Go ahead and tilt your mobile the right way (portrait). The kool kids don't use landscape...
For an overview of English Language, the study design, what’s involved in the exam and more, take a look at our Ultimate Guide to English Language.
There are several strategies you can use to your advantage to extend yourself in VCE English Language.
Make Finding Examples a Habit
One simple way to expose yourself to more examples is to follow news pages on social media so that you can see regular updates about current affairs. Have a read through of point 7:Year 12 Essay Topic Categories in our Ultimate Guide to English Language so that you can understand what types of examples you should be keeping an eye out for.
Right from the start of the school year, make sure you set up a system to keep track of your examples. You could do this by setting up a document with headings (such as ‘free speech’, ‘egalitarianism’, ‘political correctness’, ‘double-speak’, ‘ethnolects’ and ‘Australian identity’) and adding examples to this document throughout the year as you find them. For more information about the potential headings you could use, have a look at the dot points in the VCE English Language Study Design from page 17 onwards.
The advantage of creating an example/evidence bank of some sort is that if you start looking for examples right at the start of the year, you’ll have more time to analyse and memorise them. Additionally, you’ll also be able to use them far earlier in your essays, which means that the quotes and examples you select will become much easier to remember for the final exam.
Have a Basic Understanding of Australian History, Politics and Social Issues
Having a basic understanding of Australian history, politics and social issues is highly beneficial for enhancing your analytical skills for English Language. This is essential in developing strong contentions for your essays. Some key issues that would be worth having some background information on include the following:
Australia’s colonial history and treatment of Indigenous communities, racism, and the language surrounding these matters.
Look into the following:
How does language reflect or perpetuate prejudice?
How does hate speech affect social harmony?
How can language be used to establish in-group solidarity?
Sexism, racism, ableism, homophobia and transphobia.
How can bias and prejudice be conveyed through language?
What are some examples of implicit and explicit bias?
What role does political correctness play in this context?
Environmental issues, and the way this intersects with politics.
How can euphemisms, doublespeak, and bureaucratic language be used to obfuscate or mitigate blame?
Immigration and refugee policy related discourse.
What are the origins of pejoratives such as ‘boat people’ and ‘queue jumper’ that are frequently used against refugees?
How does this influence the values or beliefs of a society?
Business and economic issues, labour exploitation
How can bureaucratic language and jargon be used to mislead and manipulate?
Political affairs (historical and recent)
How can formal language be used to mitigate blame and responsibility, negotiate social taboos, or establish national identity?
Having an awareness of key events and social issues in Australia, an understanding of the groups that make up Australia, and exposing yourself to a diverse set of media is really important in developing your essay writing skills. It does take time, but what will ultimately happen is that your discussions in your essays will be much more insightful and demonstrate a well thought out argument.
Apply Your Critical Thinking Skills
When writing essays, try your best to apply your critical thinking skills. Identify the assumptions you’re making when you present a certain point, and try to develop arguments against your position so that you can better understand why you have chosen your side. Developing a holistic and detailed contention is far better than just picking one side out of simplicity, as it allows you to demonstrate consideration and analysis of a range of factors that affect a certain issue. Use your evidence (contemporary examples, linguist quotes and stimulus material) to develop your points, and position yourself to be mindful of any biases you may have by continuously asking yourself what has influenced your way of thinking. Above all, try to discuss your essay prompts with your peers, as this will provide you with different perspectives and help you strengthen your own point.
Consistently Revising Metalanguage
Consistently revising metalanguage is crucial for doing well in English Language. Throughout Year 12, consistently revising metalanguage will be your responsibility. It is likely that you’ll be spending a greater proportion of class time in learning content, and writing practice pieces. Therefore, it’s really important to figure out a way that works best for you in being able to frequently revise metalanguage. Flashcards are useful for revision on the go, as well as making mind maps so that you’re able to visualise how everything is set out in the study design.
One issue students run into when it comes to learning metalanguage is that they’re able to define and give examples for metalanguage terms, however, they are unable to understand how those terms fit into the categories under each subsystem. For example, a student is able to remember what a metaphor is, but unable to recall that it fits under semantic patterning. Similarly, a student may know what a pause is, but not know if it’s part of prosodic features or discourse features.
It’s important to know what all the categories are because the short answer questions usually ask you to identify features under a particular category (e.g. you’d be asked to talk about semantic patterning, not metaphor or pun). Therefore, spending time on just revising the definitions alone isn’t sufficient in learning metalanguage. You also need to be able to ensure that you can recall which category each term fits under. Refer to the study design (pages 17-18), for a list of categories you need to remember; these include:
Prosodic features
Vocal effects
Phonological patterning
Processes in connected speech
Word classes, word formation processes
Sentence types
Sentence structures
Syntactic patterning
Voice
Coherence
Cohesion
Features of spoken discourse
Strategies of spoken discourse
Semantic patterning
Sense relations/other semantics
Using Meaningful Examples in Essays
When you talk about a certain variety of English, say for example ethnolects or teen speak, rather than just providing a lexical example or translation, try to find a contemporary example of the term being used in the media, online or by a prominent individual. For example, rather than saying:
‘The lexeme ‘bet’ is an example of teen speak which allows young people to establish solidarity’,
you could say:
‘Bakery owner Morgan Hipworth, who largely has a teenage following and is a young person himself, employs teenspeak in a video recipe, where he responds to the question “Can you make a 10 layer cheese toastie?” with “Bet, let’s go.”’
This will provide you with a better opportunity to talk about in-groups and identity, rather than just defining and identifying an example as part of a particular variety. In doing so, you’re better able to address the roles of different linguistic examples in a contextualised and detailed manner.
In Building Essay Evidence Banks for English Language you’ll see that a short analysis for each of your examples (the ones you are collecting throughout the year) is encouraged, but, you could take things one step further - add on an extra column and combine your analysis and example in a practice sentence. Head to the blog to learn more about building evidence banks.
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Ever since the inception of the format, we have been arguing with each other over whether we should say 'gif' or 'jif'. This debate has raged both online and offline, but does it really matter? On one side, supporters of 'gif' claim that because the acronym stands for Graphics Interchange Format, the G sound in 'graphics' should be maintained. Whereas the 'jif' camp argues that because the inventor of the format, Steve Wilhite, says 'jif', so should we all. However, a far more sane argument is that as long as what someone says (whether it be 'gif' or 'jif') is understood, it shouldn't matter how they say it.
As students of English language, we should aim to primarily take this descriptive approach to studying language. We identify and describe what people are saying or writing, and the effects this has, but we don't then ascribe our own judgement. Language exists to be a vessel for our communication, and so, as long as it is transferring meaning between its users, it's serving its purpose. There is no correct way of speaking or writing because there isn't really a good way of determining what this correct way is.
What Are Prescriptivism and Descriptivism?
Simply put, prescriptivism is an attitude that prescribes how language should be and how you, as its speaker, must use it. A prescriptivist most often promotes Standard English or a similar variety. This is the variety of English you will find in most textbooks, government letters and notices and in your English classroom.
Descriptivism on the other hand, is a non-judgemental approach to looking at language. As descriptivists, we place more importance on how English is actually being written and spoken rather than trying to identify a correct way. The vast majority of linguists, dictionaries and other English language authorities consider themselves to be descriptive and not prescriptive, and this is a really important distinction.
If the way that we as English speakers use or spell a word changes, the dictionary will change too, in order to reflect this. The Macquarie Dictionary made one such change in 2012, which entered the public spotlight. The word 'misogyny' has been used for many years to mean 'an entrenched prejudice against women' and not necessarily 'a hatred of women', as it says in the dictionary. So, when Julia Gillard used the word in her speech on the topic, it seemed to conflict with what it said in the dictionary. Yet, we all knew what she meant. And so, The Macquarie Dictionary updated its entry for the word to better reflect how we actually are using it. That's all well and good in the academic world, but why is this distinction important outside of a video about language?
Language Prejudice
Throughout history, and still to this day, prejudice exists against people who speak differently.
For example, for much of the 20th century, and to some extent still to this day, Aboriginal Englishes have been deemed substandard and inferior to varieties used by people with European heritage. This has led to demonstrable discrimination in places like courts and hospitals, but often the time and care is not taken to actually interpret what Aboriginal people mean when they speak. By seeing that prescribing how a language‘should’ be doesn't actually do anything to improve its effect or usefulness, we can be far more accepting of the fact that language varies depending on who is speaking and that it changes with time.
We have the option of either allowing the people to define how a language is used or allowing a linguistic academy like the Council for German Orthography in Germany, or the French Academy in France, to prescribe how we should speak.
Language Shift
So, where can we find relevant examples in today's society? We're seeing a shift to prescriptive attitudes in the realm of teen-speak and text-speak, with people like David Crystal saying that creating new words and new ways of speaking is a rite of passage for young people. In the rapidly evolving fields of technology, social media or even politics these days, we are seeing new words and phrases and even entire new ways of constructing sentences being coined every day. But, not everyone is accepting of this and plenty of people still cringe when they hear a hashtag used in regular speech. We're also experiencing a shift to the normalization of informal language, Australian slang and hypocorisms, even in social and situational contexts where traditionally we would use a more formal register. Just how many times have we heard the likes of Scott Morrison and Malcolm Turnbull used the phrase ‘fair dinkum’?
But when does this matter in English language? We should be careful not to say that certain ways of speaking or certain varieties of language are inherently wrong and instead, describe what makes them 'non-standard uses' of language. This description is far more interesting than a subjective judgment of a particular way of using English.
Descriptivism and Prescriptivism as Metalinguistic Tools
The terms descriptivism and prescriptivism can also be good metalinguistic tools when we are analysing opinions about language. Look out for segments on the radio, television or even the opinion columns of newspapers for discussions about varieties of English. People can identify very strongly with certain varieties of language, so a prescriptive attitude can often also indicate other beliefs. This can be important when identifying the social and cultural context of a text. We can also employ this knowledge in our own writing and speaking. Instead of trying to use correct language, we can instead focus on using appropriate language. This doesn't mean that you can start spelling words however you want, and giving your essays a generous sprinkling of commas and apostrophes where they don't belong (because these will often get in the way of you being easily and clearly understood), but the next time you're writing and you see a red line under that word that you're a hundred percent sure is correct, you can be safe in knowing that it's probably the dictionary, and not you, that needs an update.
Written expression is often overlooked in our essays. Often, if we are made aware of clunky or awkward expression, we are also not quite sure how to go about improving it. Although sophisticated and pertinent ideas serve as the foundation of a successful essay, how we construct our sentences and express these ideas may be what distinguishes a good essay from a great essay.
These differences can be rather subtle, but the small things can and do matter.
1) USE YOUR VOCAL CHORDS
(to read out loud, not sing… unless you really want to)
Take your essay and read it out loud. Let your own conscience guide you in terms of whether a particular sentence flows well, is complete and makes sense. Keep your eye out for these small errors in particular: Grammar:Does your sentence actually make sense? Let’s have a look at an example:Although Funder suggests that the act of telling one’s story, especially one of victimisation, can catalyse the internal confrontation and healing required to move on.
?!?
(This is not grammatically correct! This is because this example only contains a subordinate clause and is lacking a main clause.)
But wait… what is this ‘subordinate clause’ and ‘main clause’?
A clause includes a subject and a verb.
Melissa ate an apple.After Wendy ate an apple.
What is the difference between the two clauses above?
‘Melissa ate an apple’ makes grammatical sense on its own. This is what we call a main clause (or an independent clause). On the other hand, ‘After Wendy ate an apple’ is an incomplete sentence as it does not make sense. What happened after Wendy ate her apple? This is the information that is missing from the latter clause, making this a subordinate clause (or a dependent clause).
So now let’s try again…
Although Funder suggests that the act of telling one’s story, especially one of victimisation, can catalyse the internal confrontation and healing required to move on, ultimately, these individuals can never be truly free from the past that has irrevocably defined them.
(Hooray! This is a complete sentence now.)
Spelling: Are the title of the text, the author or director’s name, characters’ names, publisher’s name, etc. all spelt correctly (and capitalised, underlined, and italicised appropriately)?
Did you use the correct there, their and they’re? How about it’s and its? (and so on).
Sentence length: Did that sentence just go on for 5 lines on a page and you are out of breath now? You can most probably split that overloaded sentence into two or more sentences that make much more sense. Check whether you have a clear subject in your sentence. If you have three different ideas in one sentence, give each idea its own opportunity (ie. sentence) to shine. The opposite also applies: if it is for a very short sentence, did that sentence pack enough content or analysis?
One spelling error or half-finished sentence in an essay will not severely affect your mark, but they can easily add up if they occur often enough. Consequently, this will distract the reader from engaging with your ideas fully and thus disrupt the flow of your essay.
By being aware of these aspects, you are now able to easily fix them and boost your writing.
2) BE SUBTLE
Try not to be casual or overt in your writing as it can be quite jarring to read and unfortunately give readers a potentially negative impression of your piece.
Try not to use phrases such as:
- In my opinion… (You do not need it as your entire essay should be your implicit opinion!)
- This quote shows that… (Embed the quote and link to its implication instead)
- This technique is designed to… (Identify the technique and be specific, especially in Language Analysis)
- I think that…, I believe… (Avoid using first person in a formal essay. Use of first person in creative writing is fine though if required)
They are redundant and do not add much to your ideas and analysis. Try omitting them and see whether that helps your sentence flow better and seem more formal.
3) LINK ‘EM UP
Sentences that seem disjointed or a clear connection can make it difficult for your teacher or the assessor to join the dots between an idea and an implication or consequence. Use linking words as they are fantastic for explicitly showing the reader how your ideas are related and thus allow your writing to proceed smoothly.
Therefore, hence, thus, thereby, consequently, subsequently, in addition, additionally, furthermore, moreover, on the other hand, on the contrary, however, henceforth, and so on… The list is endless!
4) ADD OOMPH (through vocabulary)
In general, having a wide vocabulary will allow you to express your ideas and analysis more accurately as you are likely to have access to a precise word that can capture the essence of your idea. Make a vocabulary list for a particular text or for Language Analysis (such as tone words) and aim to use varied language to convey yourself well.
If you’d like to see a list of sentence starters and essay phrases to help you get a headstart on expanding your vocabulary, check out this blog.
Focus on verbs and expanding your list of synonyms for words such as shows, demonstrates, highlights, emphasises, suggests and so on. An individual, character, author or director may not only be conveying but also denigrating or remonstrating or bolstering or glorifying or insinuating. Adding precision to your writing through careful vocabulary choice will distinguish your writing and also add complexity.
BEWARE! There is a fine line to tread with sophisticated vocabulary - do not overload your writing as you can risk writing convoluted sentences that hinder the reader’s ability to understand your piece. Also make sure that you understand the nuances of each synonym and that they are used in the correct context! (They are synonyms after all - not the same word!)
If you are debating whether to use a word, ask yourself: do you know what it means?
If yes: Go for it!
If no: Do not use it until you know what it means.
5) READ
Reading sample essays, The Age Text Talks, reviews and more of the texts you are currently studying will expose you to not only a multitude of interpretations of your text, but also to different sentence structures, writing styles or vocabulary that you could incorporate into your own writing.
I would also highly recommend that you read outside of the texts you are studying if you have time, whether that may be novels by the same author or even newspapers. Your written expression will only benefit from this exposure as the ways you can express yourself through writing continue to increase upon seeing others’ eloquence.
6) GET WRITING
If you do not write, you will never be able to improve your written expression. Put pen to paper (or hands to keyboard) and start constructing that essay. You can only fix your writing once you have writing to fix.
It’s getting closer to the Literature exam and you’re probably starting to get more serious about avoiding dropping too many SAC marks! Depending on which order your school does Literature SACs in, you may be currently facing the often feared ‘Creative Response’. Whether you feel beyond excited to finally bring some creative flair to Literature, or you’re totally scared at the thought of creating something new, I wanted to use this blog post to help you achieve at least ten of the marks in this section. That is through the reflective commentary, which you can totally score full marks on if you put in the effort.
The VCAA Literature Study Design determines that students must submit ‘a reflective commentary establishing connections with the original text’. This aspect of the assessment counts for 10 of the 60 marks available for the Creative Response outcome. The study design further denotes that students must
‘reflect critically upon their own responses as they relate to the text, and discuss the purpose context of their creations’.
This allows your schools and teachers to direct in a relatively broad way on how you should form your reflective commentary, and may mean your friends at other schools write theirs in a very different way. In this blog post I will leave you with a suggestion of how I best believe a reflective commentary could be structured to include all important aspects, as well as tips on how to include all of what the study design asks. As I said, these are ten marks that can easily be snatched with just a little bit of hard work and attention to detail, so why not snatch them?
To induce the things needed to be included in the reflective commentary, we can look to the key knowledge and key skills points outlined in the study design:
Key knowledge:
- the point of view, context and form of the original text,
- the ways the central ideas of the original text are represented,
- the features of the original text including ideas, images characters and situations, and the language in which these are expressed,
- techniques used to create, recreate or adapt a text and how they represent particular concerns or attitudes.
Key skills:
- identify elements of construction, context, point of view and form particular to the text, and apply understanding of these in a creative response
- choose stylistically appropriate features including characterisation, setting, narrative, tone and style
- critically reflect on how language choices and literary features from the original text are used in the adaptation
What you’re really trying to do in your reflective commentary is prove to your teacher that you are hitting all these key knowledge and key skills points. As you write, ensure you are discussing how the author uses point of view, context, form, elements of construction and stylistic features in their text. It is than imperative that you describe how you have similarly used such device in your creative response. Ensure that you also discuss how you are involving the ideas and themes of the text in your creative piece, and how you are discussing them further, or exploring them in greater depth. Obviously only talk about those that are relevant to your creative response!
Sample reflective commentary
Having scored a 10/10 in my own reflective commentary, I will provide a structure that can be used to ensure you are including everything you need. I discussed my own reactions to the original text, and described how I wanted to rouse similar reactions in the reader of my creative response.
In your reflective commentary, it can be easier to put everything under subheadings. These are the ones that I used:
-Purpose
-Title
-Setting
-Characterisation
-Structure
-Narration
-Literary features (here I chose 7 particular literary features used in my text and discussed how I emulated them)
-Motifs
Under each of these paragraphs, I analysed how the author used such features to create and convey meaning, and discussed how I, in my own piece, drew on her use of them and expanded on her ideas. Here is an example of my ‘Purpose’ paragraph, which will hopefully give you an idea on how you might write your own commentary! My text was Cate Kennedy’s Dark Roots, in particular the short story ‘What Thou and I Did, Till we Loved’.
Purpose
In my piece, I ultimately attempted to lead the reader to a place of discomfort, faced with a situation that they wish never to be faced with. When I first read What Thou and I Did, Till we Loved (Dark Roots, Cate Kennedy), I simply wished never to be in Rebecca’s position, as I was sobered by the sadness of her demise as she watched her lover fade away. I sought to elicit the same response from the reader, as I aimed to convey the deterioration that both lovers suffer, as well as the loss of communication between them. I also attempted to allow the reader to question the humanity in keep people alive by machines and drugs, and whether it is fair to force people to live an unnatural life. I have sought to explore this even further than What Thou and I Did, Till we Loved bringing in the question of euthanasia and whether we have a right to die as Kyle begs of Max to “kill me” at the end of the piece, and Max concedes that “[he] would if [he] could”. The themes of my piece seeks to explore are the ways of coping with grief, guilt at causing the illness of a loved one, a life with a lack of substance, and the loss of communication due to illness.
Hopefully you’re feeling better about how you might go about completing your creative response, and getting that 10/10 on your reflective commentary!
Ok, let’s be honest here. I’m not one to be easily motivated to do things. I’m what you call a part-time-verging-on-full-time procrastinator. Hell, if procrastinating was a career, I’d be rich by now!
But alas, there’s no time left in these last critical months of high school to sit back while you put even the smallest of tasks off because you can’t be stuffed. There’s always that one project, that one piece of writing, that one homework task that you just can’t bring yourself to sit down and do. That’s when you soon discover that you’ve got to find a teensy-tiny ounce of hope and drive in you to complete the unwanted task. Oh, what’s that called again? Ah yes!
M-O-T-I-V-A-T-I-O-N.
So how does one find that motivation to plough through lists of work, practice SACs and exam papers, and write yet another language analysis without going insane?
Well, I’ve said it once and I’ll say it again, I’ve always thought admirably of those top 99+ ATAR achievers in my school, the students that score 50s in each subject and the brightest kids in the state that appear on the front of newspapers come mid-December each year. It baffled me for so long that they appeared SO motivated to do all this work! How do they keep pushing themselves? How do they not lose confidence along the way? How do they stay focused for the entire Year 12? And I’ll let you in on a little secret… you can be one of them! Just find the motivation technique that empowers and energises YOU!
Motivation is SUCH a personal matter. It is 110% crucial if you plan on doing well for your final years of school, and once you discover what gets your engine roaring, it’s an invaluable tool you’ll need and keep for life.
Perhaps the most ‘obvious’ motivation for doing well in Year 12 is to get acceptance into your preferred University course, TAFE course, or other career or study pathway. But that’s not enough, in my humble opinion. Plenty of students start off Year 12 with such a great mind frame for the first few weeks or months, and then struggle to keep up the good work. You need to keep your goal as close to mind as possible. Don’t just have a 4-digit figure in the back of your mind or glued onto a pin board. Visualise what it looks like when you’re walking into your dream course, discovering your passion, meeting new people that feel as passionate about what they’re learning as you. Where will your dreams take you? Hold on to those images in your mind. They are pure gold.
If you feel like everything in Year 12 isn’t worth the stress and the effort, think of the holiday that greets you after finishing high school. For some, you might be trekking off overseas for 4 months or even spending a few days at Schoolies! Imagine where you could be in only a few months’ time. What will you be doing, where will you be relaxing, who will you be socialising with, how far will you be travelling? If you give your final year all you got, that break will feel even more rewarding.
Another technique I tried isn’t for everyone, and those that exercise it should do so with caution… but I motivated myself using the big fat F-word: FAILURE. I was emotionally invested in my subjects, so that if I felt that I wasn’t improving my scales, my oral comprehension, or my writing to the standard that I desired, then I would feel like I had failed my teachers. I respected them not only for their expertise, but for their faith and constant encouragement they showed for their students. A healthy dose of nerves and stress is okay, as it can spur you on even more to work harder, persevere and impress.
Year 12 is not a sprint, it is truly a marathon. The best part is, you’re almost there! But if you keep your eyes on the prize and let your friends, family and teachers hand you those water bottles and towels, you can take each part as it comes. It’s not going to be easy, but if you stick to a plan and give it all you’ve got with no regrets, reaching that finish line will be the best feeling in the world!
When I look back at Year 12 and compare it with my life now, I realise that the times in my life when I have grown the most are also the times when my future was uncertain. It's been almost five years since I left secondary school, and I'm about to graduate again, at the end of this year, hopefully with an Honours degree firmly under my belt. What I’ve noticed is that some of the nervousness and insecurity I'm feeling now are my 'old friends' that I got to know very well several years ago.
Something that I'm sure you're aware of by now is that generally, feeling uncertain about your future just feels plain bad. While I enjoy being challenged and find novel experiences rewarding, not knowing what my next steps will be tends to make me feel anxious. I'm not alone, either. According to the Harvard Business Review, one of the top reasons why people resist change is because we hate it when we feel like we can't control where our lives are heading. I'd always like to think that I am the ‘master of my fate' and the 'captain of my soul', to quote the Victorian era poet William Ernest Henley (you know this poem well if you're studying Invictus this year), but it doesn't always feel like I am.
For those of you currently going through Year 12, you might be experiencing some of these emotions: worry, fear, insecurity - the list goes on. You might not have any idea of the career you'd like to have after you finish your education. You might not have any idea what course you'd like to get into if you are thinking of going to university, or you might not have decided which one you want to attend. It's likely that you're wondering if the ATAR you'll receive in December will be good enough to get you a course offer.
For the first two points, I'll tell you a secret - very few people are truly certain about what they want to do 'when they grow up'. I would describe secondary education as linear; you progress gradually from Year 7 to Year 12, and as you get closer to finishing school, you are given more freedom to choose which subjects you do.
Tertiary education is most certainly NOT linear. I can confidently say that most of the people I've met at uni have changed courses at least once, swapped unis, failed subjects, changed their majors, or decided that uni wasn't for them and left to pursue other things. If they did follow the 'usual path', they've often chosen a career that has very little to do with what they studied (my lovely employer Lisa is a perfect example!). There is a huge amount of flexibility available to tertiary students, and nowadays most universities make it a priority to offer high-quality advice to students, both present and future, about all kinds of things. Open days are a great way to access this advice, but don't be scared to approach these services on your own. Universities love potential students and love encouraging them to come on board by answering their questions!
Now, about the last point, I'd like to emphasise that ATAR stands for 'Australian Tertiary Admissions Ranking' - emphasis on the word 'Ranking'. The number you receive at the end of the year represents your scores compared to the scores of the rest of the state, and it is NOT a mark out of 100. Essentially, this means that there are two things that go into this ranking: your performance, and everyone else's performance. Which of these can you control? If it's the second one, maybe pay a visit to the Avengers, they might have a spot for you in the MCU. Bad jokes aside, the most realistic approach to take towards your ATAR is simply to do the best that you can and accept any resulting outcome. I'd also recommend visiting the VCAA website to look at their resources explaining how the ATAR is calculated to clear up any confusion you may have.
It's all very well for me to try to talk down your worries, after all, I've been through them already. The future always becomes easier to handle once it's safely in the past, and I know that right now, nothing can fully take away the uncertainties you feel in the face of an unknown factor. With that said, though, here are some strategies you can employ to help you deal with turbulence in a productive way.
1. Get comfortable with stretching your comfort zone.
Try a new hobby, talk to someone you've never approached before, try a new food. The more frequently you put yourself in unfamiliar situations, no matter how minor, the better you get at handling them. I am not a naturally extroverted person, and I've found this extremely helpful for networking and job hunting.
2. Honour uncomfortable emotions.
We often barrel through life desperately trying to avoid feeling emotions that don't make us feel good, but a rich and full life involves a full spectrum of experiences besides happiness. The Happiness Trap: How to Stop Struggling and Start Living by Russ Harris is where I learned this, and it's a fantastic, easy-to-read book with lots of useful exercises to help you come to terms with the reality that humans are not meant to be happy all the time.
3. Seek help and take a rest when you need to.
I might seem like I'm contradicting my last two suggestions, but I'd argue that this is the most crucial point. Up to this point, I've been focusing on day-to-day anxieties, the worries you'd expect any young person on the cusp of their future to feel. There's a big difference between that and the kind of feeling that can completely put you out of action or prevent you from going about your daily life. Sacrificing your mental health for academic success in Year 12 or career opportunities later in life is not a good idea (and that's putting it mildly). Keep your family and friends close to you and take advantage of professional help if you need it.
Whichever methods you use to deal with uncertainty, from one unsure student to another, I can assure you that stressful periods of life can help you become a stronger, wiser and more resilient version of yourself. It's a big fat cliché, but life really does go on, and as my mum and dad would tell me, "All you can do is your best, and that's all we can ask of you.".
2022 Update: Check out our TikTok and YouTube channel for the latest GAT updates and how you can succeed even without study!
If you're not entirely sure what the GAT is, head on over to this blog to find out more about it and why it's important!
[Modified Video Transcription]
What's up?! I got 10/10 on my GAT, so I'm going to tell you how I got perfect marks in Task One of the GAT. I'm also going to share with you my essay so that you know exactly what you need to do when it comes to doing your GAT.
Why Do I Need To Do Well in the GAT?
Here's a bit of information you need to know going into Task One, which is basically a Creative piece. Now, I've done a GAT video in the past, which I highly recommend you go and watch, because in that video I teach you essentially what you should be doing for the writing tasks and how you should organise your time in order for you to get the best possible marks in the GAT. No, you don't have to study for the GAT, but if you can do well in it, then you might as well because...you don't know….COVID might come back, you might need a derived score...you know what I mean? You just don't know what's going to happen so you might as well try to do your best and if this video helps you out with that, if you're willing to spend a few minutes doing it and yet bump up your marks heaps, it's definitely going to be worth it for you!
GAT Advice From a VCAA Examiner
I learned all of my skills from my tutor at the time, who was a VCAA examiner, so this information comes directly to you from an examiner, so, you know, it's legit!
A lot of people get really confused when it comes to Task One because they think that it's just a whole bunch of information that's put in front of them and what they're supposed to do is just regurgitate the information that's there and package it into an essay somehow. But, as I've talked about in my previous video, the way that you do this is to write a Creative piece using the information that's in front of you - just trust me on this.
Approaching the GAT Creatively
I know there's a lot of talk back and forth out there about how you should be doing Task One, but you can see (in the comment section of my other video) people who followed through with this Creative method and have done really well. Another reason I like this Creative approach is because it makes things easier for you. In the instructions, it says:
'Develop a piece of writing, presenting the main information in the material. You should not present an argument.’
So really what's left is (if it's not going to be persuasive) it either has to be an Expository, which is just like a normal Text Response essay, or it can be a Creative. A normal Text Response essay is going to be so boring for everyone out there - do a Creative instead! Why?! Because:
‘Your piece will be judged on:
how well you organise and present your understanding of the material.
your ability to communicate the information effectively’
So, what this means is if you're going to do a Text Response version of the information that's in front of you, the only way you can really do that is by regurgitating and just wrapping up similar pieces of information in one paragraph together. I don't know how you would do an Expository well, but if you take a Creative approach, it not only tests your organisational skills but also tests your understanding of the material as well.
What I mean by Creative piece is you can write a letter to the editor, you can write a diary entry, you can write an advertisement, you can write a brochure. There are just so many different types of Creative pieces you could use - the world is your oyster essentially. I'm going to talk you through how I did it for my particular GAT.
How a Creative Approach Got Me a 10/10 in My Trial GAT
This one here is actually a trial GAT. We had an examiner come in and grade our marks for us so it's not my actual GAT, which I don't think you can get back, but it's the closest thing to it, so, we'll work with that.
We did a really old GAT. This is the 2004 (which is ages ago) General Achievement Test. Some of you might've been born around this time! That is nuts!! Anyway, the GAT has not changed over the past 10 or so years, or the past 20 years even, so don't feel like this is information that's not going to be helpful, because every single year it's the same type of instructions with a similar type of information that's given.
Here you can see that I've got an island and there are just bits of information. There's a legend, there's a scale, there are facilities, there is a temperature and a bird's eye view of the island itself.
If you look at this, how are you going to write a Text Response on this? It's going to be boring. So instead, what I did was I said:
'Dear Diary: We arrived in Amaroo Island this afternoon and the view of this place from the plane was amazing!'
When I was in the GAT itself, I would cross out the section (in this case the photo of the island) that I had covered just to see how much information I was able to pack into my piece and know that I wouldn't need to touch it again.
'Magnificent blue water sea, sandy white coast and huge amounts of great green trees! From the airport, we travelled by bus to our hotel where we will be staying for two nights. On the way, we stopped at a historical ruins site. One of the tour guides whom we bumped into told us the ruins have been found to be from 1854! We stayed there for an hour, then caught the bus back again to our hotel. We were extremely excited to explore the hotel and its surroundings, so Dad, Mum, George and I quickly unpacked our luggage and changed for the night. We decided to have dinner at a restaurant which turned out to serve delicious food. After dinner, we explored a shopping centre, galleries and even a museum which is called ‘Maritime Museum’. So many facilities in just one place! That took most of the night and we were all tired from a long day. Tomorrow we will be going swimming and camping outdoors for the night. I'm excited!'
You can see just in this one paragraph I've tried to pack in as much information as I can, but in a way that makes it interesting and fun. You'll notice that with my vocabulary it's not like I am this 50 study score achiever who’s writing exceptionally beautiful language and, I don't know, making this GAT piece something that it's not. I'm just giving them information, having fun with it, making it creative and as a result, I did well!
Alright, let's keep going.
'Dear Diary: Our second day began with the sunshine pouring into our rooms.'
That's just a nod to the temperature. It's not an explicit nod, it's more of an indirect nod.
‘George and I were very eager to go swimming and were pleased to find that the weather for the day was 28°C!'
There's the explicit inclusion of the information.
'I'm glad we came here in January rather than July when we were initially planning to holiday.'
Adding more information without just forcing it down the examiner’s throat.
'Our travel guide booklet states that it’s only a maximum temperature of 15°C! degrees in July! We wouldn't have gone swimming then, that's for sure. Mum and Dad decided that even though there was a safe swimming area near Gali in Gali Bay, we should go to Dolphin Bay and then to Marlin Bay to stay for the night.'
Here I'm just including Gali Bay because I wanted to, but I wanted to also talk about the other bays as well. I'm just trying to be creative in how to include this information. It's all embedded within my storyline so it doesn't feel like I'm spoon feeding my examiner piece after piece of information.
'We caught the bus again to Dolphin Bay and there were many families as there was a caravan park situated right by the bay! How convenient is that! When we were swimming, we could even see the Cape Dolphin lighthouse in the distance. Afterwards, we travelled to Marlin Bay via bus. Marlin Bay is right next to Amaroo National Park, and we've seen some kangaroos and koalas amidst the trees but we're not allowed into the park as it's a marine reserve boundary. Tomorrow we're heading back to Gali Hotel, playing some golf and going riding along the coast!'
I'm pretty much almost done! You see that my essay wasn't actually that long. It was only a page and a half (of handwriting), and yet I still got 10/10. I think it just goes to show how many people out there just don't know how to do a GAT, so you only need to do a fraction better in order for you to do exceptionally well in your GAT scores. To finish off my story:
'Dear Diary: Our final day at Amaroo! We woke up early, had breakfast which Mum cooked up and then headed back home.'
Here I'm also adding in pieces of information that aren't necessarily on the page that's been given to us. I just thought it'd be a nice touch to say this, you know, we woke up early, we had breakfast which Mum made - it just adds to the storytelling.
'We didn't do much during that morning, just had lunch at the Gali restaurant. Afterwards, however, we did lots! We hired bikes from the shopping centre and rode along Gali Bay to Moonlight Bay. It was tiring but the scenery was amazing! We spent most of the afternoon riding but got back to Gali at 4 o'clock and Dad headed out for some golf. George and I decided not to because we were drained from all our exercise already. This is our last night in Gali, I'll be sad to leave Amaroo Island.'
That's it! If you guys want to see how I got 10/10 in my second task. Make sure you leave a comment for me over on Youtube, like the video and I'll get another video/blog out for you guys. Thanks so much for watching (or reading) and I wish you guys all the best for the GAT.
The Full Essay
Dear Diary:
We arrived in Amaroo Island this afternoon and the view of this place from the plane was amazing! Magnificent blue water sea, sandy white coast and huge amounts of great green trees! From the airport, we travelled by bus to our hotel where we will be staying for two nights. On the way, we stopped at a historical ruins site. One of the tour guides whom we bumped into told us the ruins have been found to be from 1854! We stayed there for an hour, then caught the bus back again to our hotel. We were extremely excited to explore the hotel and its surroundings, so Dad, Mum, George and I quickly unpacked our luggage and changed for the night. We decided to have dinner at a restaurant which turned out to serve delicious food. After dinner, we explored a shopping centre, galleries and even a museum which is called ‘Maritime Museum’. So many facilities in just one place! That took most of the night and we were all tired from a long day. Tomorrow we will be going swimming and camping outdoors for the night. I'm excited!
Dear Diary:
Our second day began with the sunshine pouring into our rooms. George and I were very eager to go swimming and were pleased to find that the weather for the day was 28°C! I'm glad we came here in January rather than July when we were initially planning to holiday. Our travel guide booklet states that it’s only a maximum temperature of 15°C! degrees in July! We wouldn't have gone swimming then, that's for sure. Mum and Dad decided that even though there was a safe swimming area near Gali in Gali Bay, we should go to Dolphin Bay and then to Marlin Bay to stay for the night. We caught the bus again to Dolphin Bay and there were many families as there was a caravan park situated right by the bay! How convenient is that! When we were swimming, we could even see the Cape Dolphin lighthouse in the distance. Afterwards, we travelled to Marlin Bay via bus. Marlin Bay is right next to Amaroo National Park, and we've seen some kangaroos and koalas amidst the trees but we're not allowed into the park as it's a marine reserve boundary. Tomorrow we're heading back to Gali Hotel, playing some golf and going riding along the coast!
Dear Diary:
Our final day at Amaroo! We woke up early, had breakfast which Mum cooked up and then headed back home. We didn't do much during that morning, just had lunch at the Gali restaurant. Afterwards, however, we did lots! We hired bikes from the shopping centre and rode along Gali Bay to Moonlight Bay. It was tiring but the scenery was amazing! We spent most of the afternoon riding but got back to Gali at 4 o'clock and Dad headed out for some golf. George and I decided not to because we were drained from all our exercise already. This is our last night in Gali, I'll be sad to leave Amaroo Island.
Ever since the inception of the format, we have been arguing with each other over whether we should say 'gif' or 'jif'. This debate has raged both online and offline, but does it really matter? On one side, supporters of 'gif' claim that because the acronym stands for Graphics Interchange Format, the G sound in 'graphics' should be maintained. Whereas the 'jif' camp argues that because the inventor of the format, Steve Wilhite, says 'jif', so should we all. However, a far more sane argument is that as long as what someone says (whether it be 'gif' or 'jif') is understood, it shouldn't matter how they say it.
As students of English language, we should aim to primarily take this descriptive approach to studying language. We identify and describe what people are saying or writing, and the effects this has, but we don't then ascribe our own judgement. Language exists to be a vessel for our communication, and so, as long as it is transferring meaning between its users, it's serving its purpose. There is no correct way of speaking or writing because there isn't really a good way of determining what this correct way is.
What Are Prescriptivism and Descriptivism?
Simply put, prescriptivism is an attitude that prescribes how language should be and how you, as its speaker, must use it. A prescriptivist most often promotes Standard English or a similar variety. This is the variety of English you will find in most textbooks, government letters and notices and in your English classroom.
Descriptivism on the other hand, is a non-judgemental approach to looking at language. As descriptivists, we place more importance on how English is actually being written and spoken rather than trying to identify a correct way. The vast majority of linguists, dictionaries and other English language authorities consider themselves to be descriptive and not prescriptive, and this is a really important distinction.
If the way that we as English speakers use or spell a word changes, the dictionary will change too, in order to reflect this. The Macquarie Dictionary made one such change in 2012, which entered the public spotlight. The word 'misogyny' has been used for many years to mean 'an entrenched prejudice against women' and not necessarily 'a hatred of women', as it says in the dictionary. So, when Julia Gillard used the word in her speech on the topic, it seemed to conflict with what it said in the dictionary. Yet, we all knew what she meant. And so, The Macquarie Dictionary updated its entry for the word to better reflect how we actually are using it. That's all well and good in the academic world, but why is this distinction important outside of a video about language?
Language Prejudice
Throughout history, and still to this day, prejudice exists against people who speak differently.
For example, for much of the 20th century, and to some extent still to this day, Aboriginal Englishes have been deemed substandard and inferior to varieties used by people with European heritage. This has led to demonstrable discrimination in places like courts and hospitals, but often the time and care is not taken to actually interpret what Aboriginal people mean when they speak. By seeing that prescribing how a language‘should’ be doesn't actually do anything to improve its effect or usefulness, we can be far more accepting of the fact that language varies depending on who is speaking and that it changes with time.
We have the option of either allowing the people to define how a language is used or allowing a linguistic academy like the Council for German Orthography in Germany, or the French Academy in France, to prescribe how we should speak.
Language Shift
So, where can we find relevant examples in today's society? We're seeing a shift to prescriptive attitudes in the realm of teen-speak and text-speak, with people like David Crystal saying that creating new words and new ways of speaking is a rite of passage for young people. In the rapidly evolving fields of technology, social media or even politics these days, we are seeing new words and phrases and even entire new ways of constructing sentences being coined every day. But, not everyone is accepting of this and plenty of people still cringe when they hear a hashtag used in regular speech. We're also experiencing a shift to the normalization of informal language, Australian slang and hypocorisms, even in social and situational contexts where traditionally we would use a more formal register. Just how many times have we heard the likes of Scott Morrison and Malcolm Turnbull used the phrase ‘fair dinkum’?
But when does this matter in English language? We should be careful not to say that certain ways of speaking or certain varieties of language are inherently wrong and instead, describe what makes them 'non-standard uses' of language. This description is far more interesting than a subjective judgment of a particular way of using English.
Descriptivism and Prescriptivism as Metalinguistic Tools
The terms descriptivism and prescriptivism can also be good metalinguistic tools when we are analysing opinions about language. Look out for segments on the radio, television or even the opinion columns of newspapers for discussions about varieties of English. People can identify very strongly with certain varieties of language, so a prescriptive attitude can often also indicate other beliefs. This can be important when identifying the social and cultural context of a text. We can also employ this knowledge in our own writing and speaking. Instead of trying to use correct language, we can instead focus on using appropriate language. This doesn't mean that you can start spelling words however you want, and giving your essays a generous sprinkling of commas and apostrophes where they don't belong (because these will often get in the way of you being easily and clearly understood), but the next time you're writing and you see a red line under that word that you're a hundred percent sure is correct, you can be safe in knowing that it's probably the dictionary, and not you, that needs an update.
Language has many uses which go beyond simple communication. Language can be used to entertain, to convey abstract ideas and to mold one’s perspective. A strong understanding of linguistic features, of words and their connotations can allow one to manipulate their language in order to convey certain ideas and thoughts. This brings us to the topic of face needs. One’s face need is the sense of social value that is experienced during social interactions. There are two types of face needs; positive face needs and negative face needs. Positive face refers to the need to feel accepted and liked by others while negative face describes the will to do what one wants to do with freedom and independence.
In daily conversations and in media, language is used to either appeal to face needs or to avoid meeting face needs. Basic politeness markers are frequently used to appeal to face needs, often subconsciously. Imagine a teacher asks you to pass them the pencil they just dropped. Most likely, they will ask something along the lines of, “are you able to pass me that pencil please?” The teacher’s relationship with you is that of an authoritative nature. Therefore, when asked to pick up the pen, you will almost certainly oblige unless there is a compelling reason not to. While the teacher has technically posed a request or a question, it is a in fact a command in disguise. The teacher has an expectation that you will pick up the pen, however, by framing this command as a question, it appears as though you are being given a choice. This appeals to your negative face needs as you are not being imposed upon to pick up the pen, but are given a choice should you wish to “pick it up”. In situations where interlocutors do not have a very close social distance, linguistic features such are politeness markers, rising intonation and interrogative sentences are used to appeal to negative face needs. If this same situation occurred with a friend, they might say something along the lines of ‘oi, chuck us that pen.’ This is a blatant disregard for negative face needs, but due to the close social distance between you and your close friend, appealing to negative face needs for such small things is unnecessary.
Appealing to negative face is most commonly observed in interactions with strangers or with those who do not have a strongly established relationship. However, appeals to negative face needs can also be observed with close individuals, particularly used to further the relationship by extending its boundary. For example, when asking a big favour from a relatively new friend one will most likely use methods to appeal to negative face needs, using phrases such as, ‘do you mind if,’ ‘would it be possible if,’ ‘could I please ask you a huge favour’. Such phrases do not impose of the individual, allowing them to “choose” whether or not to oblige. Appealing to the negative face demonstrates that one recognizes the other’s freedom and wish to do as they wish.
Appealing to positive face needs occurs through slightly different linguistic and paralinguistic techniques. Compliments, minimal response, eye contact, politeness markers and the use of interrogatives are all ways in which one can appeal to another’s positive face needs. These techniques are very often employed in radio and television interviews. It is the duty of the host to make their guest feel welcome and wanted on the show. Television hosts such as Jimmy Kimmel and Ellen often introduce their celebrity guests by mentioning their achievements, thus making them feel special. They frequently employ interrogatives to display avid interest in their guests. Furthermore, back-channeling and vocal effects such as laughter allow the guests to feel that their presence is welcome and appreciated. Think of this from the perspective host and their social purpose. They want to make their guests feel appreciated to promote their viewership and build solidarity with the guests so they may return on the show.
This is interview is an example of positive face needs where interviewer Rajeev Masand compliments Stanger Things actors Milly Bobby Brown and Noah Schnapp at the beginning of the interview for their show.
Tom Holland on Ellen:
In this example both Tom Holland and Ellen meet one another’s positive face needs. Politically correct language and euphemisms are also another example of appeals to positive face needs. Calling people ‘differently abled’ is done in attempt to avoid discrimination and allow individuals of different abilities to feel equally accepted and welcome. However, this does not always come across as intended. Often politically correct labels are not embraced by the given community as they feel that such labels further alienate them from society. Politically correct labels can act as reminders to such groups that they are considered minority or, they may feel that these labels are a feeble attempt to push aside previous, conflicting history. This is important to note as it demonstrates that appealing to face needs can sometimes be a hit or miss. In everyday conversation, people use cues in attempt to understand the individual they are conversing with and hence alter their language accordingly. They will use these cues to understand how to use language to appeal to the face needs of the other individual. In a context with school friends, there is likely to be less use of politeness markers and politically correct language as the pre-established relationship means there is a mutual understanding the one does not wish to offend. In contrast, the use of language is likely to be very different in transactional conversations, interviews and conversations with an authoritative relationship.
Techniques used to appeal to face needs always come back to the social purpose of the interlocutors and the contextual factors. By understanding the link between these elements, you can form a holistic analysis of face needs. Therefore, when writing about face needs in your exam and sacs, it is vital to be considerate of the context as this impacts how face needs are approached.
Here are some other examples of celebrity interviews where there is evidence of appeals to positive face needs. Watch them carefully and you’ll notice the specific linguistic features used in these interviews to build solidarity with the guests and create engagement with the show. The hosts compliment their guests and frequently employ minimal response to allow the conversation to progress smoothly. There are minimal overlaps as the hosts are cautious not to talk over their guests. You will notice that in certain interviews, when the host and guest are known to one another, appeals to face needs are not adhered, allowing them to strengthen their bond and further audience engagement.
Malala Yousafzai on Ellen:
Eddie Redmayne interview on The Late Show with Stephen Colbert:
English Language is 1 of the 4 different English subjects that are offered as part of the Victorian Certificate of Education (VCE). In this subject, you’ll explore how individuals and groups of various identities use different varieties of English, and how this ties in with reflecting their values and beliefs. English Language will provide you with a substantial understanding of the impact language has on societies, what it communicates about ourselves and the groups that we identify with, and how societies in turn can also influence language.
If you’re feeling uncertain about what exactly this subject entails, don’t worry! Let’s go through what’s involved in each unit, and what you’re expected to do in each.
2. VCE English Language Study Design
Note: The study design contains a metalanguage list for Units 1 & 2 and for Units 3 & 4. They’re pretty similar, except the Units 3 & 4 list includes several new features, such as the addition of patterning (phonological, syntactic, and semantic), as well as a significant addition to the discourse subsystem (coherence, cohesion, features of spoken discourse, and strategies of spoken discourse).
Unit 1
Area of Study (AoS1)
AoS1 is called ‘the nature and function of language’. You’ll learn about the functions of different types of texts, the differences between spoken and written texts, how situational and contextual factors can influence texts, and most importantly, you’ll learn about metalanguage as per the Units 1 & 2 metalanguage list.
Area of Study (AoS2)
AoS2 is called ‘language acquisition.’ Here, you’ll learn about theories various linguistics and sociologists have proposed regarding how children acquire languages. Furthermore, you’ll also cover how second languages are acquired. One of the most important skills you’ll pick up in this AoS is how to apply metalanguage in discussions and essays.
Unit 2
AoS1
English Across Time’, will provide you with a historical context for how we have achieved the form of English that we use today. You’ll learn about the processes which led to the development of Modern English from Old English, the changes this had on all the subsystems (learn about the syntax subsystem here), and the various attitudes that are held towards linguistic change.
AoS2
‘Englishes in contact’, you will learn about the processes which have led to the global spread of English, the intersections between culture and language, and the distinctive features of pidgins, creoles and English as a lingua franca.
Unit 3
AoS1
‘Informal language’, will give you an understanding of the roles of informal language in the contemporary Australian context. You’ll learn about what makes texts informal, how this differs for spoken and written texts, and what social purposes can be achieved through informal language - such as maintaining or threatening face needs, building intimacy or solidarity, creating an in-group, or supporting linguistic innovation.
AoS2
‘Formal language,’ will provide you with a detailed insight of what makes texts formal, distinguishing features for spoken and written texts, and what social purposes can be achieved through formal language - such as reinforcing authority, establishing expertise, clarifying, obfuscating, or maintaining and challenging positive and negative face needs.
In both of these AoS, you’ll be applying the Units 3 & 4 Metalanguage in your short answer responses and analytical commentaries. The additional metalanguage is typically taught in Term 1 of year 12, while you learn the content for Unit 3.
Unit 4
AoS1
‘Language variation in Australian society,’ is a detailed study on how both standard and non-standard Australian English are used within contemporary society. You’ll learn about how identity is constructed through language, how varieties of English vary by culture (such as ethnolects or Australian Aboriginal English), and the attitudes that are held towards different varieties by different groups.
AoS2
In ‘Individual and group identities’, you’ll look at how language varies by different factors, such as age, gender, occupation, interests, aspirations, or education, and how these factors all contribute to our identities. You’ll learn more about in-groups and out-groups, and how they can be created and maintained through language. Furthermore, you’ll learn about the relationship between social attitudes with language, and how language can be shaped by, but also influence, social attitudes and community expectations.
For more information, have a look at the study design.
3. What's Involved in the Exam?
The Year 12 Exam involves 2 hours of writing time and 15 minutes of reading time. It has three sections:
Section A: 15 marks (It is recommended that you spend approximately 20-25 mins in this section)
Section B: 30 marks (It is recommended that you spend approximately 40-45 mins, and write 600-700 words)
Section C: 30 marks (It is recommended that you spend approximately 45-50 mins, and write 700-800 words)
Make sure you have a read through of the assessment criteria for each section.
Section A
Section A is 15 marks of short answer questions. You are given a text, and you’re required to respond to questions about the stylistic and discourse features used in the text, while ensuring that you’re demonstrating a detailed knowledge of metalanguage through carefully selecting relevant examples from the text.
A strong understanding of the metalanguage is really important, both in terms of knowing the meanings of each metalinguistic term, and also in knowing which category each term fits under (For example, knowing that inference is part of coherence and not cohesion). Therefore, it is important that you learn your metalanguage in terms of what each terminology means, and also in terms of which category each term fits into.
As a general guide:
1 mark – one idea or one example or one explanation
2 marks – one idea plus one or two examples with explanations
3 marks – two ideas plus one or two examples of each with explanations
4 marks – two or three ideas plus one or two examples of each with explanations
5 marks – three ideas plus one or two examples of each with explanations
One of the biggest mistakes students make here is not reading the questions properly. Students sometimes miss how many examples the questions specifies to identify (this information is often given as ‘identify 2 examples’ or ‘identify the purposes’ as plural), forget to check how many marks a question is, or mix up certain metalanguage terms, such as confusing sentence types with sentence structures. So, be very careful in answering these questions.
Here are some examples of short answer questions that have come up in past VCAA exams:
[Question 2, 2017 VCAA] - Identify and comment on the use of two different prosodic features. (4 marks).
Here, you would identify 2 different prosodic features (pitch, stress, volume, intonation, or tempo), and discuss what effect they have on the text, taking contextual factors into consideration. For example, stress could be used to draw emphasis, or intonation could influence the emotion conveyed.
[Question 1, 2015 VCAA] - What sentence types are used in lines 15 to 36? How do they reinforce the purposes of this text? (3 marks)
Here, you would identify the relevant sentence types (declaratives, imperatives, interrogatives, and exclamatives), and explain their role in the text. You would also want to ensure that your explanations are specific to the context of the text.
[Question 9, 2010 VCAA] - Discuss the function of two different non-fluency features between lines 70 and 96. (4 marks)
Here, you would identify two non fluency features (such as pauses, false starts, repairs, repetition) and give a 1 sentence explanation of its role or what it indicates.
[Question 1, 2012 VCAA] - Identify the register of the text. (1 mark)
This question is quite straightforward, and you could use terms such as formal, informal, predominantly formal/informal in your response.
[Question 4, 2012 VCAA] - How does the verb tense in lines 9–34 support the purpose of this section of the text? (2 marks)
Here you would identify whether the verb tense is in past, present, or future tense, and explain why it has been used in that way based on the contextual factors.
[Question 3, 2017 VCAA] - Using appropriate metalanguage, identify and explain two specific language features that reflect the speaker’s identity.(4 marks)
Here, you can pick examples from any subsystem that relate to the speaker’s identity, such as jargon, colloquialisms, semantics of certain jokes, expletives, or pejoratives.
Note: The exams prior to 2012 have 2 sets of short answer questions, because analytical commentaries weren’t a part of the exam back then. This leaves you with lots of practice questions! However, do keep in mind that the metalanguage lists differed and certain features were categorised in different ways. For example, Question 2 from the VCAA 2013 exam asks you to talk about prosodic features, however, in the examiner’s report, pauses are suggested as an option. We know that in the present study design, pauses are classified as features of spoken discourse, under the discourse subsystem, whereas prosodic features are classified under the subsystem of phonetics and phonology.
Section B is an analytical commentary (AC) worth 30 marks. The introduction for an AC is an explanation of the contextual factors, the social purpose, and the register, of the text. In the body paragraphs (generally three), you group your examples from the text by themes, and explain their roles.
There are two main approaches for body paragraphs; the sub-system approach, and the holistic approach. In the sub-system approach, you would organise your examples so that each paragraph is addressing a specific subsystem. For example, your AC could be composed of the introduction, and then a paragraph on lexicology, one on syntax, and one on discourse. This approach is easier for when you’re starting out with ACs, but one of the issues with it is that you end up limiting yourself to just one portion of the text for the one paragraph. In the holistic approach, you would typically do a paragraph on social purpose, register, and discourse. In this approach, you are able to group examples from multiple subsystems and talk about how they work together in achieving specific roles in the texts.
Make sure you’re attempting a range of different types of texts, such as, opinion pieces, recipes, oaths, editorials, advertisements, eulogies, social media posts, public notices, television transcripts, radio transcripts, letters, speeches, legal contracts, conversations, narratives, and more.
For more information, have a look at this video:
Section C
Section C is an essay worth 30 marks. There are a range of topics that can potentially come up in the exam, and it is really important that you practice writing a variety of essays.
In essays, it is really important to ensure that you set out a clear contention in your introduction. This will basically tell the assessor what point you’re making in your essay, and it’ll also help you remember which direction to take your essay. After your contention, you need to signpost your ideas. This means that you need to summarise what 3 points you are stating in your body paragraphs.
Here’s an exercise which is really helpful in refining introductions - When you’re writing your contention, write “In this essay, I will argue that [Insert contention]. I will do this by stating the following points [Insert signposting].” When you’re happy with your introduction, you can remove the underlined parts. This will help you really understand how the roles for contentions and signposting differ. You’ll also thoroughly understand what position you’re taking in the essay.
The body paragraphs follow TEEL structure. You begin with your topic sentence, state your evidence, explain it, and then link it back to your contention. You have three options for the type of evidence that you’ll use (stimulus material, contemporary examples, and linguist quotes), and it's important to use a combination of them. According to the exam rubric, you have to be using at least 1 piece of stimulus material. Contemporary examples should ideally be from the current year and the previous. Linguist quotes don’t have time restrictions but it’s a good idea to try and find recent ones.
One of the most important things in body paragraphs is to make sure that you’re able to link your example back to your contention. If you’re unable to do this, it means that your examples aren't relevant to the points that you’re trying to make.
In your conclusion, you need to ensure that you don’t introduce any new examples or points. The role of the conclusion is to summarise and reinforce your points and your overall contention.
Having a study timetable will make studying much less stressful than it needs to be. In your timetable, make sure you are allocating enough time for all of your subjects, as well as time for rest, extra-curricular activities, work, and socialising. A realistic time-table will also mean that you’re less likely to waste time trying to decide which subjects to study for. For example, every Sunday, you could spend 15 minutes planning out your week based on which assessments you have, and which subjects you would like to give time to. This becomes especially useful in SWOTVAC, where you’ll be responsible for ensuring you’re spending enough time on each subject whilst also balancing everything else outside of school.
Here are some extra resources to help you with time management:
Consistently revising metalanguage is one of the most important study methods for English Language.
The basics of metalanguage are covered in Unit 1. Make sure you keep a clear set of notes for this content so that you’re able to look back on it to revise throughout the year. Before the year 12 year begins, you want to make sure that everything in the year 11 metalanguage list makes sense to you. Spending the summer holidays before year 12 begins in reinforcing the basics will help you throughout year 12, as you’ll be able to pick up on the new metalanguage much faster. One of the first things you'll cover is coherence and cohesion, so if you would like to get a head start, have a look at this post.
Throughout year 12, consistently revising metalanguage will be your responsibility. It is likely that you’ll be spending a greater proportion of class time in learning content, and writing short answer responses, analytical commentaries, or essays. Therefore, it’s really important to figure out a way that works best for you in being able to frequently revise metalanguage. Flashcards are pretty useful for revision, as well as making mind maps so that you’re able to visualise how everything is set out in the study design.
One issue students run into is that they’re able to define and give examples for metalanguage terms, however, they are unable to understand how it fits in in terms of the categories under each subsystem. For example, a student is able to remember what a metaphor is, but unable to recall that it fits under semantic patterning. Similarly, a student may know what a pause is, but not know if it’s part of prosodic features or discourse features. It’s important to know what all the categories are, because the short answer questions usually ask for you to identify features under a particular category. Therefore, spending time on just revising the definitions alone isn’t sufficient in learning metalanguage. You also need to be able to ensure that you can recall which category each term fits under.
Reading the News
For the essay, you’re required to use contemporary media examples as evidence (alongside stimulus material and linguist quotes). It’s really important for you to begin this process early so that you’re able to start using examples in essays as early as possible. For tips on how to find, analyse and store your examples, see our post on Building Essay Evidence Banks for English Language.
Having an awareness of Australia’s historical, political, and social context, will provide you with a more comprehensive perspective of the contemporary examples. So, if you don’t already do this, try to develop a habit of reading the news (The Conversation or The Guardian are a good place to start). Television programs like Q and A, The Drum, and Media Watch, will help you understand the Australian context, and often these programs will also discuss the roles of language, which directly links with what you're looking for as essay examples. It’s especially important to start early, and to build these skills over time, so that you are able to develop a holistic foundation.
Extra Practice Pieces and Seeking Feedback
Doing extra practice pieces is a really effective way to develop and refine your analytical skills. Make sure you receive feedback for all your work from your teacher or tutor, as it’s the only way you'll know if you’re going in the right direction.
If you’re short on time, even writing up AC or essay plans, or just doing 1 paragraph, is an effective way to revise.
Learning Quotes and Examples
Memorising several pages full of linguist quotes and contemporary examples may seem daunting at first, but once you begin using them in essays, they’ll become much easier to remember. Right from the beginning of yr12, make sure you set up a document to compile your linguist quotes and examples into subheadings. For example subheadings such as ‘cultural identity,’ ‘jargon,’ ‘hate speech,’ ‘free speech,’ or ‘Australian values’ will make it easier for you to navigate your notes when you're planning your essays.
If you start early, you’ll be able to remember everything bit by bit as you progress through the year, which is definitely easier than trying to remember the evidence the night before the assessment. Additionally, you’ll be ready with quotes and examples as soon as you begin essays in class, so you’ll be able to use your examples earlier, hence learn them earlier, and therefore be able to memorise your quotes and examples in advance. If you’re in year 12 and you’re nearing the end of the year and still struggling to memorise your examples and quotes, try using flashcards to remember your evidence. Make sure you’re doing a range of essays on different topics so that you’re able to apply and analyse your evidence.
Learning From Your Mistakes
It can be pretty disheartening to make the same mistakes repeatedly and continue to lose marks. So, compiling the mistakes that you make throughout the year in a separate notebook or document is a fantastic way to keep track of the key things you need to remember. You’ll also be less likely to repeat those mistakes.
Group Studies
Studying in groups for English Language is a highly effective way to refine your understanding of the content, and see different perspectives in the way certain ideas can be applied. Revising metalanguage and testing your friends on their knowledge can be a light and engaging way to ensure you and your friends are on the right track. Sharing the ways you and your group have approached a specific AC is also an effective way to learn about different approaches. Discussing essay topics is a useful way in refining your arguments, as you’ll be exposed to different opinions and be able to work on ensuring that your arguments are relevant and strong.
Language is fundamental to identity and consequently we draw on our linguistic repertoire to project different aspects of our identity according to context. Discuss this statement in the contemporary Australian context with reference to at least two subsystems in your response.
(This essay topic relates to Unit 4 - AoS1, ‘Language variation in Australian society.’)
Introduction
Language plays a pivotal role in establishing and communicating various facets of identity. As such, individuals can alter their linguistic repertoire to establish in-group membership. Teenspeak is an effective mechanism in expressing teenage identity, but can also be used by the older generation to appeal to young people. Code switching between ethnolects and standard Australian English further illustrates how individuals can manipulate their linguistic choices to suit their environment, whilst simultaneously reflecting ethnic identity . Furthermore, jargon plays a critical role in establishing professional identity and signifying expertise or authority. Consequently, linguistic choices are capable of expressing diverse and multifaceted identities.
Body Paragraph
Teenspeak is capable of expressing identity and establishing in group membership amongst teenages, however it can also be used by those in the out-group to appeal to teenagers. Professor Pam Peters asserts that “Teenagers use language as a kind of identity badge that has the effect of excluding adults." Consequently, teenagers are able to establish exclusivity and in-group membership. Bakery owner Morgan Hipworth, who largely has a teenage following and is a teenager himself, employs teenspeak in a video recipe, where he responds to the question ‘Can you make a 10 layer cheese toastie?’ with ‘Bet, let’s go.’ Through using the teenspeak term ‘bet,’ Hipworth is able to relate and connect with his young audience while further asserting his identity as a teenager. This demonstrates how teenspeak can be effective in both establishing in-group membership, and expressing identity. Similarly, Youtuber Ashley Mescia’s extensive use of teenspeak initialisms in Instagram captions, such as ‘ootd’ for ‘outfit of the day,’ ‘grwm’ for ‘get ready with me,’ and ‘ngl’ for ‘not gonna lie,’ allows her to connect with her predominantly teenage following, thus allowing her to establish solidarity and in-group membership. This further indicates that teenspeak is an effective mechanism in expressing identity and building in-group membership. In contrast, teenspeak can also be used by older people in an effort to appeal to teenages. For example, in 2019, ABC’s Q and A host Tony Jones ended a promotional video for an opportunity for high-school students to appear on the panel with ‘It’s gonna be lit fam.’ This was done in an effort to appeal to younger people by exploiting the notion that it is often seen as cringeworthy when older people use teenspeak. Linguist Kate Burridge asserts that “older people using contemporary teen slang often sounds insincere and phoney,” and Jones was aware of this, however his purpose was to appeal to this to be able to further promote the video. Therefore, teenspeak is effective in both establishing in-group membership and expressing identity, and also appealing to the in-group and a member of the out-group.
Manipulation of language (obfuscation, doublespeak, gobbledegook)
Politeness strategies and social harmony
Language in the public domain; public language
Linguistic innovation
How language represents or shapes social and cultural, values, beliefs, attitudes
How language can express identity
Other functions of language, such as recording, clarifying, entertaining, promoting, persuading, commemorating, celebrating, instructing, informing
5: Attitudes to the Varieties
6: Language Change
Although language change features more heavily in Units 1 & 2, it is still important to be aware of how language is changing in everyday lives to reflect social needs, attitudes and values. Consider the following:
Australian English and its development and evolution over time
Taboo, swearing and dysphemism and the role of changing social values
For an overview of English Language, the study design, what’s involved in the exam and more, take a look at our Ultimate Guide to English Language.
What Is a Short Answer Question?
The English Language exam is split into three sections - Short Answer Questions, Analytical Commentary and an Essay (see here for an explanation of what’s involved in the Essay component). The Short Answer Questions (SAQs) are at the very start of the exam and include 15 marks in total, usually consisting of 3-5 questions that are in response to a text. SAQs are designed to test your knowledge of metalanguage and your ability to elaborate on the situational and social context of the text in a concise manner.
As SAQs only have 15 marks, you should aim to spend 20-25 mins on this section in the exam. Because there are only about 25 minutes available to allocate to this section, they are also a test of your ability to quickly identify key features in a text.
The good thing about SAQs is that because there are specific mark allocations for each question, there’s a formula that you can apply to every question to help you obtain all the marks possible - and that’s what we’ll go through in this blog post, so you can ace every SAQ you come across :)
Common Command Words and What They Mean
The first thing you should do when approaching an SAQ is to recognise (and even better, highlight) the command words in each question in order to help you understand exactly what is required.
Here is a list of commonly seen command words and what they entail:
Identify In response to this command word, you should state the example using metalanguage and line numbers.
Describe If you are asked to ‘describe’, you should state the example with metalanguage and also give some details about it, such as how it links to the context of the text and/or its functions and social purposes.
Analyse, comment on, explain, discuss Now we get to the heavier words that require a lot more elaboration and analysis. For these types of words, you should state the example with metalanguage, describe the immediate impact it creates and then link it to the broader context of the text (whether that be situational or social). So, you can think of these questions as a combination of ‘identify’ and ‘describe’ questions, with a bit of further elaboration attached to them.
Mark Allocations
SAQs usually range from 1-6 marks each and the way you should answer the question depends on how many marks are available.
As a general rule of thumb, do as the question says.
For example, if we look at this question:
‘Give one function of this text. Using appropriate metalanguage, identify two different language features that support this function.’ (3 marks)
The key phrase here that would distinguish a 2/3 from a 3/3 response is ‘that support this function’. Rather than simply stating two different language features, you should explain how they support the function of the text. It doesn’t have to be long, but at least 1 sentence of elaboration would be required to get full marks.
So, the overall mark allocation for this question is:
1/3: Stating the function 2/3: Identifying two language features 3/3: Linking the language features to the function
A question with a higher mark allocation might be:
‘Using appropriate metalanguage, analyse at least three stylistic and discourse features that contribute to the cohesion of this text. Refer to line numbers in your response.’ (5 marks)
This question has 5 marks, but only one command term (analyse). As such, in response to this question you would have to elaborate on each example - in this case, stylistic and discourse features - and link to how they contribute to the cohesion of the text.
Each example should be followed by at least 1 sentence that explains how it contributes to the text’s cohesion. You could also link the examples to their social purpose/function if this is relevant.
As a general rule, any sort of ‘analyse’ or ‘discuss’ question can follow this template:
1) Identify the example using appropriate metalanguage 2) Describe the immediate effect of that example (e.g. if it creates a humorous effect, if it makes the text hard to understand) 3) Provide further elaboration such as linking to social purpose/function/identity
If you think back to what we covered in the earlier section of this blog, you’ll see that this template follows the rule that higher-order command words (like ‘analyse’ and ‘discuss’) are a combination of ‘identify’ and ‘describe’ questions, with a bit of further elaboration also required.
General Tips
Finally, here are some general tips to keep in mind when answering SAQs:
Use precise, specific metalanguage (e.g. ‘first-person subject pronoun’ instead of just ‘pronoun’)
Always link to the broader context for questions with more than 1 mark (whether that be situational or cultural)
Highlight keywords and/or line numbers to help you avoid silly mistakes
Always include line numbers when quoting examples
If you’re unsure as to how much you are expected to write, the amount of space given to you in the answer section is usually a good indicator.
For more about how you can boost your marks in English Language, see this blog post about how to extend your skills further.
Understanding the Syntax Subsystem for English Language
One of the most common areas of difficulty and confusion in English Language is the syntax subsystem, so you are not alone if you find this difficult. You will already have an intuitive understanding of how syntax in English works (you speak the language after all), but being able to effectively analyse and parse sentences and utterances can be tricky. It is important that you understand what the following word classes (aka parts of speech) are, and what their role is in a sentence, you may need to revise them from Unit 1/2.
Noun
Verb
Adjective
Adverb
Pronoun
Preposition
Conjunction
Determiner
Interjection
There are innumerable online and physical resources, such as Sara Thorne’s fantastic Mastering Advanced English Language, which you can look at to revise these word classes. These are the fundamental building blocks that we have at our disposal when building up a sentence and are vital for understanding syntax. Syntax is how we arrange these building blocks into phrases, which we combine to form clauses, which in turn create sentences.
What Is a Phrase?
Phrases are words or groups of words that function together in a clause. Often we class phrases in terms of what role they are playing: we might have a noun phrase, a verb phrase, or an adverbial phrase, for example. Look at the example below to get a feel for what is meant by a phrase.
Authorised Officers are here to help keep your public transport running smoothly and make sure everyone is paying their way.
The main phrases are:
'Authorised Officers', 'your public transport', 'everyone', 'their way' (noun phrases)
'are', 'to help keep…running', 'make sure', 'is paying' (verb phrases)
'here’, 'smoothly' (adverbial phrases)
’and’ (coordination conjunction)
What Is a Clause?
Clauses can be entire sentences or be one of several parts of a sentence. At a minimum, standard clauses must contain a subject and a verb, but usually have other components too. To help us understand what makes up a clause, it is important to re-familiarise yourself with the five clause elements:
Subject
Verb
Object
Complement
Adverbial
Clauses must contain a verb, or else we class them as fragments. The following is a clause:
They watched the sunset together.
But this is a fragment:
What a sunset!
Note that the clause above contains a subject (They), verb (watched), object (the sunset) and adverbial (together), whereas it is not entirely clear how to classify the elements of the fragment, because there is no verb telling us how the words relate to each other.
There are two types of clauses we need to be concerned about: independent (main) clauses and dependent (subordinate) clauses. An independent clause can stand by itself as a simple sentence, whereas a dependent clause sits inside another clause and usually adds extra or supporting information.
Sentence Structures
Now for one of the key skills that is assessed in short answer questions and analytical commentaries: understanding how we combine clauses to create different structures.
Simple Sentences & Utterances
The first sentence structure is the simple sentence, which contains only one clause. Often these are seen as “short” sentences, but this is not always the case. For instance below is an example of a simple sentence:
All the school children, their families and their teachers were at the carnival for a day of fun and competition.
Compound Sentences & Utterances
Compound sentences consist of at least two independent clauses (ones that have a subject, a verb and form a complete idea on their own), joined by a comma, semicolon or a coordinating conjunction. Take for example the following compound sentence comprised of three clauses:
She swam and she surfed, but her thoughts inevitably returned to the dangers of the sea.
Complex Sentences & Utterances
Complex sentences, on the other hand, contain one independent or “main” clause, as well as one or several subordinate clauses. To identify a subordinate clause, you need to think about whether the clause you have identified stands as a complete thought, or whether it relies on the rest of the sentence to make sense. An example is included below, where only the main clause is bolded.
Now, if you turn to your right, you’ll see the gallery, which was constructed in 1968.
Compound-Complex Sentences & Utterances
Compound-complex sentences, exactly as one would expect, are a combination of several independent and subordinate clauses, to form what is most often quite a long sentence. If you know how to identify compound and complex sentences, this one should not pose much difficulty. Here is an example, where only the dependent clause is bolded.
Now it wouldn’t matter how fast he ran, he would never make it there in time, nor would he have anyone to blame but himself.
Give me a ring if you’re coming, or tell Max on his way home from work.
Sentence Fragments (Minor Sentences)
It may occur to you that not every sentence or bit of language that you ever come across fits neatly into one of the above categories, especially if there is not any identifiable independent clause. These we class as sentence fragments, and they are often found in informal spontaneous discourses.
Too easy mate, good on ya, etc.
Like any skill in English Language, getting good at syntax takes practice. To build your confidence, try parsing any of the texts you come across in school, or even texts you see in a magazine or newspaper. Check with a teacher, friend or tutor to see if you got it right, and where you might still need a little bit of work. And, come back to this blog post anytime you need a refresher!
Be sure to read our Ultimate Guide to English Language for an overview of the study design, what’s involved in the exam, how to study for the subject and more!
Let’s talk about emoji’s. There is a wide debate about whether or not these small icons we know as emoticon’s are the birth of a whole new language. What once started off as a :) at the end of an email has rapidly grown into a vast array of icons which serve multiple purposes and convey various meanings. I would not call emoji’s a new language for it lacks grammar; the very foundation which kneads a language together. Most often, emoji’s are used in conjunction with words on online platforms to enhance communication. The laughter emoji or smiling emoji is frequently used to close social distance or convey a sense of playfulness where a message may be perceived to be hostile. They can also be used to save face and reduce personal embarrassment. Frankly, emoji’s can be used to express a range of emotions and conversational tones which are difficult to achieve with words alone. In this way, they cater for the inability to use intonation and paralinguistic features such as hand gestures, facial expressions within written speech.
As emoji’s become a more prevalent part of online communication, they have begun to carry their own connotations. The eggplant and water-drop emoji’s are classic examples of this within young adolescents. However, even within smaller social groups, emoji’s can take on secondary meanings. (You probably have emoji’s within your friendship group which have connotations or act as inside jokes).
In this way, emoji’s are not replacing our language, but rather, they are an addition to comprehension of written language.
While emoji’s don’t have a complex syntactical system, they are loosely governed by grammatical rules. While this does not constitute emoji’s as a new language, one can still communicate meaning by stringing emoticons through semantic fields. Content words can be replaced with emoticons, however the relationship between emoticons must be inferred or expressed through functional words.
Hence, there can be communication difficulties when the relationship of an emoji to context is not effectively implied or explained. Julie Bishop’s use of the red faced emoji to describe Vladimir Putin on Twitter is a classic example of this notion. This emoji used on its own caused confusion as to what Julie Bishop thought of Putin, whether he was an angry man or whether she disapproved of him. Due to limited context and no words to back up Bishop’s opinion, there was controversy around her response.
Emoji’s are an addition to the written mode of language, catering for paralinguistic features which cannot be expressed through words. However, due to the lack of complex grammar binding emoji’s they cannot become a new language.
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