speech
Getting started on this first part can be tricky though, especially if you want to choose something a bit more original or fresh.
In any case, the first thing you need is an event. As a reminder, an event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
So where do you find an event? If you can’t think of a particularly interesting one right away, you could always try Wikipedia. Seriously, Wikipedia very helpfully has pages of things that happened in specific years in specific countries, so “2019 in Australia” might well be a starting point. The ABC news archive is also really helpful since you can pick dates or periods of time and see a good mix of news events from then.
I wouldn’t underestimate your own memory here either. Maybe you attended the School Strike for Climate and/or you feel vaguely disappointed in the government. Maybe there was something else happening in the news you remember (even though it is often about the environment these days). It doesn’t have to be from the news though—maybe there was a movie or TV show you watched recently that you have thoughts about. You could really do a speech on any of these, as long as you suspect there might be recent, opinionated media coverage.
Only once you have an event should you look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister, whether or not it’s appropriate to discuss policy already when people are still grieving. All of these issues are going to be more current and more focused than just ‘climate change’, so pick one that resonates for your speech. For a list of 2019-20 issue-debate breakdowns (i.e. topic ideas!), give this a read!
From there, you might delve a little deeper into viewpoints around your chosen issue, and you’d do this mostly by reading opinion or analysis articles (rather than hard news reports). Opinion is great to see what other people are thinking, and could help you bolster or reinforce your own arguments, whereas analysis is good to get a little deeper into the implications of and evidence behind the issue. The actual contention itself comes last—even though you might already have an idea what you think about the issue, you’ll be best prepared to articulate it after doing the research first.
Part Two: Writing a good speech
(In this section—register/tone selection, personas, openings, how formal you need to be, drafting & rehearsing)
For this part of the task, I’d keep in mind a specific snippet of its description: the need to use sound argument and persuasive language.
To be fair, persuasive language mightn’t necessarily be something you actively think about when you write persuasively—you wouldn’t ever really be like “hey, this is a great spot to include an appeal to compassion.” However, while you don’t need to start now, it’s good to have in mind a general register for your speech before you start. It’s one of the first things you might analyse in a written essay for good reason—it’s broad and it sets the tone for your argument/s.
With the bushfires for instance, you might contend that even though grief is a strong emotion, it should also be a trigger for resolute, permanent policy reform. But will you come from a frustrated, this-is-what-we’ve-been-saying-for-years register, or a compassionate look-at-the-damage-caused register, or an assertive, we-need-to-bring-the-community-together-first register?
Maybe you can incorporate a bit of each, or maybe (probably) there are more options, but in any case, making this decision first will help with stringing together arguments and incorporating more persuasive language techniques (PLTs). Note that most PLTs can be used across a number of registers, but there are some that might work more effectively with some of these.
For example:
Register
Arguments
PLTs
Frustrated
Climate activists have been stating the facts for years now; we suffered more extensive damage this bushfire season than ever before and our politicians are still clinging to coal; if this doesn’t trigger change, what will?
Statistics + other evidence
Attacks (on government, climate denialists etc.)
Calls to action
Emotive language
Compassionate
There’s been so much damage, and grief is an understandable and necessary response; if we don’t do something now though, how many more years will we have to suffer through the same (if not worse)?
Appeals to sympathy
Anecdotes (especially if you adopt a persona)
Rhetorical questions
Imagery
Assertive
Never before has the community been so united on combating an issue; even international communities are involved; we have to take advantage of how the issue has brought everyone together to enact meaningful, permanent change now.
Inclusive language
Generalisations (ALL Australians want change)
Appeals to community and/or hope, optimism
Repetition/emphasis
These are things you’ll have to think about for your written explanations, and might also help you shape future research if you need to shore up the speech a little more.
Something you may consider as well is adopting a persona, that is a character and a context for your speech. You don’t have to, but it may help you get started. It can be hard to just write a speech from scratch, but if you’re the mayor of a township affected by the fires and you’re outlining a course of action, it’ll help with your register and outlook.
Openings in general can be tricky though. Try to avoid stating your event, issue and contention outright—the audience doesn’t need to know that “recently, Australia experienced a horrific bushfire season and I’m going to talk about why now is the time to act on climate change.” They’ll figure it out.
Instead, try to start with something that clearly communicates your register and/or persona (if you have one). If you’re a frustrated climate activist, start by illustrating the historical patterns of bushfires getting worse and worse. If you’re a compassionate community-builder, start with anecdotes of the damage. If you’re an assertive leader, explain who you are, what your experience is and how you want to create change. Don’t worry if you feel like the issue won’t be clear enough—again, they’ll figure it out!
The opening also sets the bar for formality in your speech, and it’s honestly up to you how formal you’ll want to be. As a rule of thumb, don’t be so formal that you can’t use contractions (such as “you’ll” and “can’t”)—avoid those in essays for sure, but they’re a natural part of speaking and it’ll feel strange if you don’t use them.
I’d also recommend you draft and rehearse in front of others, highlighting areas where you think are the weakest and asking them for specific advice on those sections at the end. Having specific questions to ask, such as “should I include more data/quantitative evidence in x section?” or “is this specific appeal to x obvious enough?”, also means you get better feedback (since these are much easier to answer than “Was that fine?”).
Part Three: Delivering an engaging presentation
(In this section—body language, eye contact, rehearse rehearse rehearse, tone variation)
Most of you probably find this the most daunting part of the SAC—honestly, me too—but this is the part with the most tried-and-tested tips for success.
With regard to body language, stand with your feet shoulder width apart and, more importantly don’t move your legs. Especially if you’re nervous, swaying or shuffling will be noticeable and make you appear more nervous—when you practise, pay attention to the lower half of your body and train it to stay still if possible. That being said, do use your arms for gestures. Those are more natural and will help engage the audience, though don’t overdo it either—usually, holding cue cards in one hand frees up the other but also stops you from going overboard.
And cue cards brig us up to another important consideration—eye contact. Hold cue cards in one hand as high as you can without it feeling uncomfortable. This means you don’t have to take your eyes away from the audience for too long or too noticeably to check your notes.
Of course, knowing your speech better means having to check your notes less frequently. When I did my speech, I’d read it out aloud to myself 3-5 times a day for a week or two in advance, which made me feel like I was going insane but also meant that my speech was basically memorised. The cue cards were there in case of emergency, but I really didn’t need them at all. Absolutely make sure to rehearse your speech.
Further, when you rehearse, try to pretend that you’re actually delivering the speech. This means:
looking up ahead
holding the cue cards in the right spot; and
not just reading the words but speaking as if to an audience.
This last point is really important—tone variation might come naturally to some but not to others. I always found that building it into rehearsal helped with getting it consistent and natural. Tone variation involves things like emphasising certain words, using pauses or slowing down for effect, or modifying volume. Incorporating some of these elements—even writing them into your notes by bolding/italicising/underlining—will help you break out of monotony and make the speech more engaging as well. Be sure to emphasise things like emotive language and any evidence you might use to illustrate your arguments.
And one last thing—don’t speak too quickly! Easier said than done, but often the icing on the cake for a speech that is memorable for the right reasons.
Wondering where to go from here? Well, luckily, my eBook, How To Write A Killer Oral Presentation, details my exact step-by-step process so you can get that A+ in your SAC this year.
Access a step-by-step guide on how to write your Oral Presentation with simple, easy-to-follow advice
Read and analyse sample A+ Oral Presentations with EVERY speech annotated and broken down on HOW and WHY students achieved A+ so you reach your goal
Learn how to stand out from other students with advice on your speech delivery
Sounds like something that'd help you? I think so too! Access the full eBook by clicking here!
Hey everyone! This is Part 2 in a series of videos I will release on VCE Study Guides. The content goes through the sample VCAA Chickens Range Free article which you can find here. Feel free to analyse it yourself, then check out how I’ve analysed the article!
I’m super excited to share with you my first ever online tutorial course for VCE English/EAL students on How to achieve A+ for Language Analysis!!!
I created this course for a few reasons:
Language Analysis is often the key weakness for VCE English/EAL students, after my workshops, students always wish we had spent evenmore time on Language Analysis, many of you have come to me seeking private tuition however since I am fully booked out, I wanted to still offer you a chance to gain access to my ‘breakthrough’ method of tutoring Language Analysis,I am absolutely confident in my unique and straightforward way of teaching Language Analysis which has lead to my students securing exceptional A graded SAC and exam scores!
Are you a student who:
struggles to identify language techniques?
finds it difficult to identify which tones are adopted in articles?
has no idea explaining HOW the author persuades?
finds it difficult to structure your language analysis essay?
becomes even more unsure when comparing 2 or 3 articles?
feels like your teacher at school never explained language analysis properly?
prefers learning when it’s enjoyable and easy to understand?
wants to stand out from other students across the cohort?
wants to know the secrets of 45+ English high achievers?
wants to know what examiners are looking for?
sees room for improvement whether you’re an average student or a pro?
wants to get a head start and maximise your potential in VCE?
This is what you will accomplish by the end of the course:
Be able to successfully identify language techniques in articles and images
Be able to successfully identify tones adopted in articles and images
Be able to analyse a single article or image
Be able to analyse 2 or more articles and/or images
Be able to apply your new skills coherently and clearly in essay writing
You will be able to accurately describe HOW an author uses language to persuade
You will be able to plan and write a language analysis essay structure (single article/image)
You will be able to plan and write a language analysis essay structure (2 or more articles/images)
You will understand common pitfalls and how to avoid these in language analysis
Be confident when approaching your SACs and exam
Know exactly what examiners are looking for and how to ‘WOW’ them
Know how to distinguish yourself from other students
Have unlimited help in course forum from myself and other VCE students
You will become a better VCE English language analysis student!
To find out more, you can check out the full details of the coursehere!
See you in the course!
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