Welcome to 2014! As many of you will already be in your second or third week of schooling, it’s likely that you’re getting plenty of workload from across your subjects. Some of you may very well be preparing for your oral presentation SAC that’s coming up very soon! If that is the case, I’ve collated a list of some popular topics that have cropped up in the Australian media since September last year. The list is intended to help you brainstorm different issues you may wish to debate in your speech, with the contention left for you to decide once you have researched enough on the topic! Check it out below:
Treatment of asylum seekers
Processing of asylum seekers
‘One punch law’
Street violence
Should mathematics be compulsory in schools?
Shark culling in South Australia
The end of car manufacturing in Australia
Sex education and homosexuality
Work-for-the-dole scheme
Needle vending machines
East-West tunnel
Cory Bernadi’s book – The Conservative Revolution (Abortion)
Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps.
1. ‘Implementing a sugar tax to curb Australian obesity.’
Premise: Mexico and UK have already implemented the ‘Sugar Tax’ on soft drinks to prevent obesity through the avenue of consumer choices, with this debate being sparked in Canada and Australia as to whether this is a viable solution. The World Health Organization believes this could reduce consumption of sugar by reinvesting the more expensive prices into health initiatives against ‘Childhood Obesity’. The Federal Government is facing this decision in 2019, to introduce these radical changes. Thus, whether or not the sugar tax should be implemented would be the core of your oral.
2. ‘What can Australia do to reduce the dangers of paramedic assault and overtime?’
Premise: Lately in the media, paramedic attacks and unreasonable overtime shifts means that the safety of our ambulance staff is compromised. A series of movements and a necessity for awareness has been sparked in Australia, with one paramedic being assaulted every 50 hours, and 147 assaulted in 2018. Whether or not people choose to support ambulance safety on a political front, social front or preemptive front (see Ambulance Victoria’s ‘Help keep our ambos safe at work’), action has been gaining momentum in contemporary news and campaigns. Is Australia doing enough for paramedic safety? This would be the basis of your oral.
3. ‘How are our politicians dealing with events of Melbourne CBD terrorism?’
Premise: A series of concentrated terrorist attacks on Melbourne’s Bourke Street and around Melbourne’s CBD has led to preventative measures such as 88 concrete blocks and anti-terror speaker systems. With politicians such as Matthew Guy pushing movements such as suspects facing curfews and counselling and drones around the city being put in place to monitor events like Christmas Day and New Years, this issue is being noted. But is enough being done? How effective are these measures, and are the police and government working closely enough to avoid these situations? This would be the basis of your oral.
Premise: The question of whether loot boxes being utilised in video games marketed to underage children are in fact exposing them to gambling is currently being debated at a Senate level in Australia and around the world. Whilst opinions are segregated on whether this is harmless or harmful, statistics and experts seem to believe in Europe that the detriment is too high, with 15 gambling regulators pinning game developers and publishers. Similarly, the UK and especially Australia have been making movements to rid the gaming industry of this practice. However, ‘EA Games’ is a big player against this, thriving of their sales in games such as ‘FIFA Coins’ and ‘Star Wars: Battlefront’. Thus, whether it is just gambling or gaming would form this oral.
Premise: The anti- vaccination movement, concentrated in the beachside town of Byron Bay in Australia is claiming more young lives daily, as medical reports are starting to note a greater toll in whooping cough cases and other vaccination related diseases. With campaigns such as the ‘No Jab, No Play’ initiative and other experts stating the way vaccinations are being handled, the situation is not apt in the current necessity for herd immunity amongst young Australians. Whether or not vaccination should be more heavily emphasised would be explored in this oral.
6. ‘The competition of Uber, Taxis and other ride sharing services.’
Premise: The hyper competitive nature of ride-sharing services and transport on the Australian field means that Uber and taxis have a lot more competition with one another, meaning shared business can affect the others customers in a major way. Hence, the Australian approach of lawsuits and the pickup of other services such as Shebah, Gocatch and Ola, means that drivers are facing harder times finding customers and also maintaining a steady stream of income. Whether or not these competing companies escalate the quality of transport or are too detrimental to driver’s livelihood would be explored in this oral.
Premise: Communities within Australia, specifically in Queensland, prepare themselves for overwhelming drought this 2019, with as their profits will most probably drop below $13,000 in this next financial year for farmers. Whilst milk companies and other politicians have attempted to rally with farmers, more attention seemingly may have to be put in place to assure the livelihood of these agricultural practitioners. Hence, even with drought relief practices and campaigns with many stakeholders in the government and as owners of business, it may require more of a push on a formal level in these pivotal years for farmers. The necessary movements and activism for greater support of farmers would be explored in this oral.
Premise: The rise in plastic consumption on a global scale and also lack of environmental solutions has led sea turtle’s digestive tracts and parts of the deepest oceans to be littered with seemingly minute particles called ‘microplastics’. However, these particles have detrimental effects and often litter foods, water sources and our ecosystem, usually sinking to the bottom of the ocean, with 99% of the plastic the seas contain building on the bottom. Ultimately, how we deal with these microplastics and whether it is important would be illustrated in this oral.
Premise: The ‘Close the Gap’ campaign originally focused on integrating the Indigenous people back into modernized society that excluded them wrongly. Objectives were necessary to fulfill educational reforms, social necessities and the favour within employment that needed to be shown in order to “even the playing field”. Over the years, this has been scrutinised and subjected to downfalls, both political and social, with many of these objectives not achieved. Thus, greater attention or movement may have to be incited. Hence, whether enough is being done or more needs to be provoked would inspire this oral.
10. ‘Can we use genetically modified foods in daily life?’
Premise: The discussion of GMOs (genetically modified foods) and their ethical, moral and health implications have segregated both consumers and producers alike. Australia’s viewpoint of the scientific practice in modifying foods has been portrayed in the recent elongation to bans in South Australia until 2025, but has also been challenged with groundbreaking research that could double the crop yield in theory, due to the advances in photosynthetic characteristics and other chemical properties of plants. Thus, whether or not they should be refuted or supported would form the basis of this oral.
Premise: It is rare to find a career where the exact same work will be paid differently based on sexuality, race or gender. It seems in the contemporary age the real issue is that cultural norms raise more women lawyers, doctors and teachers than engineers, physicists and STEM workers. Rather than a direct percentage of the pay gap, it is made apparent that it is rather a systematic average of less over time because of the careers being chosen. Whether or not the wage gap is due to STEM and what we can do to prevent this would be the formation of your oral.
12. ‘Should we take on Finland’s education system?’
Premise: Standardised testing is often a debate that goes without alternatives that truly work. But the core of Finland’s number 1 education system in the world is that they hire so many good teachers, hence independent learning is monitored and possible. The VCE system and IB curriculum does not streamline because students are so pressured they do not take time to explore and ultimately find what they want to do in tertiary. In Finland, it is less about the competition, and more about individual learning up until university so that they excel in different pathways. What would it take to change Australian systems to model this? This would be a key idea within your oral.
Premise: This is a heavily utilised oral topic. The Australia Day debate is a popular one, and this is because it is rich in cultural, social, ethical and political stances within itself. With the date remaining the same in 2019, and with the fireworks of the Perth council still going ahead, more protests and council movement means that these discussions are still very contemporary and readily available online. The bids and failed attempts to change the day to a Reconciliation Week celebration, or any date but ‘Invasion Day’ all form evidence to back up either side. Hence, the question of whether or not the date should be moved would be the primary focus of this oral.
Premise: The National Broadband Network policy meant that the telecommunications sector was supposed to gain momentum and strengthen itself, however, downfalls of the technicians and rollout of the service have meant public scrutiny and Government blame being laid. Telstra’s work on this with ping and download speeds being effective, but upload speeds suffering means that Australian consumers are not completely satisfied with the service, putting into question the ultimate effectiveness of NBN as an invested infrastructure. The success of NBN would form the base of this oral.
15. ‘Teaching standards for undergraduates in Australia.'
Premise: The teaching standards of Australia have been heavily scrutinised after certain lower ATAR scores were primarily accepted into the fields. Thus, the question of whether the right teachers are being accepted and their skills are being honed is put into the spotlight, as a lower bar for the academic necessity of the career sparks debate on whether the standards for Australian education has fallen. However, with 2 teachers in the Global Top 50 for the education sector means there is still hope, and with lots of regional areas geographically, it can be difficult- So whether or not Australia is doing enough would form this oral.
16. ‘Is the cost of living rising too high in Australia?’
Premise: The cost of living within Australia is inevitably rising, with a spike of homelessness within Sydney and the common retiree locations being in Asian countries forming the basis of whether or not we should start working on this sector of Australia’s wealth. However, some sources argue that our economy is steady and positive, with the perspective gained on this challenging what 2019 seems to hold for the cost of living. It is a contemporary topic as the next generation will have to face these challenges, proving an interesting oral if you focus on the stakeholders in each category (teenagers, workers, government and retirees).
17. ‘Are we doing enough to aid beekeepers in Australia?’
Premise: The ‘Save the Bees’ campaign begun as we started to realise the necessity and imminent danger we would face if bees were in harm's way. Recently, South Australia faced some strange occurrences with mysterious bee deaths, and younger stakeholders attempting to grasp Australia’s bee population. National Geographic focused on real steps and actions that could be taken within Australia, with measures that could potentially be put in place in order to protect these bees. Hence, this could be a unique oral if presented with the statistics and urgency of this issue.
Premise: The Strawberry Needle Scare was a 2018 issue, with 2019 implications in the dangers of food tampering, and a case of needles in grapes at a Melbourne store. Moreover, the implications for farmers and the agricultural community meant that many workers were affected by this, as consumers initially feared the worst, affecting Australian livelihood at its core. Thus, in order to do a contemporary oral on this, you would focus primarily on the impact on the farmers, what future fears could arise, (eg. the grape needle scare), and what consumers need to be aware of in future contamination.
Premise: In a digital, gratification-desiring age, anxiety and depression are symptoms of the high pressure scenarios within daily life. Recently, new studies proving the dire nature within Australia’s mental health provoked more attention by experts and the population into methods and the ‘epidemic’ we face, as we continue to head down a dark spiral. With case studies, statistics and the current situation within pressurised work situations, this could form a strong oral.
Premise: The concept of the ‘Towards Zero’ campaign is that we would have no deaths on the roads in short. This takes drink driving measures, the hazardous first months of a probationary driver and the zones in which these accidents are most highly occurring into consideration, as the government, younger drivers, and adult drink drivers are all concerned. There are already worrying trends going into 2019 however, as this forms the basis of some concerning patterns, and could be explored either way in an oral of whether or not the ‘zero road toll’ is truly possible.
This blog covers choosing the perfect topic for your next Oral Presentation. To get a better overview of what's expected of you in Oral Presentations, writing up your speech, and speech delivery, check out Our Ultimate Guide to Oral Presentations.
The following is the LSG criteria that will ensure you find an interesting topic!
Step 1: Select a topic that has appeared in the media since 1 September of the previous year
Getting started on this first part can be tricky, especially if you want to choose something a bit more original or fresh.
In any case, the first thing you need is an event. An event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the Australian bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
So where do you find an event? If you can’t think of a particularly interesting one right away, you could always try Wikipedia. Seriously, Wikipedia very helpfully has pages of things that happened in specific years in specific countries, so “2019 in Australia” might well be a starting point. The ABC news archive is also really helpful since you can pick dates or periods of time and see a good mix of news events from then.
I wouldn’t underestimate your own memory here either. Maybe you attended the School Strike for Climate and/or you feel vaguely disappointed in the government. Maybe there was something else happening in the news you remember (even though it is often about the environment these days). It doesn’t have to be from the news though—maybe there was a movie or TV show you watched recently that you have thoughts about. You could really do a speech on any of these, as long as you suspect there might be recent, opinionated media coverage.
Only once you have an event should you look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister, whether or not it’s appropriate to discuss policy already when people are still grieving. All of these issues are going to be more current and more focused than just ‘climate change’, so pick one that resonates for your speech. In the next couple of sections, I’ll offer you a list of 2019-20 issue-debate breakdowns (i.e. topic ideas!).
Most importantly, choose an event/issue that is interesting for you. You’re the one who’s going to deal most intimately with this event/issue - you’ll have to research multiple sources, come up with a contention and arguments, write the essay, present the essay - so make it easier for yourself because you’re going to be spending a lot of time completing all these steps. Besides, an inherently interesting topic means that you’ll showcase your opinions in an authentic way, which is incredibly important when it comes to presentation time.
Step 2: Filter out the boring events/issues
“Your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” -The VCAA English Study Design
Next, you’ll need use this test to see whether or not your topic will stand up to the test of being ‘interesting’ enough for your audience. My first question to you is: who is your audience?
Is it your classroom and teacher? Is it a handful of teachers? If you don’t know, stop right now and find out. Only continue to the next question once you’re 100% certain of your audience.
Once you know who your audience is, ask yourself: Does this event and issue relate to my audience?
This question matters because “your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” This means that what you say to your audience and how they respond to your speech matters. Even if your assessor isn’t counting exactly how many people are still listening to your speech at the end, everyone knows a powerful speech when they’re in the presence of one - it hooks the audience from start to end - and an assessor, consciously or subconsciously, cannot deny that the collective attentiveness of the room has an influence on their marking of your Oral Presentation.
That’s why you should choose a topic that your audience can relate to. This is just my personal opinion, but I don’t find a speech on the Adani Coalmine (broad issue = climate change) as interesting and engaging as School Strike For The Climate (broad issue = climate change). That’s not to say that I’m for or against the Adani Coal Mine, but I know that if I’m speaking to a crowd of 17-18 years olds, the School Strike For The Climate would be a better choice because it’s going to hit a lot closer to home (1) (perhaps some of those in your audience - including yourself - have attended one of those strikes).
To extrapolate this idea further, I try to avoid topics that have too many unfamiliar words for my audience. For example, I recall one year when one of my students decided to take a stance on pain medications and that they should be restricted to only over-the-counter in pharmacies. Have I lost you already with the ‘over-the-counter’? Yeah, I have no doubt that some of you are unfamiliar with that word (don’t stress, I didn’t know it either when I was in school). On top of this phrase, she used words like ‘Schedule A’, ‘Pharmaceuticals Benefits Scheme’, ‘Medicare rebate’, ‘opioids', ‘subsidised’, and other words that aren’t part of the usual vocabulary of her audience. I’d take heed because in order to captivate the audience’s attention, they need to understand what you’re talking about. As soon as there’s something they don’t understand, it becomes much harder for them to follow your speech, and before you know it, Sarah, the class sleeper is taking her afternoon snooze and the others are struggling to keep their eyes open! Having said all that, if you have an equivalent jargon-heavy topic like pain medications that really does interest you, then go for it. Just bear in mind that you’ll need to explain any new vocabulary during your speech to keep your audience’s attention.
Keen to learn more? My How To Write A Killer Oral Presentation eBook continues on this same path, covering the next steps in your Oral Presentation journey!
Access a step-by-step guide on how to write your Oral Presentation with simple, easy-to-follow advice
Read and analyse sample A+ Oral Presentations with EVERY speech annotated and broken down on HOW and WHY students achieved A+ so you reach your goal
Learn how to stand out from other students with advice on your speech delivery
Sounds like something that'd help you? I think so too! Access the full eBook by clicking here!
Written Explanation (also known as Statement of Intention, SOE, and various other names throughout different schools) is a short introductory piece to your essay. The Written Explanation is intended to explore the reasons behind why you made particular writing decisions. This is done via FLAPC:
Form, Language, Audience, Purpose, Context
2. Creative Response-Based Written Explanations
The following is taken from the VCAA study design for Creative Response-Based Written Explanations:
'a written explanation of creative decisions and how these demonstrate understanding of the text.'
Most assessors are quite lenient with how you want to approach the Written Explanation – there is no rigid structure that you need to abide by. As we will discuss below, this allows you to consider which aspects of form, language, audience, purpose and context you wish to include. Each of the points should establish why you have written your piece. They are considered as part of your SAC and thus, are marked accordingly. They are not examinable during the English exam.
Form
There are traditionally three forms of writing accepted in assessments: expository, creative or persuasive essay.
‘I chose to write in an expository style, employing conventions of format and style of a traditional essay. This allows me to express my ideas in a logical order while adopting a sophisticated tone.’
Language
When writing, you choose particular words and phrases to illustrate your ideas. Think about what type of language have you used and why. Perhaps your piece is formal or informal, sophisticated or simple, or from a first or third person perspective. All these factors are important in shaping your Context piece. Also consider language techniques you may have incorporated such as repetition, rhetorical questions, metaphors, symbolism and more.
‘I have chosen to write from a first person perspective to shed light on the inner workings of Gardiner from The Lieutenant.'
Audience
You must select a targeted audience for your essay. Your choice can be adults to young children, or even to your future self. Make sure your target audience is suitable for your essay – select a group that would realistically be interested in your work.
‘My piece is to be published in an anthology for those who have had difficulty assimilating into a new group or culture. As they have familiarity with the concepts I discuss, I intend for readers to depart with a greater understanding and appreciation of the ideas in my written piece.’
Purpose
The purpose section is where you discuss the message you would like to send to your audience. Here you discuss your contention or arguments; whether you completely agree, disagree or a bit of both in regards to your prompt.
‘The purpose of this essay is to demonstrate that there can be different outcomes from encountering conflict: firstly, that conflicts can change many people through growth in understanding or a sense of self-development and secondly, that there are times when people remain unaffected by conflict and thus, unchanged.’
Context
Since your essay is based on your studied text, you should provide a brief discussion of the basic ideas behind the Context. You can do this prior to your Purpose section since it is a good lead-in.
‘In this essay, I explored the idea that ‘Conflict inevitably changes people’; a concept heavily explored in The Lieutenant. Every person encounters conflict. It drives individuals to challenge themselves, and deal with new experiences.'
Different schools will set different word limits for Written Explanations. These can range from 300 – 350 words based on the VCAA study design. With such a small word limit, be succinct and choose wisely what you will discuss in order to score the maximum marks allocated to Written Explanations.
3. Oral Presentation-Based Written Explanations
The VCAA study design requests students write:
'a written statement of intention to accompany the student’s own oral presentation, articulating the intention of decisions made in the planning process, and how these demonstrate understanding of argument and persuasive language.'
Using the topic, 'Why we need to stop crying "cultural appropriation" when cultural exchange is far more important', let's see how this can be done with FLAPC with some examples below (if you need help selecting a topic, check out our 2020 Oral Presentation topics to get those brain juices flowing):
Form
‘I chose to adopt the conventions of a persuasive speech, where I use a structure of presenting my main ideas by rebutting arguments made by the opposition. Throughout my speech, I embed persuasive tactics in an effort to firstly, encourage engagement from the audience and secondly, sway them to readily accept my point of view.
Language
‘Since I am an Asian-Australian, I have purposefully forgone the opportunity to adopt a persona and instead, have chosen to write from a first person perspective as I can uniquely shed light on my own experiences towards cultural exchange and how that has directly impacted me. My speech heavily focuses on delivering tangible examples, such as anecdotes and social media usage, as I aim to heighten the topic’s relevancy and relatability for my audience. Moreover, as my focus is to reinforce positive attitudes towards cultural exchange, I have adopted a light-hearted approach with humour through the first portion of my speech, then moving into an urgent tone towards the end to highlight the importance of this issue.'
Audience
'I have opted to target young Australian adults since we are the generation of the future, and have a major role to play in positively shaping the Australian society’s views and attitudes towards cultural exchange.
Purpose
'I aim to convince my audience that it is too easy to cry 'cultural appropriation' by being overly sensitive, and instead, we need to consider the benefits of cultural exchange. Cultural exchange itself, has shaped the world as we know it today – it has an important role in globalisation, understanding foreign cultures and the development of Australian society.'
Context
'Australia is known to be one of the most multicultural countries in the world. However, recent media has drawn attention to cries of 'cultural appropriation' towards Indigenous Australians and other cultures, claiming that we fail to appreciate and respect cultural values when we take others' culture for our own (whether it be fashion, music, food or otherwise).'
Sample FLAPC compiled and rearranged for flow and fluency:
Australia is known to be one of the most multicultural countries in the world. However, recent media has drawn attention to cries of 'cultural appropriation' towards Indigenous Australians and other cultures, claiming that we fail to appreciate and respect cultural values when we take others' culture for our own (whether it be fashion, music, food or otherwise). I aim to convince my audience that it is too easy to cry 'cultural appropriation' by being overly sensitive, and instead, we need to consider the benefits of cultural exchange. Cultural exchange itself, has shaped the world as we know it today – it has an important role in globalisation, understanding foreign cultures and the development of Australian society. I chose to adopt the conventions of a persuasive speech, where I use a structure of presenting my main ideas by rebutting arguments made by the opposition. Throughout my speech, I embed persuasive tactics in an effort to firstly, encourage engagement from the audience and secondly, sway them to readily accept my point of view. Since I am an Asian-Australian, I have purposefully forgone the opportunity to adopt a persona and instead, have chosen to write from a first person perspective as I can uniquely shed light on my own experiences towards cultural exchange and how that has directly impacted me. This also has an additional persuasive effect as I invite my audience to relate to my opinions through their own similar experiences as young Australian adults. I have opted to target this audience since we are the generation of the future, and have a major role to play in positively shaping the Australian society’s views and attitudes towards cultural exchange. My speech heavily focuses on delivering tangible examples, such as anecdotes and social media usage, as I aim to heighten the topic’s relevance and relatability for my audience. Moreover, as my focus is to reinforce positive attitudes towards cultural exchange, I have adopted a light-hearted approach with humour through the first portion of my speech, then moving into an urgent tone towards the end to highlight the importance of this issue.
This blog covers choosing the perfect topic for your next Oral Presentation. To get a better overview of what's expected of you in Oral Presentations, writing up your speech, and speech delivery, check out Our Ultimate Guide to Oral Presentations.
The following is the LSG criteria that will ensure you find an interesting topic!
Step 1: Select a topic that has appeared in the media since 1 September of the previous year
Getting started on this first part can be tricky, especially if you want to choose something a bit more original or fresh.
In any case, the first thing you need is an event. An event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the Australian bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
So where do you find an event? If you can’t think of a particularly interesting one right away, you could always try Wikipedia. Seriously, Wikipedia very helpfully has pages of things that happened in specific years in specific countries, so “2019 in Australia” might well be a starting point. The ABC news archive is also really helpful since you can pick dates or periods of time and see a good mix of news events from then.
I wouldn’t underestimate your own memory here either. Maybe you attended the School Strike for Climate and/or you feel vaguely disappointed in the government. Maybe there was something else happening in the news you remember (even though it is often about the environment these days). It doesn’t have to be from the news though—maybe there was a movie or TV show you watched recently that you have thoughts about. You could really do a speech on any of these, as long as you suspect there might be recent, opinionated media coverage.
Only once you have an event should you look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister, whether or not it’s appropriate to discuss policy already when people are still grieving. All of these issues are going to be more current and more focused than just ‘climate change’, so pick one that resonates for your speech. In the next couple of sections, I’ll offer you a list of 2019-20 issue-debate breakdowns (i.e. topic ideas!).
Most importantly, choose an event/issue that is interesting for you. You’re the one who’s going to deal most intimately with this event/issue - you’ll have to research multiple sources, come up with a contention and arguments, write the essay, present the essay - so make it easier for yourself because you’re going to be spending a lot of time completing all these steps. Besides, an inherently interesting topic means that you’ll showcase your opinions in an authentic way, which is incredibly important when it comes to presentation time.
Step 2: Filter out the boring events/issues
“Your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” -The VCAA English Study Design
Next, you’ll need use this test to see whether or not your topic will stand up to the test of being ‘interesting’ enough for your audience. My first question to you is: who is your audience?
Is it your classroom and teacher? Is it a handful of teachers? If you don’t know, stop right now and find out. Only continue to the next question once you’re 100% certain of your audience.
Once you know who your audience is, ask yourself: Does this event and issue relate to my audience?
This question matters because “your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” This means that what you say to your audience and how they respond to your speech matters. Even if your assessor isn’t counting exactly how many people are still listening to your speech at the end, everyone knows a powerful speech when they’re in the presence of one - it hooks the audience from start to end - and an assessor, consciously or subconsciously, cannot deny that the collective attentiveness of the room has an influence on their marking of your Oral Presentation.
That’s why you should choose a topic that your audience can relate to. This is just my personal opinion, but I don’t find a speech on the Adani Coalmine (broad issue = climate change) as interesting and engaging as School Strike For The Climate (broad issue = climate change). That’s not to say that I’m for or against the Adani Coal Mine, but I know that if I’m speaking to a crowd of 17-18 years olds, the School Strike For The Climate would be a better choice because it’s going to hit a lot closer to home (1) (perhaps some of those in your audience - including yourself - have attended one of those strikes).
To extrapolate this idea further, I try to avoid topics that have too many unfamiliar words for my audience. For example, I recall one year when one of my students decided to take a stance on pain medications and that they should be restricted to only over-the-counter in pharmacies. Have I lost you already with the ‘over-the-counter’? Yeah, I have no doubt that some of you are unfamiliar with that word (don’t stress, I didn’t know it either when I was in school). On top of this phrase, she used words like ‘Schedule A’, ‘Pharmaceuticals Benefits Scheme’, ‘Medicare rebate’, ‘opioids', ‘subsidised’, and other words that aren’t part of the usual vocabulary of her audience. I’d take heed because in order to captivate the audience’s attention, they need to understand what you’re talking about. As soon as there’s something they don’t understand, it becomes much harder for them to follow your speech, and before you know it, Sarah, the class sleeper is taking her afternoon snooze and the others are struggling to keep their eyes open! Having said all that, if you have an equivalent jargon-heavy topic like pain medications that really does interest you, then go for it. Just bear in mind that you’ll need to explain any new vocabulary during your speech to keep your audience’s attention.
Keen to learn more? My How To Write A Killer Oral Presentation eBook continues on this same path, covering the next steps in your Oral Presentation journey!
Access a step-by-step guide on how to write your Oral Presentation with simple, easy-to-follow advice
Read and analyse sample A+ Oral Presentations with EVERY speech annotated and broken down on HOW and WHY students achieved A+ so you reach your goal
Learn how to stand out from other students with advice on your speech delivery
Sounds like something that'd help you? I think so too! Access the full eBook by clicking here!
1. What is an Oral Presentation? 2. What are you expected to cover? (Oral Presentation Criteria) 3. Choosing your Topic 4. Choosing your Contention 5. Writing your Speech 6. Presenting your Speech 7. Writing the Written Explanation 8. Resources to help you prepare for your Oral Presentation
What is an Oral Presentation?
For many VCE English students, the oral presentation is the scariest part of the course; it’s often also the first.
Doing a speech can indeed be daunting— you’re marked in real time, you can’t go back and edit mistakes, and the writing part itself is only half the battle. Nonetheless, the Oral SAC can also be one of the more dynamic and engaging tasks you complete in VCE English, and there’s plenty of ways to make it more interesting and also more manageable for yourself.
Keep reading for a comprehensive overview of what you need to know to succeed in your Oral Presentation. We’ve got you covered- from choosing your topic and contention, to writing and presenting your Speech.
We’ll also be suggesting useful resources, Study Guides and YouTube videos that will provide more detailed information and give you more confidence. Let’s get into it!
What are you expected to cover in an Oral Presentation? (Oral Presentation Rubric)
1. Your Oral Presentation SAC has two components. The first is the Oral Presentation itself (“a point of view presented in oral form”), and the second is a Written Explanation, also known as a Statement of Intention.
2. Your selected topic needs to be an issue that has appeared in the media since 1 September of the previous year
3. Your aim for this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.
Here’s the raw version of VCAA’s expectations from you, taken from the VCAA website:
How to choose your Oral Presentation topic
1. Select a topic that has appeared in the media since 1 September of the previous year
This can be time consuming and tricky, especially if you want to choose something a bit more original or fresh.
Firstly, you need an event. An event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.
You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the Australian bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.
The ABC news archive is also really helpful for finding events since you can pick dates or periods of time and see a good mix of news events from then. Otherwise, Wikipedia has helpful pages of events that happened in specific years in specific countries, so “2023 in Australia” might well be a starting point.
When you have your event, you can then look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister.
Most importantly, choose an issue from an event that’s interesting and important to you. After all, you’re going to be spending the time researching, writing and presenting!
2. Filter out the boring events/issues
Understand who your audience is.
Once you know who your audience is, ask yourself: Does this event and issue relate to my audience?
This question matters because “your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” This means that what you say to your audience and how they respond to your speech matters.
Even if your assessor isn’t counting exactly how many people are still listening to your speech at the end, everyone knows a powerful speech when they’re in the presence of one - it hooks the audience from start to end - and an assessor, consciously or subconsciously, cannot deny that the collective attentiveness of the room has an influence on their marking of your Oral Presentation.
That’s why you should choose a topic that your audience can relate to. Also, avoid topics that have too many unfamiliar words, because as soon as there’s something they don’t understand, it becomes much harder for them to follow your speech.
Now you may be asking yourself; what is the best topic for oral presentation?
Here are some example topics from previous years to give you inspiration:
Once you've chosen an interesting topic and have researched all of its different viewpoints, it's time to formulate your contention.
Often, creating a killer contention is about avoiding some common traps that will make your overall presentation boring, bland and just like the rest of your cohorts'.
So, there are three things I like to AVOID:
1. Broad, Overarching statements
2. A Contention That Is Just Plain Obvious
3. Avoid A Contention That Is Generally Accepted As True In Today’s Age
1. Have a CAPTIVATING introduction sentence; use a short, clear and powerful sentence.
2. RELATE to your audience so that it keeps them interested so they actually WANT to listen.
3. If you are taking on a persona, firstly study and UNDERSTAND your character.
4. Don’t forget your persuasive techniques. I usually use repetition in conjunction with the ‘rule of three’.
5. Remember that you are writing a SPEECH, not an essay. Instil your oral with emotion, varied tone and sentence lengths.
In fact, I've talked about a few of these in a 'Must Dos and Don'ts' video. If you haven't seen it yet, watch below before you read on.
4 tips on presenting your Speech
1. Body Language
Confidence is key. Stand with your feet shoulder width apart and, more importantly don’t move your legs. Especially if you’re nervous, swaying or shuffling will be noticeable and make you appear more nervous—when you practise, pay attention to the lower half of your body and train it to stay still if possible.
That being said, do use your arms for gestures. Those are more natural and will help engage the audience, though don’t overdo it either—usually, holding cue cards in one hand frees up the other but also stops you from going overboard.
2. Eye contact
Cue cards brings up another important consideration- eye contact. Hold cue cards in one hand as high as you can without it feeling uncomfortable. This means you don’t have to take your eyes away from the audience for too long or too noticeably to check your notes.
Eye contact increases your engagement with the audience. It also gives the impression of confidence and that you’ve been practicing and know your speech inside and out!
3. Rehearse, rehearse, rehearse
In a best case scenario, you won’t need to rely on your cue cards as you will have your speech basically memorised! Read your speech aloud and pretend that you’re actually delivering your speech. This means:
- Looking up ahead
- Holding the cue cards in the right spot; and
- Not just reading the words, but speaking as if to an audience
It’s extremely helpful to also practice your speech to an actual audience! Practice in front of your family and friends. An alternative is to put a sticker next to your camera and record yourself. The sticker will help indicate where you should create eye contact. Look back at the video and give yourself some feedback, you might be surprised at your presentation!
4. Tone variation
Tone variation involves emphasising certain words, using pauses or slowing down for effect, or modifying volume. Incorporating some of these elements- even writing them into your notes by bolding/italicising/underlining will help you break out of monotony and make the speech more engaging.
Be sure to emphasise emotive language and any evidence you might use to illustrate your arguments. Most importantly, don’t speak too quickly!
5 things to keep in mind while writing the written explanation
For oral presentation based written explanations, the VCAA study design requests students write...
"A written statement of intention to accompany the student’s own oral presentation, articulating the intention of decisions made in the planning process, and how these demonstrate understanding of argument and persuasive language."
Using the topic, 'Why we need to stop crying 'cultural appropriation' when cultural exchange is far more important, ‘let’s see how this can be done with FLAPC with some examples below:
Resources to help you prepare for your Oral Presentation
Doing this study all by yourself can be rather daunting, so we've got your back. We specialise in supporting VCE English by creating helpful videos, study guides and eBooks. Here are some just to get your started:
We’ve come to that time in the year when everyone is scrambling to find the perfect Oral Presentation topic. Choosing the best topic for you is easily the most difficult part of this SAC, so to hopefully ease the burden, I’ve crafted this list with the latest and biggest global debates. My two biggest pieces of advice are NOT to choose an overly complex subject and NOT to choose anything you don’t really understand. A simple idea that is argued effectively works far better than a complex idea argued poorly. Moreover, find a topic that you are genuinely passionate about; regardless of what your ideas are, your passion is the key to success.
That being said, if you are currently struggling to find some inspiration, have a read of the following oral topics that will hopefully bring light to the relevant and pressing issues of the world.
1.Not enough is being done to address gender discrimination, violence and inequality in Australia
We are lucky to live in a country where gender discrimination is on the decline, and where we’re progressively making our way towards equality. Unfortunately, we haven’t quite reached it yet. Gender discrimination and sexist ideologies slowly make their way through our school locker rooms, into our classrooms, across our halls, and most tragically, into our homes. Do we really focus on fixing these issues from youth through education, or are the government and media just letting these problems run their course?
The key thing to focus on is the barriers still present in society that are preventing us from reaching true equality. Search for famous female figures in Australia and the struggles they had to overcome solely based on their gender like Julia Gillard, Grace Tame and Nicole Kidman. Moreover, in a country as advanced and progressive as Australia, why are hundreds of women continuing to be murdered in domestic abuse disputes? It’s these terrifying statistics that demonstrate how far we have to go as a country, and how quickly we need action.
2.Addressing the ‘Climatic Catastrophe’ is being hindered by climate scepticism and multimillion-dollar corporations
Climate change. A buzzword for the top problem of the future. Even now, we’re feeling the terrible effects of the heating climate - floods, droughts and life-changing bush fires that have misplaced thousands of Aussies. A problem this big should require immediate action, right?
Well, two things are preventing us from slowing the changing climate and growing emissions. Firstly, Australia is clearly over-reliant on the coal industry. It is our top export after all, and our mining industry always proves to be a ‘booming success’. Not to mention the several ‘generous’ donations provided from multimillion-dollar fuel corporations to several of our own government parties.
Secondly, there seems to be certain online rhetoric that perpetuates false information. Otherwise known as ‘climate scepticism’, there are people who genuinely believe that climate change is a ‘hoax’ and not worth the time or effort to address. Think about the impact that the spreading of this misinformation can do.
3.Are we too reliant on fossil fuels?
The Russian war against Ukraine has had several terrible impacts across the world, affecting countries that weren’t even involved in the conflict to begin with. You may have heard your parents complain about the soaring fuel prices, or even had to cash out almost double for petrol yourself. The main reason for this is Australia’s reliance on fuel imports from Russia, which have quite obviously been disrupted.
This brings forward an important question, are we too reliant on fossil fuels as a nation? Imagine if we had made the switch to electric cars even just a few years earlier. I have a feeling our transport situation would be significantly better. Think about the policies we would need to introduce to become greener and more self-sufficient.
4.Indigenous injustices and deaths in custody are still being ignored
WARNING: This topic contains descriptions and the name of a recently deceased Indigenous person.
Veronica Nelson, a 37-year-old Indigenous woman, died whilst in custody after calling out 40 times for help from prison staff while being tragically ignored. Her unjust death evaded all sorts of media attention until her recent coroner’s report was revealed. According to doctors, if she had simply received medical attention that night, she would still be here with us today. Unfortunately, this is not an isolated issue.
Hundreds of reports of police brutality, deaths in custody and compliant media sources have been covered up or callously ignored. Take a look at the recent Royal Commission into the almost 500 Indigenous deaths in custody. What can we do as a nation to prevent further harm to our First Nation People?
5.Are social media ‘influencers’ skewing our perceptions of reality?
There’s no denying it, social media is one of the most influential platforms across the world. We often look towards celebrities and new ‘influencers’ for inspiration, life advice and familiarity. Especially coming out of the pandemic, these influencers have been a source of comfort for many during lockdowns. Unfortunately, lives are easy to fake and we are left wondering whether the people we look up to in the social media world are creating unrealistic expectations for us. Are they gaining profit at the expense of our mental health, or do they genuinely care for human connection?
6.Overconsumption in the fashion world: SHEIN, Fashion Nova and more
Online shopping is becoming our new reality, but rapidly growing fashion trends have led to mass production and inhumane outsourcing of labour. Think about the new fast fashion outlets that opened in Melbourne. Should we really be giving a retail platform to businesses that exploit workers and tailors, consistently produce poor-quality clothes and contribute to extensive land pollution? We’ve experienced huge clothing turnover over the past decade, contributing to one of our biggest land-fill issues at the moment. The emphasis on the constant need for more ‘trendy’ pieces results in items of clothing being poorly produced and going ‘out of fashion’ faster and consequently getting thrown out at the end of a new season. Fast fashion is an affordable option for many, but it comes at a cost of underpaid labour and pollution. How can society work towards finding the middle ground, so that everyone benefits and more importantly, what individual efforts can be made to ensure this?
7.Alcohol consumption amongst youths is becoming increasingly normalised
Everyone knows about the impact of alcohol on the body and mind, especially when it is consumed under age. Yet, binge drinking in Australia is a common weekend occurrence for students and is constantly normalised at social gatherings. Turning 18 and officially becoming an adult is exciting for many because of the prospect of finally being able to legally purchase and consume alcohol. However, even now, the long-term effects of alcohol have been proven to be the same as certain drugs and yet, it is heavily marketed by various companies, particularly to young Australians (Cassidy, 2021).
Many healthcare professionals stress that we need to work on reducing the culture of heavy drinking in Australia by increasing awareness of the genuine dangers. Think about ways in which we can do this that are different from what we have in place already.
8. The treatment of Ukraine vs. the Middle East/Sri Lankan/Asian refugees
When the war began in Ukraine, it rightfully caused worldwide outrage. Countries pledged artillery, medical aid and further security assistance for those fighting and opened their borders to Ukrainian refugees. However, during numerous conflicts in the Middle East, Sri Lanka and Southeast Asia, the world remained silent. The irony lies too within our own government, which was quick to reprimand Russia during the war and willingly state Australia will accommodate Ukrainian refugees, yet sends all other refugees that arrive in Australia to Christmas Island, or back home. There was, and still is, a difference in the treatment of vulnerable people that has long been tied into prolonged systematic racism, and it is still not being addressed.
9.‘Financial influencers’ are damaging people’s lives and careers
We’ve all seen it online, across Facebook and TikTok. ‘Financial influencers’ that can ‘turn you into a millionaire’ as long as you invest in their 12-step monetised plan for monetary freedom. For the most part, it is unsupported financial advice from online influencers who don’t have any qualifications. They cover bitcoin, cryptocurrency and ‘NFTs’ on social media, mainly encouraging people to quit their jobs and fully focus on the stock markets. Whilst some people have given out genuinely helpful and accessible advice, most end up teaching teenagers and young adults the wrong information, or strategies that have a low chance of success. We have a duty to protect people online, and adults making unsupported gambles with their finances is going against that. A good place to start would be to find out the real-life experiences of people who have lost money and stability as a result of this ‘advice’.
10.Social media has led to growing desensitisation and a lack of human empathy
The internet can be a place of joy and entertainment, allowing us to connect with people across the world and have access to endless information. Unfortunately, it is also a dark space filled with unregulated content that can be easily accessed. We’ve seen mass shootings, suicides and other disturbing material live streamed, exposing us to the worst acts of human nature. There are even those with a ‘morbid curiosity’ who purposefully try and find this content. Continued exposure to this type of content results in more desensitisation towards this material. If we continue this path, are the majority going to lack empathy towards others? Have a look at the wider effects of this type of content on the development of the brain.
11.The gaps in our labour market are only going to grow without rapid action
Over the past year, we have had some of the worst gaps in the labour market. There have been shortages in some of the most essential positions such as nursing, teaching, paramedics and 000 operators. The low wages and stressful nature of the jobs have made it difficult to find enough people willing to enter those job sectors. However, they are vital for our society to function, so how come nothing has yet been introduced to rapidly fix these shortages? Currently, we are out-sourcing labour, but this isn’t a long-term solution and we need to ensure that we don’t experience these problems in the future.
12.Vaccine privilege
Over the past few years, especially in Australia and the USA, we have noticed an increasing trend in people refusing vaccines (COVID and others) due to growing anti-vax sentiments. Despite the plethora of evidence online that discusses the benefits and heavy testing that vaccines have and continue to undergo, people still claim that they do more harm than good. Moreover, it has now been noted that we now have a surplus of vaccines within Australia because of our vaccine hoarding during the middle of the pandemic.
Yet, there are still people across the globe who are dying from various illnesses due to their country’s inability to afford or get access to vaccines. It is now our responsibility to ensure nothing like this happens again in the future, by finding ways to reduce these inequities and tackle vaccine privilege.
13.Our personal data, information and finances are becoming increasingly exposed
This might seem like a bold statement to make, but imagine the sheer level of data that you store online or on your phone. There’s GovID data that is simply stored on your phone that contains information about your entire identity, facial recognition technology that is used everywhere (biotech), cameras and fingerprint access everywhere. The debate is extremely two-sided, with increased cyber protection assisting in solving crimes and preventing identity fraud, but with the growing level of cybercrimes, we’re also put at risk.
What Are You Expected To Cover? (Creative Writing Criteria)
Literary Elements (Characterisation, Themes, Language, Symbolism, Imagery)
LSG's unique REPLICATE and IMAGINE strategy
Sample A+ Creative Response
Writing The Written Explanation
Resources To Help You Prepare For Your Creative Response
1. What Is The Creative Response?
The Creative Response, which forms part of the ‘Reading and creating texts’ component of the study design, is part of the 1st Area of Study (AoS 1) - meaning that the majority of students will tackle the Creative Response in Term 1. Unlike the analytical text response, in the Creative Response you will be asked to write your own imaginative piece in response to a selected text.
You are expected to read and understand the selected text, analyse its key features, and write a creative piece which demonstrates your comprehension of the text.
2. What Are You Expected To Cover? (Creative Writing Criteria)
The creative writing task assesses your ability to combine features of an existing text with your own original ideas. The key intention here is to demonstrate your understanding of the world of the text. You can achieve this by exploring and applying selected elements from the text, such as context, themes, literary devices like symbols, and/or characters. You should also consider the values embedded within the text - this includes explicit values (which can be seen on the surface of the text) and implied values (values we uncover through analysis of the text’s deeper meaning). Try to reflect these values within your writing.
Your piece will be a creative response, after all, so you should apply the conventions of this style of writing. Firstly, your creative should follow the structure of a beginning, middle, and end. We can also think of this as rising tension, climax, and resolution. Secondly, you should develop an authentic use of language, voice and style to make your writing more engaging and sophisticated. Thirdly, you can use literary devices to build meaning and depth within your piece. As always, your writing should be consistent with the rules of spelling, punctuation, and syntax (that is, written expression) in Standard Australian English.
Part of this assessment is the Written Explanation, which is a chance for you to explain and justify your creative writing choices. Within the Written Explanation, you should reflect on your writing process and analyse your own work. The primary goal here is to explain the links you’ve made to the original text, by considering features like purpose, context, and language.
Ultimately, to put it simply, you are expected to understand the selected text and demonstrate this in your creative piece. If you're looking to quickly increase your creative skills, watch our incredibly popular video below:
3. Literary Elements (Characterisation, Themes, Language, Symbolism, Imagery)
Literary elements are different parts of the creative writing equation that ensure your piece is consistent with the expected features of this type of writing. When selecting which literary elements to include in your piece, remember to consider the original text and ensure that your work, while creative, also demonstrates your ability to replicate some of its elements.
Characterisation
As we know, characters are fictionalised people within the world of a creative text. Almost an entire century ago, the English writer E. M. Forster famously introduced the concept of flat and round characters in his 1927 book, ‘Aspects of the Novel’. According to Forster, flat characters can be defined by a single characteristic; in other words, they are two-dimensional. For example, the characters of The Simpsons could arguably all be defined as flat characters; Homer is characterised as a slob, Flanders is defined by his Christian faith, Lisa is stereotyped as the ‘teacher’s pet’, and Bart is portrayed as rebellious. We can define all of these characters as flat because they are labelled to the audience in these two-dimensional ways.
In contrast to this, round characters have multiple characteristics, which brings them closer to seeming like real, human figures. The personality of these characters extends beyond a single attribute. In Harry Potter, Harry himself is a round character because of how much we learn about him over the course of the series. For example, we find out about Harry’s difficult childhood, his personal challenges, his love interests, and we see his personality grow from book to book.
Whether the characters of your creative are flat or round will depend on their involvement within, and importance to, the storyline of your piece. Generally speaking, however, you should aim for the central character(s) to be round, while any minor characters are likely to be flat. Developing round major characters will ensure that they are realistic and believable. In turn, you’ll be able to better demonstrate your imaginative skills and understanding of the text through these characters.
Themes
Themes are the key ideas and issues that are relevant to the storyline of a fictional text. We can identify themes by labelling the main areas of meaning within a text and thinking about the messages that emerge throughout the text. To build your understanding of themes within a particular text and to evaluate the themes of your own creative, consider the following questions:
What is the text really about, beyond superficial elements like plot and character?
What is the text saying to its reader?
What are the core idea(s) or issue(s) within the text?
What idea(s) or issue(s) do the message(s) of the text correspond with?
To return to our example of The Simpsons, we could say that the themes within this sitcom include love and family, neighbourliness, and social class. From episode to episode, The Simpsons comments on these different issues. For example, Marge and Homer’s relationship, with its domestic setting and marital ups and downs, is a core aspect of the Simpsons household. Likewise, family is a major component of not only the Simpsons themselves, but also the broader Springfield community. The interactions between parents and children is evident on Evergreen Terrace with the Simpsons and the Flanders families, as well as in other settings such as Springfield Elementary School (where even an adult Principal Skinner is seen through his relationship with his elderly mother). These broad areas can be identified as the key thematic concerns of the series because each episode centres around these ideas.
Language
Language refers to the way in which a piece of writing is expressed. We can define this as the ‘style’, or ‘tone’, of a text. The words and phrasing chosen by a writer determine how ideas are communicated. Effective language will be appropriate for the world of the text and contribute to the narrative in a meaningful way. There are a number of ways in which a piece of writing can be articulated and you should consider the nature of your piece and the language of the original text when deciding what type of language is most appropriate for your creative.
Dialogue, on the other hand, is an exchange of conversation between characters. Dialogue is often used to provide context to a text, develop its storyline, or offer direct insight into a character’s thoughts, feelings and personality.
Symbolism
A symbol can be defined as a thing that represents something else. Symbols are typically material objects that hold abstract meaning. For example, in Harry Potter, Harry’s scar is a symbol of his difficult childhood. Because Harry’s scar causes him pain in Voldemort’s presence, it can also be said that the scar is symbolic of the connection forged between Harry and Voldemort when his attempt to kill Harry failed. As this example suggests, symbols are often associated with the text’s themes - in this case, Harry’s scar relates to the themes of childhood and death.
The key with symbolism is to connect a particular theme or idea to a physical object. For example, the theme of grief could be portrayed through a photo of someone who has died. Likewise, the theme of change might be represented by a ticking clock, while a character’s clothing could be a symbol of their wealth or status.
For more literary elements, also known as metalanguage, check out our lists:
And if that's not enough, you'll also want to check out our How To Write A Killer Creative Study Guide where we unpack these elements in more detail AND analyse imagery, foreshadowing, flash-backs and flash-forwards!
4. LSG's unique REPLICATE and IMAGINE Strategy
Overview
If we think about the criteria of creative writing, we’ll see that much of this task involves demonstrating your understanding of the text. For this reason, being able to replicate the world of the text will enable you to showcase your understanding and, in turn, to meet the criteria your teacher will be looking for. Let’s consider how you can strengthen your creative by taking the time to understand the text on a meaningful level and reflect this within your writing.
Step 1: Read
Writing a strong creative piece begins with reading. Reading the text (or watching, in the case of a film) is essential to developing an informed creative response. The more closely you read, the more confidently you’ll be able to engage with the important ideas and textual elements necessary to take your creative from good to great.
While reading the text for the first time, focus on developing your understanding and clarifying any uncertainty. I would recommend taking the time to read a plot summary before beginning on the text - this will allow you to go in with a reasonable idea of what to expect, and also provide a security net to minimise your likelihood of misunderstanding the plot.
While reading the text once is sufficient, you will benefit from reading it twice. A second reading enables you to take the time to annotate key sections of the text and to further your initial understanding. If you choose to read the text a second time, pay extra attention to the themes and inner-workings of the text. This means reading between the lines and starting to form an analytical understanding of what the text is about, beyond surface ideas like plot and character.
Annotating the text (or note-taking, in the case of a film) is an important aspect of any academic reading. The key intention is to ensure your annotation approach is as convenient and accessible as possible. To achieve this, I suggest listing the key themes, allocating a different coloured highlighter to each, and colour-coding sections of the text which you think relate to each specific theme. This will give your annotating process more direction compared to the common approach of simply leaving notes in the margin, which may be time-consuming to read over later.
I would also recommend making the most of coloured tabs - these enable you to immediately see the key sections of the text, rather than flicking through aimlessly. If you can colour-code these tabs according to the same key as your highlighters, you’ll be able to instantly spot which sections correspond with which theme (and trust me, this will come in handy if you decide to replicate these themes in your own creative).
Aside from annotating the text itself, try to ensure that the notes you write are concise - not only will this save you time, but it’ll mean you focus on condensing the key information. In turn, you’ll have less material to sift through later on, giving you the ability to jump straight into planning and drafting your own piece. This video, How to effectively annotate your books for school! and this blog post, How to effectively annotate your texts in VCE will provide you with more helpful strategies to get the most out of annotating.
Step 2: Understand the World of the Text
Regardless of how many times you read the text, your understanding will be strengthened by seeking out resources to help you think about the text on a deeper level. A good starting point for this is to have a look for LSG blog posts and videos that are about your specific text.
Watching or reading interviews with the author of the text is a fantastic way to hear directly about their intention in writing the text - after all, they are the single most authoritative source on the text. The goal here is to understand the author’s intent (something we’ll expand on in Chapter 8: Strengthening Your Creative) so that you can reflect this within your own writing. Focus on how the author explains certain aspects of their text, as well as any points they make about its context and background.
Additionally, peer discussions and asking questions in class will help you to further develop your understanding of the text and clarify any uncertainty. Seeing the text from another’s perspective will develop your knowledge beyond a superficial understanding of the text and introduce ideas you may not have otherwise considered.
Remember to take notes as you go - these will be useful to reflect on later.
Step 3: Implement Your Understanding
Okay, so you’ve taken the time to read and annotate the text, and you’ve sought out external resources to further develop your comprehension. Now we want to apply this understanding within a creative context. Reflect on what you know about the text. Think closely: What have you learnt about its context, characters, and themes? What elements of the text stand out? The goal here is to draw inspiration from the text and begin to think about which aspects of the text you might like to replicate within your creative piece. Begin to put together a shortlist to keep track of your ideas. The aim here is to develop a picture of the parts of the text you might decide to replicate in your own writing.
Although understanding and replicating the text is important, if we were to only do this, your piece wouldn’t have much creative flair or originality. Here, we’ve taught you the ‘Replicate’ component of this strategy . If you’d like additional information about how to elevate this to an A+ standard AND a comprehensive explanation of the ‘Imagine’ component, check out our How to Write A Killer Creative study guide!
5. Sample A+ Creative Response
Here's a sample excerpt from a creative piece written by Taylah Russell, LSG tutor and 47 study scorer, in response to the short story 'Waiting' in Cate Kennedy's anthology, Like a House on Fire:
"The clinician presses forcefully into my lower abdomen, refusing to stop and accept my reality. The poor thing, deprived of such hopelessness as I, seems to honestly believe that the longer he agonises over finding something, the more likely it is that some form of life will appear. That those horoscopes in those grimy magazines, written by journalists who’ve probably been fired from their former reputable jobs, may actually hold some validity. I place my hands over my eyes, tentatively pressing against my eyelids, turning my surroundings a dark black and blocking the stream of water that has readied itself to spill when the time comes, when that young boy finally gives up and realises that his degree holds no value in providing me with happiness."
As we can see in this paragraph, the writer is replicating certain themes from the original text, such as grief. Additionally, this piece is written from the perspective of the original protagonist, which means that its characters and context are also directly inspired by Kennedy. Ultimately, by carrying across these text elements of theme, character, and context, the writer is able to clearly demonstrate an extensive knowledge of the text, while also showcasing their creativity. To see more of this creative piece as well as another A+ example, check out the How to Write A Killer Creative study guide!
In this study guide, we teach you the unique REPLICATE and IMAGINE strategy, a straightforward and methodical approach to creative writing. The study guide also covers our step-by-step method to guide you through every phase of creative writing (no more not knowing where to start!) AND includes excerpts from multiple A+ creative pieces. Find out more and download a free preview here.
We’ve explored creative writing criteria, literary elements and how to replicate the text over on ourThe Ultimate Guide to VCE Creative Writing blog post. If you need a quick refresher or you’re new to creative writing, I highly recommend checking it out!
Creative Responses in VCE Literature
This was my favourite SAC in Literature; it allows so much creative freedom in creating and recreating a literary work. When else will you be able to depart from the (admittedly rather boring) standard essay structure?!
In your adaptations and transformations SAC (see my blog post about this literature assessment here!), you learnt how the meaning of the text changed as the form changed. Here’s your opportunity to change the meaning of the text, maybe emphasising a particular thematic idea, or perhaps recreating a completely new perspective. Remember – you have almost complete creative licence in this assessment…use it to your advantage!
But don’t forget that the most important part of this task is that you must have a highly convincing connection between the original text and your creative response. There must be a tangible relationship present, through an in-depth understanding of the original text’s features. These features include characterisation (what motivates these characters), setting, context, narrative structure, tone and writing/film style. Establishing a clear nexus between the original text and your creative piece does not mean you need to replicate everything of the text; you can stylistically choose to reject or contrast elements of the original text – as long as these choices are deliberate and unambiguous. Therefore, your creative response must demonstrate that you read your original text closely and perceptively by acknowledging these features of the text.
You can establish this relationship by:
Adopting or resisting the same genre as the original text: e.g. an epistolary genre (written in letters) – do letters make an appearance in your text? Is that something you want to highlight? What about writing a monologue or a script if the text is a film or a play?
Adopting or resisting the author’s writing/language style: does your writer characteristically write plainly or with great descriptive detail? What about irony or humour? Consider the length and style of sentences. Are there frequent uses of symbols or metaphors?
Adopting or resisting the text’s point of view: do you want to draw readers’ attention to another thematic idea that was not explored in the original text? Will you align with the author’s views and values or will you oppose them? (See my views and values blogpost here!)
Adopting or resisting the original setting, narrative structure or tone
Writing through a peripheral character’s perspective: give a voice to a minor character that didn’t have a detailed backstory. Find a gap in the text and create and new perspective.
Developing a prologue, epilogue or another chapter/scene: what new insight can you add with this addition and extension of the text? It must add something new – otherwise it is a redundant addition.
Rewriting a key event/scene from another character’s point of view: does this highlight how important narrative perspective is?
Recontextualising the original text: by putting the same story or characters into a completely different context, for example in the 21st century with technology, how does the meaning change in the narrative?
I chose to write a creative piece from the perspective of an inanimate object that followed the protagonist’s journey throughout the entire film, providing an unexpected point of view of the text. Be original and most importantly, enjoy it!
If you're doing a creative piece - whether for English or Literature - you'll find the following blogs super helpful:
Whether Language Analysis (or Analysing Argument) is your favourite section of the English course or you just wish you could read an article without analysing the effect of a generalisation, here are some quick and simply tips to ensure you can maximise your marks in Section C! For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis.
Improve your metalanguage
What is Metalanguage?
Words that describe language!
For example:
The words infer
The words insinuate
The words suggest
Create a word bank full of different words you can interchange throughout your analysis to eliminate any repetition!
If you’d like to see a list of sentence starters to help you broaden your vocabulary for Analysing Argument, check out this blog.
Do not reiterate what the writer is saying
Remember you are analysing the language the writer uses, not arguing the contention of the writer!
Therefore avoid words such as: states, highlights, uses, utilises, shows etc.
What not to do: The writer states that creating a community garden will make people “healthier and happier”
What to do: The words “healthier and happier” suggest that creating a community garden will improve the lifestyles of citizens.
Analyse the language not the technique
By now we are probably aware that puns are “often humorous” and “gain the reader’s attention”. However instead of using these generalised textbook effects, analyse the words WITHIN the pun and see how these words may affect readers.
What not to do: The pun “A new cycle” in the headline is humorous and therefore captures the attention of the reader.
What to do: The pun “A new cycle” draws a direct link between cycling and advancement in society urging readers to view cycling in a positive light.
Always ask yourself: why?
Why is the writer using particular language? Why may the reader react with concern?
Make sure the answers to these questions are in your analysis!
What not to do: Consequently readers may feel concerned.
What to do: Readers may feel concerned due to the increase in fast food consumption.
If you'd like to see exactly how to achieve this within your essays, check out our How To Write A Killer Language Analysis ebook for a step-by-step explanation of how to clearly and effectively answer 'why' and nail Analysing Argument!
Don’t forget the visual
As silly as it may sound, it is quite easy to forget to analyse the visual when you’re under pressure. The visual can either complement the article or oppose the views of the writer.
Mention what the visual:
Symbolises
Suggests
And how readers may react to the visual
Keep your introduction and conclusions as brief as possible
Most of your marks will come from your analysis so there is no need to spend copious amounts of time perfecting your introductions and conclusions. Keep them short and concise!
Pick and choose what to analyse
It is simply impossible to analyse every single technique the writer uses in their article. Therefore pick the words/phrases that you find most persuasive. You will not be marked down for what you do not analyse!
1. Summary 2. What Is Magical Realism? 3. Themes 4. Symbols and Analysis 5. Quotes 6. Sample Essay Topics 7. Essay Topic Breakdown
1. Summary
Flames is a bit of an out-there story right from the beginning: Levi is attempting to build a coffin for his sister Charlotte because the women in their family come back to life after dying. Neither of them is that close to dying - both are young adults. Charlotte doesn’t really want a coffin so she runs away from home, as far as she can while still remaining in Tasmania at least, and Robbie Arnott takes us on this adventure through interweaving perspectives and rich imagery of his home island.
Some of these perspectives are surprising and unexpected, ranging from a hardcore private investigator to a river god in the form of a water rat, but each of them earns their place in the story. Our job when studying this text is to follow these shifts in perspectives and make sense of how they contribute to the overall text. If you’re writing creatively, you may want to play around with this sort of structure as well in your piece.
2. What Is Magical Realism?
Before we get stuck into the text itself, it might be useful to first discuss its genre. Magical realism books tend to be extremely confusing if you’re not familiar with the genre (and sometimes even when you are!). This is because authors in this genre will typically set their stories in the real world (in this case, in Tasmania), but they’ll add supernatural elements, which vary wildly from story to story.
Let’s unpack the genre a bit more, in particular, what it involves and why it’s used.
Elements of Magical Realism
The most important element of magical realism is that it blends the real world with fantastical elements. In Flames, the most obvious example is gods: gods don’t exist as far as we know, but they walk among humans and play key roles in this text. Less obvious examples of fantastical elements include the wombat farm at Melaleuca (fortunately nobody actually skins wombats) as well as the Oneblood tuna and (unfortunately!) the pet seals.
The fact that these examples are narrated as perfectly normal is another element of magical realism: the author usually operates as if the fantastical elements are perfectly real. We, as readers, enter a world where the existence of these magical things is taken for granted by the characters.
Purpose of Magical Realism
This blurring of the lines between real and magical is primarily supposed to suspend our disbelief: we can’t really be sure what’s real about the novel’s world and what isn’t. All we know is that in many respects, it looks like our own. Within this familiar setting, Arnott lets his own imagination run wild and leaves the reader to figure out the rest. This helps to create a sense of wonder, as if these elements could be real and as magical as described.
These elements also contribute to the story in other ways: in particular, they open up new possibilities for commentary. For example, the voice of the South Esk god is used to highlight the impacts of colonialism and the “blood-tasting tang of iron” that was brought with it.
Other Magical Realism Books
If you’re liking the sound of this genre and/or if you enjoyed Flames, there’s plenty more to discover in the way of magical realism. It’s a hallmark of Latin American literature (Isabel Allende, Gabriel García Márquez), and it’s also been picked up in Japan by the likes of Haruki Murakami. A prominent Australian example is Carpentaria by Alexis Wright.
3. Themes
Death and Grief
Let’s move more closely into Flames, starting with its central theme of death and grief. It’s what defines this central point of tension between Levi and Charlotte throughout the novel, since it starts with their divergent responses to their mother’s death (and reincarnation etc.). Their divergent responses suggest that there’s no one way to cope with death, and their father’s reaction on top of that introduces further complexity: he disappears from their lives altogether, “not want[ing] to be close to them when they [died]”. Between the three of them, there are three very different expressions of grief.
But Edith McAllister is not the only death of significance in the novel. Another standout is the passing of Karl’s seal, after which he becomes haunted by “clicks”; he subsequently leaves tuna-hunting behind. The death of the South Esk god is also explored as causing grief, this time in the form of divine emotional outpouring, “a cloud’s sorrow”. Arnott is thus exploring many processes of grieving, from solitude and callousness to physical and emotional labour.
Family Relationships
Outside of these moments of grieving, Arnott explores the background relationships between family members as well. Again, Levi and Charlotte are central to this. As siblings, they don’t always see eye to eye: “Levi and I have never understood each other”. However, that does not diminish their love for each other, particularly as they were left alone after their mother’s death. Their father Jack again makes this dynamic more complicated: he sees an “unbridgeable gap” between himself and Levi for example, but the omniscient third-person narrator in that chapter knows otherwise. Consider what difference it makes when Arnott writes in first person from within these relationships (as he does with Charlotte) versus when he writes in third person, observing from outside.
We also see interesting relationships between Karl and his daughter Nicola. Unlike the McAllisters, the two of them are remarkably close despite his ongoing grief for his seal: “nothing could match the blaze of love in her father’s smile”.
Romantic Relationships
Nicola crops up again under this theme, as she begins to navigate a relationship with Charlotte. In a book review for The Guardian, Sam Jordison argues that this is a bit trite, but we can think of it as one perspective on how relationships begin: organically and sincerely, and out of a desire to protect someone else. By contrast, the start of Jack and Edith’s relationship was founded on something more artificial and manipulative, a “tiny spark” which he ignited in her mind.
This is bookended with romantic relationships that have come to an end, as explored through the eyes of the private investigator: her and her ex-husband, Graham Malik, have settled into something of an “ecosystem”. With these various beginnings and endings, Arnott shows how it can be natural - or supernatural - to fall in and out of love.
Colonisation
Finally, this novel touches on the impacts of colonisation. It’s a few quiet allusions here and there, but they are important: Arnott acknowledges the impact of colonisation on the natural landscape of his birthplace. He does this firstly through the eyes of the South Esk god, who observes the “foul industries” of the “loud, pale apes” when they first arrived on palawa and pakana land, the land we now know as Tasmania.
Arnott also explores colonisation through the eyes of Jack, who experiences racism when taking on the human form of an Aboriginal person. He wanted to learn more about how European colonisers were using fire, but he found “they reacted poorly to his dark appearance”. Meanwhile, First Nations people in Tasmania were being “hunted in their own homeland”, and he chooses not to intervene.
As immortal outside observers, their perspectives are the only ones in the novel that can really trace this history. Arnott might be including them so readers take his descriptions of nature with a grain of salt: even as we appreciate Australia’s beautiful landscape, it’s worth acknowledging its custodians who have kept it that way for tens of thousands of years.
4. Symbols & Analysis
Supernatural Creatures
We’ve traced the major purposes of these deities already, but to reiterate them here these ‘gods’ symbolise different parts of nature and the wonder Arnott derives from them. Although nature is already alive, these figures help it feel even more so. They also serve the important purpose of highlighting and acknowledging Tasmania’s colonial history, as well as the disconnect between humankind and nature.
Water
The one natural element worth discussing as its own symbol is water. There are many bodies of water identified in the novel, from rivers and lakes to the ocean, and they each have their own significance. For example, rivers connect parts of the natural landscape while lakes (particularly Crater Lake) represent a getaway, solace, solitude and peace.
The ocean is the most complex of these symbols though: it’s all around the island of Tasmania, and it appears to be a vicious and unforgiving place filled with orcas and tunas the size of “mountains”. But it’s also a place that brings calm to Edith and Charlotte, and even Levi as a child. Arnott canvasses all of these different relationships to nature through the different manifestations of water. Water even exists as rain, which in the novel’s denouement represents a new beginning, a washing away of past tensions and conflicts.
5. Quotes
Levi
“My sister is struggling to cope with the loss…I cannot allow her pain to continue.”
“They (Levi and Jack) were so alike”
Charlotte
“The tears were flames, and they were coming from within Charlotte.”
“Levi and I have never understood each other”
Gods
“Some wore fur and feathers and watched over the creatures they resembled… Some, like a blood-hungry bird spirit he encountered deep in the southwest, were cruel. Most were calm, seeking only to care for the creatures and land that they felt drawn closest to.”
“He (the South Esk god) continued on, soothing his rage in a simple, humble way - by nipping screws out of the hull of an idle jetski”
“Living with humans did not work”
6. Sample Essay Topics
More than anything else, Flames illustrates the importance of family. Discuss.
Levi McAllister is the hero of Flames. Do you agree?
How does genre contribute to the storytelling effect of Flames?
What is the effect of shifting narrative perspectives as used in Flames?
“I could have spoken to him but he would not have listened.” What does Arnott say around family?
7. Essay Topic Breakdown
Whenever you get a new essay topic, you can use LSG’sTHINK and EXECUTE strategy, a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out inHow To Write A Killer Text Response.
Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:
Step 1: Analyse
Step 2: Brainstorm
Step 3: Create a Plan
How does genre contribute to the storytelling effect of Flames?
Step 1: Analyse
When talking about the genre of this text, we’ll definitely need to discuss magical realism. The question here is about how magical realism enriches or contributes to the story, so it might be worth breaking down the elements of magical realism and thinking through each of them one-by-one. The fact that this prompt is framed as a ‘how’ question (one of the 5 types of essay questions) also means we’ll have to bring in Arnott and how he chooses to tell the story.
Step 2: Brainstorm
One magical realism element Arnott adopts is the gods, who play a few roles symbolically in the novel, but there are other elements too: the seals, the flames, the cormorants and so on. Do these elements add as much as the gods, and if so, what are they adding?
Consider also not just the elements as they appear, but also how Arnott is treating them. The fact that a lot of them are taken for granted as perfectly normal is in itself another genre element.
Step 3: Create a Plan
Instead of talking about the elements too disparately or separately, I think a lot of them revolve around this central question of how humans relate to the earth and to one another. This will help connect my ideas to one another.
Paragraph 1: Elements of magical realism show how humans adversely impact nature
Nature is a huge part of the story: around the island, we see everything from beaches and rivers to “undulating moorlands of peat and buttongrass”. Sometimes, these elements are personified as deities (e.g. South Esk god) – this is where genre comes in, since these deities are supernatural or ‘magical’, though they are written to exist in our world.
These voices, made possible by magical realism, highlight the impact of human industry on the environment: for example the “blood-tasting tang of iron” that seeps into Tasmania’s waterways.
Even Jack and Edith’s relationship could be seen as a metaphorical take on our incompatibility with nature: “living with humans did not work”.
Paragraph 2: At the same time, not all humans contribute equally to this pollution, and magical elements also facilitate commentary on this perspective
Before European colonisers arrived in Australia, the land had been tended to by the First Nations peoples for over 60,000 years - and pollution had been minimal. We cannot blame the entire human race equally for the deteriorating natural environment (see this Instagram post for an explanation!).
This is pointed out by the South Esk god: it is the “pale apes” who are trying to “swamp[] over everything”.
Jack, the deity of flame, also recognises this, although he is far more complicit: “he liked learning from the pale people more than he wanted to help” Aboriginal people.
Magical realism adds this historical and political dimension to the narrative.
Paragraph 3: However, Arnott’s use of magical realism also shows possibilities for ‘ideal’ relationships between humans, and between humans and nature
This paragraph gets to draw on some examples that aren’t just the deities: the seals for example coexist really poetically with humans, “the half of themselves they had been born without” (these were inspired by dogs, by the way).
Plus, even though Jack and Edith’s relationship was founded on a lie, Arnott is able to use that as a point of contrast for the relationship between Charlotte and Nicola, born from Nicola’s “desire to help”, plus her “fast and firm” attraction to Charlotte. This relationship is highly organic, and the ‘magical’ relationship between Charlotte’s parents proves a useful foil.
Even though some textual elements are exaggerated because of genre, Arnott still manages to use magical realism to highlight what might be possible, inviting the reader to imagine possibilities for harmony between people and nature within their own worlds.
Flames is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out ourUltimate Guide to VCE Text Response.
Are you a slow writer who struggles to write down all of the information that you hear in the listening audio clip? Have you ever been in a situation where the next sentence in the audio comes up way before you finish writing down information from the previous sentence? If yes, then this blog is for you!
You want to write down as much useful information as possible in a short period of time during your VCE EAL exam, so it is very useful to implement a system of techniques that works well for you personally. Here are some ideas and suggestions that you may want to use to increase the speed of your note-taking.
1. Use Different Coloured Pens or Keys for Different Speakers
Under the stress of exams/SACs, you might lose track of which speaker is talking. This is likely to happen if the speakers are of the same sex or they sound similar to each other (from personal experience, I had a listening task with 3 female speakers!) A simple way to remind yourself of who is speaking is to take side notes with different coloured pens and/or symbols for different speakers.
For example:
If in the audio: Lisa says, ‘The weather is lovely’ and Cici replies ‘Let’s go for a run’. We can write side notes using L (for Lisa) and C for Cici, which may look like:
L ‘weather is lovely’
C 'Let's go for a run’
Or, you could use a red pen for Lisa and blue pen for Cici.
2. Use Signs & Symbols to Replace Words
Using symbols is an efficient way to increase the speed of writing and ultimately increase the amount of information that you can record. Here are some examples of symbols I have used in the past and the meanings I gave them.
→ Leading to/Stimulate/Result in
↑ Increase
↓ Decrease
$ Money
↔ Swap
⇆ Exchangeable
☓ Cross/Incorrect
& And
@ At
= Equal
/ Or
∵ Because
∴ Therefore OR Consequently
? Uncertain/Possibly/Disapprove
> Greater than/More than
< Less than/Fewer than
# Number
~ Approximately OR Around OR Similar to OR Not Equal OR Not the same as
∆ Change
◦ Degree
c/b Could be
- Negative/Before
+ Positive/Plus
3.Use Abbreviations
Use abbreviations that work for you. There is no right or wrong here as the ‘blank space for scribbles’ will not be marked. Abbreviations can take the form of short notes or letters...you get to be creative here!
You can also choose to keep only the essential vowels and consonants in words. Or, leave out the double consonants and silent letters. The following list contains some abbreviations for common words or phases:
Answer = answ
About = abt
Morning = am
Afternoon = pm
As soon as possible = asap
Before = bef/b4
Between = bt
Because = bc
Common = com
Condition = cond
Diagnosis = diag
Regular = reg
You = u
Notes = nts
To = t
Take = tk
Very = v
With respect to = wrt
With = w/
Will be = w/b
Within = w/i
Without = w/o
Here are some examples of how you might use abbreviations and symbols:
Example 1
‘You should remember to take notes in classes’
Can be abbreviated as:
‘U shld rmbr t tk nts in cls’
Example 2
‘Gidon has a rare blood condition which means he visits the hospital quite regularly. Since his diagnosis, Gidon’s family paid more than ten thousand dollars just to visit the hospital. Gidon initiated a petition that advocates for lowering the fees for parking in hospitals and putting a limit on how much the hospital can charge.’
Can be abbreviated as:
G has rare blood condi → he visits hosp. v. reg.
I've used G as an abbreviation for Gidon, and the arrow here represents that the stuff on the left side of the arrow (i.e. his rare blood condition), led to the events on the right side of the arrow (i.e. regular hospital visits).
Since his diag. → G’s fam paid >$10K to visit hosp.
Here I’ve also used the arrow, indicating that the stuff on the left side of the arrow (i.e. his diagnosis), led to the events on the right side of the arrow (i.e. Gidon's family paid more than 10 thousand dollars). I’ve also used >$10K to indicate that the amount Gidon’s family paid is more than 10 thousand dollars.
G → petition → advocates for ↓ $ parking & limit how much hosp. can charge
Using my symbols and abbreviations above, it’s your turn to work out how I’ve abbreviated this ;)
---
I hope these tips and tricks will assist you with note taking during the EAL listening SACs and exam. If you would like more practice on the listening section, check out the following blogs!
Bombshells and The Penelopiad are studied as part of VCE English's Comparative. For one of most popular posts on Comparative (also known as Reading and Comparing), check out our Ultimate Guide to VCE Comparative.
1. Introductions
Bombshells is a collection of six monologues written by Joanna Murray-Smith, each featuring one female character who is symbolic of a specific stage in life and role. Together, they are a telling account of the struggles of being a woman in a modern world, and the monologue format allows the author to emphasise how they are simultaneously unique and universally relatable.
ThePenelopiad is Margaret Atwood’s retelling of Homer’s Odyssey from Odysseus’ wife Penelope’s point of view. The story is narrated first-person by Penelope who resides in the underworld, but is also peppered with spoken, sung or chanted testimonies from the twelve dead maids of the story who act as a Chorus, a traditional part of ancient Greek theatre. Although the story is old and much-retold, the voice is modern and the author’s messages concerning women and their position in the world and their relationship with men are universal, regardless of the historical period.
For more character analysis, download this study guide here.
4. Sample paragraphs
Prompt: How do Bombshells and The Penelopiad emphasise the subtleties of the male-female relationship dynamic?
Introduction
While the narratives of both Bombshells and The Penelopiad are firmly focused on the female perspective of issues relevant to them, the texts also address the male perspective and role in such issues. Like the women, the men created by the authors have instrumental roles in the way the stories play out, which interestingly are sometimes disproportionate to their actual involvement in the plot.
Body paragraph
One of the main differences between the texts, other than the literary format, is the level of dialogue and active participation afforded to the male characters. In The Penelopiad, the male characters arguably largely direct Penelope’s life, from her father essentially selling her into marriage to Odysseus’ life-disrupting departure, return and ‘lies…tricks and… thieving’, not to mention her ‘quite spoiled’ son Telemachus’ will to usurp and disobey his mother. Penelope’s narration gives them large amounts of dialogue and paints them as three-dimensional people in her life, whereas the male characters in Bombshells have barely any dialogue – most of them have none – and yet manage to cause a similar level of turmoil in the female characters. The marriage of Theresa McTerry to her fiancé Ted, for example, sends her into long, capitalised rants heavily punctuated with exclamation marks and profanities; Murray-Smith does not even give Ted a full description. Even without forming the male characters into rich, detailed personas, she still manages to fully showcase the chaos visited upon Theresa by her ill-considered marriage. She draws greater attention to her inner panic and desperation than we see in Penelope, whose voice retains a sense of shocked detachment even when crying or suffering. As such, the differing approaches of the authors both showcase the fact that men can wreak significant havoc with women’s lives, and that we do not actually need to know much about the particulars of the men or their acts to comprehend the women’s suffering.
Conclusion
The approaches of Atwood and Murray-Smith towards the level of engagement of their male characters differ significantly, yet both show the full impact of their actions on the lives of their female counterparts. Even when the men are given only cursory mentions, their presence as an agent of change within the story is sufficient for them to dramatically alter the courses of the characters they consort with.
It’s very hard to look past the overt feminist overtones of both try – even though these are some of the most interesting parts of the texts and you definitely should discuss them, there is more to them than messages about women. Maybe expand your view to more general ideas about human beings, how we live our lives and the ways we react to situations of duress.
Also consider that these texts are in two different formats; how does the live performance of Bombshells change the way it is perceived? How do the different media of these texts support or emphasise the authors’ messages? What can a monologue do better than a book in terms of transmitting an idea and vice versa?
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