Go ahead and tilt your mobile the right way (portrait). The kool kids don't use landscape...
In regards to changing subjects once the school year has started: I've done a bit of research and it appears as though the deadline to change from one subject to another is determined by your individual school. Some schools have a deadline of only a couple weeks whereas others stretch it out a little further. Ask your school for exact dates if this is something you’re considering!
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Imagine a friend tells you eerie accounts of her witnessing a ghostly presence in her home. You scoff and condescendingly humour her. But as her stories begin to manifest itself in her gaunt appearance, you alarmingly notice how she truly believes in the apparitions she recounts. You begin to doubt her sanity, you begin to doubt the certainty with which you dismissed her supernatural visions and now, you begin to doubt yourself. THE SUSPENSE BUILDS.
But let’s say this friend filmed the ghostly apparitions and showed them to you. Sure – the evidence of this ghost is frighteningly scary. But the suspense that was built in the doubt, uncertainty and ambiguity of your friend’s tale is now lost. The ghosts caught in film acts as another eyewitness and another medium to validate your friend’s narrative. Your friend is no longer the only person who sees these ghosts, shattering all doubt within you of the ghost’s existence. THE SUSPENSE – is gone.
Notice how the form and genre of the spoken word in the first example was meaningful in its the effect on the reader? But when the form changed to a film, the meaningful suspense and ambiguity that was unique and crucial in the original text, changed, and was no longer as pronounced. Yes – the film itself may be terrifying. But the very doubt and suspense around not knowing if your friend was a lunatic for seeing ghosts or if she was telling the truth all contributes to the meaning derived from the form of the ‘text’ in an unreliable first person narrative. This is the crux of adaptations and transformations, and what you need to identify and analyse – how the meaning is changed/altered when the form of the text is changed.
Here are 7 lucky tips for how to tackle the SAC:
Identify the unique conventions in the construction of the original text – characterisation, genre, tone, style, structure, point of view/narration (or any devices employed in constructing the text e.g. cinematic devices in a film such as camera angles, framing, lighting, costumes, interior/exterior settings, sound)
Now do step 1 with the adapted/transformed text
How do the two text forms differ? How are they the same? However, be sure you do not simply compare and contrast. The most crucial step is what meaning can be derived from the similarities and differences? How does the meaning change?
Note additions and omissions (and even silences) – do they change how readers/viewers perceive the narrative and alter your opinions and perceptions of the text?
Historical context and setting – what significance does the context have on the narrative? Has the adaptation/transformation been re-contextualised? Does that alter the meaning of the original text?
How does the change in form impact you as the reader/viewer? Analyse your own reactions and feelings towards each text form. Do you sympathise with a character more in the original text? How are we positioned to feel this way? Why do you lack the same level of sympathy for the adapted/transformed text?
Incorporate pertinent quotations from both forms of text to substantiate and support your ideas and key points.
Final questions to ponder
Most importantly is to share your original interpretation of what meaning and significance you can extract from the text, and how you believe it changes once the form alters.
What makes the text in its original form interesting or unique?
Is that quality captured in its adaptation/transformation?
As always with Literature, this task is designed for you to critically analyse and actively engage with the text, understanding its nuances inside and out in order to decipher its meaning. Be individual in comparing and contrasting the two texts – avoid the obvious similarities/differences everyone in your class will also notice. It is the insightful analysis of the subtleties of how meaning is altered that will help you stand out!
This is your ultimate guide to everything you need to know to get started with VCE Literature. We will be covering all the sections within Units 3 and 4, and have included resources that will help improve your skills and make you stand out from the rest of your cohort!
'The study of VCE Literature fosters students’ enjoyment and appreciation of the artistic and aesthetic merits of stories and storytelling, and enables students to participate more fully in the cultural conversations that take place around them. By reading and exploring a diverse range of established and emerging literary works, students become increasingly empowered to discuss texts. As both readers and writers, students extend their creativity and high-order thinking to express and develop their critical and creative voices.'
'Throughout this study, students deepen their awareness of the historical, social and cultural influences that shape texts and their understanding of themselves as readers. Students expand their frameworks for exploring literature by considering literary forms and features, engaging with language, and refining their insight into authorial choices. Students immerse themselves in challenging fiction and non-fiction texts, discovering and experimenting with a variety of interpretations in order to develop their own responses.'
...but don't worry if the above is vague, we'll take you through exactly what you need to know for Year 12 Literature! Let's get into it!
Unit 3
In Unit 3, students consider how meaning is created through form, and how different interpretations may be developed out of a singular text. First, students understand how writers adapt and transform texts, and how their interpretation of the text impacts this transformation into a different form. Secondly, students use another text to develop their own interpretations of a text with regard to its context, and views and values. Unit 3 School-Assessed Coursework is worth 25 per cent of your total study score!
AoS 1: Adaptations and Transformations
This task is designed for you to critically analyse and actively engage with the text, understanding its nuances inside and out in order to decipher its meaning. Be individual in comparing and contrasting the two texts – avoid the obvious similarities/differences everyone in your class will also notice. It is the insightful analysis of the subtleties of how meaning is altered that will help you stand out!
Here are some important aspects to consider and questions to ask yourself while tackling this SAC:
Identify the unique conventions in the construction of the original text
Now do Step 1 with the adapted/transformed text
How do the two text forms differ? How are they the same? The most crucial step is what meaning can be derived from the similarities and differences? How does the meaning change?
Note additions and omissions (and even silences)
Historical context and setting
How does the change in form impact you as the reader/viewer?
Incorporate pertinent quotations from both forms of text to substantiate and support your ideas and key points.
Most importantly, share your original interpretation of what meaning and significance you can extract from the text, and how you believe it changes once the form alters.
Also ask yourself these questions:
What makes the text in its original form interesting or unique?
Is that quality captured in its adaptation/transformation?
Developing interpretations is an AoS that focuses on investigating the meaning and messages in texts, as evidenced by the text itself, it’s author and their context. As per the study design:
'Students first develop their own interpretations of a set text, analysing how ideas, views and values are presented in a text, and the ways these are endorsed, challenged and/or marginalised through literary forms, features and language. These student interpretations should consider the historical, social and cultural context in which a text is written and set. Students also consider their own views and values as readers.'
Following this, you investigate a supplementary reading which will offer another interpretation of the text, which may enrich or challenge your interpretation by agreeing or disagreeing with your interpretation. Using this supplementary reading, you reconsider your initial interpretation and apply your new understanding of the text to key moments.
The SAC for Developing Interpretations is a little bit weird. It’s worth 50% of unit 3 (or 25% of your total study score), but is split into two parts:
Part A: An initial interpretation of the text’s views and values within its historical, social and cultural context.
Part B: A written response that compares/interweaves and analyses an initial interpretation with a subsequent interpretation, using a key moment from the text.
Your teacher might do the two parts together, or separately. In any case, Part B will include the use of a passage from the set text that you must engage with. How does the passage help you to interpret the text, and how does that interpretation agree or disagree with the interpretation presented in the supplementary reading?
The most difficult part of the SAC for this AoS is balancing your interpretation, the textual evidence, and the alternative interpretation of the supplementary reading. It is vital that if you are doing Literature this year, that you know your 3.2 text like the back of your hand, and that you practice writing loads and loads. It is also worth trying to make your interpretation incredibly specific, so that you can go in-depth into one idea, rather than simply skimming over 3 or 4 big ideas.
The most important part of this task is that you must have a highly convincing connection between the original text and your creative response.
There must be a tangible relationship present, through an in-depth understanding of the original text’s features. These features include characterisation (what motivates these characters), setting, context, narrative structure, tone and writing/film style.
You can establish this relationship by:
Adopting or resisting the same genre as the original text
Adopting or resisting the author’s writing/language style
Adopting or resisting the text’s point of view
Adopting or resisting the original setting, narrative structure or tone
Writing through a peripheral character’s perspective
Developing a prologue, epilogue or another chapter/scene
Rewriting a key event/scene from another character’s point of view: Does this highlight how important narrative perspective is?
The VCAA Literature Study Design also determines that students must submit a ‘close analysis of a key passage’. This aspect of the assessment counts for 20 of the 60 marks available for the Create Response outcome. The study design elaborates that students must produce:
‘A close analysis of a key passage from the original text, which includes reflections on connections between the creative response and the original text.’
In short, VCAA wants you to not only analyse the original text and use it as the basis for your Creative Response, they want you to be able to closely analyse a section of the original text, and link it to and reflect upon your creative response. This is different from previous years and the same task in English, the Reflective Commentary. You must use the skills of close analysis in this task. To include these things, look to the key knowledge and skills outlined in the study design.
Key Knowledge:
Understanding of the point of view, context and form of the original text
The ways the literary form, features and language convey the ideas of the original text
Techniques used to create, recreate or adapt a text and how they represent particular views and values
Key Skills:
Discuss elements of construction, context, point of view and form particular to the text, and apply understanding of these in a creative response
Analyse closely the literary form, features and language of a text
Reflect on how language choices and literary features from the original text are used in their adaptation
As you write, ensure you are discussing how the author uses point of view, context, form, elements of construction and stylistic features in their text. It is imperative that you describe how you have similarly used such device in your creative response. Ensure that you also discuss how you are involving the ideas and themes of the text in your creative piece, and how you are discussing them further, or exploring them in greater depth. Obviously only talk about those that are relevant to your creative response!
'In this area of study students focus on a detailed scrutiny of the language, style, concerns and construction of texts. Students attend closely to textual details to examine the ways specific passages in a text contribute to their overall understanding of the whole text. Students consider literary forms, features and language, and the views and values of the text. They write expressively to develop a close analysis, using detailed references to the text.'
In plain words, your teacher (and eventually examiner in the end of year exam) will give you 3 passages from your text. You'll be asked to read each of these passages, identify key ideas or themes present in each of the passages, and write an essay in response.
Writing the Introduction
Introductions are an excellent way to showcase your ability to provide an insight into your personal “reading” of the text, interpret the passages and allow you an avenue through which to begin your discussion of the material.
When constructing introductions, it is important to note that the VCAA Literature Exam Criteria is as follows:
Understanding of the text demonstrated in a relevant and plausible interpretation
Ability to write expressively and coherently to present an interpretation
Understanding of how views and values may be suggested in the text
Analysis of how key passages and/or moments in the text contribute to an interpretation
Analysis of the features of a text and how they contribute to an interpretation
Analysis and close reading of textual details to support a coherent and detailed interpretation of the text
Considering these points, your introduction should feature these 2 elements: your personal reading of the text and your interpretation of the passages.
In terms of structure, try to begin with a sentence or two explaining your personal reading of the text. The key to doing so in a manner befitting Close Analysis however, is to utilise quotes from the passages to supplement your assertion.
Studying both English and Literature in VCE is an interesting undertaking, and I’ve heard very mixed opinions about whether or not it’s a good idea. For me it was a no-brainer; I’d always loved English so why wouldn’t I take advantage of the opportunity to study two English-based subjects? Looking back on my VCE experience now, and comparing my experience of studying each subject, I can see that they are each very different. However, if you’re going to study both, don’t expect that each subject will unfold in isolation, because your work in one of these subjects will undoubtedly impact upon your work in the other - even if, like me, you complete them in different years. So if you enjoy English I would 100% endorse studying both VCE English and VCE Literature, but being an English-nerd I still think there are benefits to analysing the process of studying this dynamic-duo back to back.
The Content
At the beginning, I assumed that Literature and English would be fairly similar in terms of studying and writing. It’s all about reading books and writing essays, right? Well, whilst this is essentially true, it turns out that the process for each subject is quite different. I studied year 12 Literature first, completing it in 2017 as a year 11 student, and as my only unit 3/4 subject for that year it was the focus of a lot of my time, energy, and creativity. What I loved about VCE Literature from the beginning was the departure from formula; the impetus to “dive right in” as my teacher always used to say. Instead of worrying about how many sentences your introductions and conclusions have to be, in Literature you can simply get straight into the analysis and see how far it takes you. So, if you’re the kind of person who needs to stick to that body paragraph structure acronym that has always served you so well, then when you first start studying Literature it might be a challenge to loosen up. Or, if you’re like me and can’t shake the compulsion to write paragraphs that take up double-sided sheets of paper, you might find this subject to be a welcome respite from some of the restrictions of English tasks.
Although English is often viewed as the more ‘basic’ of the two, in many ways I found it more difficult once I hit year 12. Having just finished VCE Literature, shifting my focus back to English definitely wasn’t as seamless as I might have expected. In comparison to my Literature essays where I would base paragraphs around in-depth analysis of a few of Gaskell’s sentences, my English text responses felt stunted and forced – English isn’t really compatible with tangents, and so it was difficult to train myself to be expressive whilst also being concise. In my opinion, the most daunting of the year 12 VCE English SACs is the comparative, and this is where my lack of flow was most evident. Being accustomed to delving into complex discussion of the details of my Literature texts, it seemed impossible to provide insightful analysis of two texts simultaneously, whilst also comparing them to each other and also keeping my essays well structured. My first comparative practices sounded somewhat awkward when I read over them, and I just felt like I never really knew what I was trying to get across. This provoked me to be frustrated with myself, and then my frustration distracted me from writing, and then my essays read even more contrived; you get the idea.
So, how do you push past this sense of friction between the study of English and the study of Literature? Well, I think the best way to reconcile the conflicting approaches is to realise that each subject brings out different strengths, but these strengths can be applied to either type of study. Yes to a certain extent English is supposed to be formulaic, but you can use the analysis skills you learn in Literature to enhance your English text responses and give your work a point of difference. On the flip side, the structure you work with in English can be applied to Literature to ensure that your essays always exhibit direction and purpose, even if they encompass a broader range of discussion. Once I realised that I didn’t have to discard all of my Literature skills and start writing my English work exactly the same as everybody else, I began to develop a more fluid, balanced writing style that enhanced all of my English tasks – even the comparative.
The Exam
Let’s start with the obvious comparisons between the English exam and the Literature exam. Firstly, the English exam encompasses three essays in three hours (with 15 minutes reading time), whilst Literature is only two essays in two hours. The English exams tasks include a text response to a prompt, a comparative text response to a prompt, and a language analysis. The Literature exam involves a passage analysis, and a text response to a prompt influenced by a literary perspective. Where in the English exam you are given a choice of prompts for each text choice, whereas for both sections of the Literature exam only one choice is available for each text. Whilst both exams involve some supplied material, in Literature this material is a passage from one of the set texts, however for the language analysis section of the English exam this is completely unseen material created by the VCAA. For me, this felt like a very significant difference, because there is no familiar material (i.e. passages from the texts) to rely on in the English exam; if you get lost you can’t latch on to anything except what you have memorised.
Personally, I think that the study strategies I utilised for each exam were fairly similar, although obviously geared towards different tasks. I took in depth notes on my texts, planned essays, memorised quotations and explored their significance, timed my practice essays etc. My actual approach to each exam was also similar, for example I made sure to allocate one hour for each different task and did all of my planning mentally during reading time. So although obviously everyone’s study and exam techniques are different, this shows that your own personal strategies that you develop can be applied to both the Literature and the English exams. However, despite the continuity in this sense I still found myself feeling very different coming out of my English exam than I had leaving my Literature exam the year before. Where after the Literature exam I had been content with the knowledge that I had showcased the best version of my abilities, after the English exam I felt much more unsure and ready to believe the worst about the outcome. This particular comparison is of course specific to every individual person, however I think it could have something to do with the knowledge that most VCE students study English and the difficulty in believing that your work could stand out from the work of 40,000 others.
The Results
In the end, I achieved very different results from these two subjects, with English being my highest study score and Literature being one of my 10% contributions. It seems to be a general consensus (or at least it was at my school) that it is more difficult to crack the high 40s in Literature than in English, and whether this is true or not it definitely impacted my expectations of my results each subject. However, that said, after being slightly disappointed with my Literature results in year 11 I was not overly optimistic about doing much better in English. When talking about this with my Literature teacher, she told me to “remember that English is marked very differently to Lit, so don’t think you can’t get a 50” and I think this is very solid advice. Whilst you might feel you were equally skilled at both subjects, this doesn’t mean you will receive equally ‘good’ results’, but don’t let this disparity discourage you because, as we have discussed throughout this post, when it comes to Literature and English one size does not fit all.
Understanding the Syntax Subsystem for English Language
One of the most common areas of difficulty and confusion in English Language is the syntax subsystem, so you are not alone if you find this difficult. You will already have an intuitive understanding of how syntax in English works (you speak the language after all), but being able to effectively analyse and parse sentences and utterances can be tricky. It is important that you understand what the following word classes (aka parts of speech) are, and what their role is in a sentence, you may need to revise them from Unit 1/2.
Noun
Verb
Adjective
Adverb
Pronoun
Preposition
Conjunction
Determiner
Interjection
There are innumerable online and physical resources, such as Sara Thorne’s fantastic Mastering Advanced English Language, which you can look at to revise these word classes. These are the fundamental building blocks that we have at our disposal when building up a sentence and are vital for understanding syntax. Syntax is how we arrange these building blocks into phrases, which we combine to form clauses, which in turn create sentences.
What Is a Phrase?
Phrases are words or groups of words that function together in a clause. Often we class phrases in terms of what role they are playing: we might have a noun phrase, a verb phrase, or an adverbial phrase, for example. Look at the example below to get a feel for what is meant by a phrase.
Authorised Officers are here to help keep your public transport running smoothly and make sure everyone is paying their way.
The main phrases are:
'Authorised Officers', 'your public transport', 'everyone', 'their way' (noun phrases)
'are', 'to help keep…running', 'make sure', 'is paying' (verb phrases)
'here’, 'smoothly' (adverbial phrases)
’and’ (coordination conjunction)
What Is a Clause?
Clauses can be entire sentences or be one of several parts of a sentence. At a minimum, standard clauses must contain a subject and a verb, but usually have other components too. To help us understand what makes up a clause, it is important to re-familiarise yourself with the five clause elements:
Subject
Verb
Object
Complement
Adverbial
Clauses must contain a verb, or else we class them as fragments. The following is a clause:
They watched the sunset together.
But this is a fragment:
What a sunset!
Note that the clause above contains a subject (They), verb (watched), object (the sunset) and adverbial (together), whereas it is not entirely clear how to classify the elements of the fragment, because there is no verb telling us how the words relate to each other.
There are two types of clauses we need to be concerned about: independent (main) clauses and dependent (subordinate) clauses. An independent clause can stand by itself as a simple sentence, whereas a dependent clause sits inside another clause and usually adds extra or supporting information.
Sentence Structures
Now for one of the key skills that is assessed in short answer questions and analytical commentaries: understanding how we combine clauses to create different structures.
Simple Sentences & Utterances
The first sentence structure is the simple sentence, which contains only one clause. Often these are seen as “short” sentences, but this is not always the case. For instance below is an example of a simple sentence:
All the school children, their families and their teachers were at the carnival for a day of fun and competition.
Compound Sentences & Utterances
Compound sentences consist of at least two independent clauses (ones that have a subject, a verb and form a complete idea on their own), joined by a comma, semicolon or a coordinating conjunction. Take for example the following compound sentence comprised of three clauses:
She swam and she surfed, but her thoughts inevitably returned to the dangers of the sea.
Complex Sentences & Utterances
Complex sentences, on the other hand, contain one independent or “main” clause, as well as one or several subordinate clauses. To identify a subordinate clause, you need to think about whether the clause you have identified stands as a complete thought, or whether it relies on the rest of the sentence to make sense. An example is included below, where only the main clause is bolded.
Now, if you turn to your right, you’ll see the gallery, which was constructed in 1968.
Compound-Complex Sentences & Utterances
Compound-complex sentences, exactly as one would expect, are a combination of several independent and subordinate clauses, to form what is most often quite a long sentence. If you know how to identify compound and complex sentences, this one should not pose much difficulty. Here is an example, where only the dependent clause is bolded.
Now it wouldn’t matter how fast he ran, he would never make it there in time, nor would he have anyone to blame but himself.
Give me a ring if you’re coming, or tell Max on his way home from work.
Sentence Fragments (Minor Sentences)
It may occur to you that not every sentence or bit of language that you ever come across fits neatly into one of the above categories, especially if there is not any identifiable independent clause. These we class as sentence fragments, and they are often found in informal spontaneous discourses.
Too easy mate, good on ya, etc.
Like any skill in English Language, getting good at syntax takes practice. To build your confidence, try parsing any of the texts you come across in school, or even texts you see in a magazine or newspaper. Check with a teacher, friend or tutor to see if you got it right, and where you might still need a little bit of work. And, come back to this blog post anytime you need a refresher!
Be sure to read our Ultimate Guide to English Language for an overview of the study design, what’s involved in the exam, how to study for the subject and more!
For an overview of English Language, the study design, what’s involved in the exam and more, take a look at our Ultimate Guide to English Language.
What Is a Short Answer Question?
The English Language exam is split into three sections - Short Answer Questions, Analytical Commentary and an Essay (see here for an explanation of what’s involved in the Essay component). The Short Answer Questions (SAQs) are at the very start of the exam and include 15 marks in total, usually consisting of 3-5 questions that are in response to a text. SAQs are designed to test your knowledge of metalanguage and your ability to elaborate on the situational and social context of the text in a concise manner.
As SAQs only have 15 marks, you should aim to spend 20-25 mins on this section in the exam. Because there are only about 25 minutes available to allocate to this section, they are also a test of your ability to quickly identify key features in a text.
The good thing about SAQs is that because there are specific mark allocations for each question, there’s a formula that you can apply to every question to help you obtain all the marks possible - and that’s what we’ll go through in this blog post, so you can ace every SAQ you come across :)
Common Command Words and What They Mean
The first thing you should do when approaching an SAQ is to recognise (and even better, highlight) the command words in each question in order to help you understand exactly what is required.
Here is a list of commonly seen command words and what they entail:
Identify In response to this command word, you should state the example using metalanguage and line numbers.
Describe If you are asked to ‘describe’, you should state the example with metalanguage and also give some details about it, such as how it links to the context of the text and/or its functions and social purposes.
Analyse, comment on, explain, discuss Now we get to the heavier words that require a lot more elaboration and analysis. For these types of words, you should state the example with metalanguage, describe the immediate impact it creates and then link it to the broader context of the text (whether that be situational or social). So, you can think of these questions as a combination of ‘identify’ and ‘describe’ questions, with a bit of further elaboration attached to them.
Mark Allocations
SAQs usually range from 1-6 marks each and the way you should answer the question depends on how many marks are available.
As a general rule of thumb, do as the question says.
For example, if we look at this question:
‘Give one function of this text. Using appropriate metalanguage, identify two different language features that support this function.’ (3 marks)
The key phrase here that would distinguish a 2/3 from a 3/3 response is ‘that support this function’. Rather than simply stating two different language features, you should explain how they support the function of the text. It doesn’t have to be long, but at least 1 sentence of elaboration would be required to get full marks.
So, the overall mark allocation for this question is:
1/3: Stating the function 2/3: Identifying two language features 3/3: Linking the language features to the function
A question with a higher mark allocation might be:
‘Using appropriate metalanguage, analyse at least three stylistic and discourse features that contribute to the cohesion of this text. Refer to line numbers in your response.’ (5 marks)
This question has 5 marks, but only one command term (analyse). As such, in response to this question you would have to elaborate on each example - in this case, stylistic and discourse features - and link to how they contribute to the cohesion of the text.
Each example should be followed by at least 1 sentence that explains how it contributes to the text’s cohesion. You could also link the examples to their social purpose/function if this is relevant.
As a general rule, any sort of ‘analyse’ or ‘discuss’ question can follow this template:
1) Identify the example using appropriate metalanguage 2) Describe the immediate effect of that example (e.g. if it creates a humorous effect, if it makes the text hard to understand) 3) Provide further elaboration such as linking to social purpose/function/identity
If you think back to what we covered in the earlier section of this blog, you’ll see that this template follows the rule that higher-order command words (like ‘analyse’ and ‘discuss’) are a combination of ‘identify’ and ‘describe’ questions, with a bit of further elaboration also required.
General Tips
Finally, here are some general tips to keep in mind when answering SAQs:
Use precise, specific metalanguage (e.g. ‘first-person subject pronoun’ instead of just ‘pronoun’)
Always link to the broader context for questions with more than 1 mark (whether that be situational or cultural)
Highlight keywords and/or line numbers to help you avoid silly mistakes
Always include line numbers when quoting examples
If you’re unsure as to how much you are expected to write, the amount of space given to you in the answer section is usually a good indicator.
For more about how you can boost your marks in English Language, see this blog post about how to extend your skills further.
The fairy tale of Cinderella is a well-known, well-loved and well-ingrained story that was always told to me as a bedtime story. Who could forget the mean-spirited step-sisters who punished and ruined Cinderella’s life to no end?
According to the dark Brothers Grimm version, the step-sisters mutilated their feet by cutting off their heels and toes to fit into the infamous shoe, and their eyes were pecked away by birds until they were blinded! It’s definitely one way to send a message to children - don’t be bullies or you’ll be punished! Which is exactly what the Brothers Grimm’s views and values were. Their construction of their fairy tale to send a message of what they viewed as good or bad is simplistically shown through the writers’ choice in determining the characters’ fates. The evil stepsisters were punished, while Cinderella received happiness and riches because she remained kind and pure. It's a clear and very simple example of how texts reflect the beliefs, world views and ethics of the author, which is essentially the author’s views and values!
Writers use literature to criticise or endorse social conditions, expressing their own opinions and viewpoints of the world they live in. It is important to remember that each piece of literature is a deliberate construction. Every decision a writer makes reflects their views and values about their culture, morality, politics, gender, class, history or religion. These views and values are shared implicitly, within the style and content of the text, rather than in overt or explicit statements. For instance, the author isn't likely to say 'I believe good people should be rewarded', but rather, we can infer that the author holds that belief because of the way Cinderalla (a good person) was rewarded with a happy ending. Because views and values aren't presented in overt statements, it means that the writer’s views and values are always open to interpretation, and possibly even controversial. As an astute Literature student, it's your job to interpret the relationship between your text and the ideas it explores, examines, endorses or challenges in the author's society.
1) To find the views and values, it can be helpful to ask yourself the following questions:
What does the writer question and critique with their own society?
What does this say about the writer’s own views and the values they uphold?
Which characters challenge and critique the social conventions of the day?
For example:
'Jane Austen in Persuasion recognises the binding social conventions of the 19th century as superficial, where they value wealth and status of the utmost priority. She satirises such frivolous values through the microcosmic analysis of the Elliot family.'
What fate do the characters have?
Who does the writer punish or reward by the end of the text?
TIP: The writer’s affirming or critical treatment of individual characters can be a significant clue to what values they approve or disapprove of.
2) Look at the writer’s use of language:
Imagery
Symbolism
Characterisation
Plot structure
Setting
Description
3) Consider how the use of language makes meaning.
The recognition and use of metalanguage for literary techniques is crucial because you are responding to a work of literature. Within literature, ideas, issues and views and values do not exist in a vacuum. They arise out of the writer’s style and create meaning.
What are the possible meanings generated by the writer’s choices?
How do the writer’s choices make meaning?
How are the writer’s choices intended to affect the reader’s perception of social values?
TIP: The writer's intent to affect the reader's perception is also known as authorial intent.
4) When it comes time to write:
Weave views and values throughout your essays - it is NOT enough to just superficially add in a few lines about the writer's concerns at the conclusion of your essay.
Using the writer’s name frequently throughout your essay will also assist you in creating a mindset of analysing the writer’s commentary on society.
Views and Values: Sample Excerpts
Below are some examples from an examiner report of successful and insightful responses reflecting the views and values of the writer:
When contrasted with the stark, blunt tone of Caesar throughout the play ‘You may see, Lepidus, and henceforth know...’ the richness of Shakespeare’s poetry with regard to his ‘couple so famous’ denotes how the playwright himself ultimately values the heroic age to which his protagonists belong over the machinations of the rising imperial Rome.
It is the word ‘natural’ here through which Mansfield crafts a sharp irony that invites us to rate Edna’s obsession with her own performance.... It is this satiric impulse that also leaps to the fore through the image of Edna, ‘clasping the black book in her fingers as though it were a missal’...the poignant economy of Mansfield’s characteristic style explores her views on the fragility of the human condition.
‘In Cold Blood’ provides a challenging exploration of the value placed on human life. The seemingly pointless murders undermine every concept of morality that reigns in Middle America, the ‘Bible Belt’, as well as the wider community. Capote insinuates his personal abhorrence of the death penalty and the disregard of mental illness in the justice system.
TIP: Go through examiner’s reports and take note of high quality responses, even if they are not the text you’re studying - you'll learn so much from the excerpts & examiner comments which will help you improve your own essays.
Why Are Views and Values Important?
In the 2013 VCAA Literature Examiner Report it was stated that the best Close Analysis responses were ones that 'showed how the text endorsed and reflected the views and values of the writer and were able to weave an understanding of these through the essay'. You'll find similar comments year after year in both the Literature and English Exam reports. So trust us, you've gotta include views and values!
By analysing how the text critiques, challenges or endorses the accepted values of the society in the text, you are demonstrating a deeper understanding of the social and cultural context, thus acknowledging the multifaceted layers that exist within the text. You are identifying the writer’s commentary of humanity through your own interpretation.
Make sure you bring added insight into your essays by incorporating views and values!
Over the years I have seen many exceptional essays. What has really surprised me in the past is when I compare high-scoring essays. In one instance, I read one English student's essay (raw study score of 50) after another student's (raw study score of 46). What do you think contrasts between a student who achieves 50 and a student who achieves 46 (bearing in mind of course, that these two scores are already amazing!)? For me, I had assumed that a major contributor to the perfect score of 50 must be better vocabulary. You would think so too right?
NO! In fact, the student of 46 had embedded heaps of complex and amazing-sounding words in her essay - much more than those used by the student who obtained a 50. Oddly, the perfect scorer had hardly any complex vocabulary in her piece. But this ironically, was the strength of her essay. Because she wasted little time on trying to throw in lots of fancy vocabulary, she was able to focus on exploring complex ideas in her essay instead. This is what examiners are after. So if you're struggling with vocabulary, don't worry - not all hope is lost!
One of the biggest struggles is to 'improve vocabulary' in VCE. So many students are caught up trying to improve their vocabulary or using 'big words' that they don't realise the worst thing yet: using bigger words can actually hurt your essay. Yes, you read it right. Even research has actually found that using complex or big words in an essay can backfire for the student!
Reasons why using big words can worsen your essay:
1. Obstructs clarity of ideas.
Readability is the ease with which a written text can be understood by the reader. In other words, how easy it is to read an essay and how enjoyable that read is. I'm sure you've read a novel in the past that was quite difficult to read because of its extensive vocabulary. On the other hand, you will find a book much more enjoyable to read when you're not struggling your whole way through deciphering words. The same applies to essays. Examiners focus heavily on your exploration and interpretation of ideas. If you have great ideas, only to overload with vocabulary just look to make yourself look smarter, it's only going to make it harder for your examiner. Just like if you had simplistic ideas and filled your essay with fancy vocabulary, it's not going to make the idea seem any more insightful. See the example below:
Student 1: 'In a plethora of elements gender inequalities prevail over the women of Nigeria.'
Student 2: 'Gender inequalities prevail over women's lives in Nigeria.'
The 'plethora of elements' is just another way of saying 'several aspects'. By trying to use nice vocabulary, this student actually reduced the meaning of their sentence, making it harder for the teacher to understand the student's idea. Remember to keep your essays straightforward, don't drown them with vocabulary that's unnecessary.
2. You seem dumber.
No offence. Writing with bigger words doesn't mean you're smarter. It is very easy to pick up when a student is simply using a thesaurus to find synonyms - because your sentence will look like this: basic basic basic COMPLEX basic basic COMPLEX basic basic. There is a clear discrepancy! Don't use 'utilise' when you can just write 'use'. You seem pompous (no offence, again!). Write clearly and simply if you can, and you’ll be more likely to be thought of as intelligent! This meme below sums up the point very well:
3. You're using it wrong.
Using a similar word is not always the RIGHT word. Let's take the word 'persuade' as an example. We're always trying to find new synonyms for 'persuade' in Language Analysis (and I do have a list for you here). The word 'entice' is by no means similar to the word 'coerce' because of the different connotations they are both associated to. To entice is to persuade through attraction or tempting the reader by offering an advantage, whereas to coerce is to persuade (an unwilling person) to do something by using force or threats. Be wise when you choose synonyms, because they do not carry the exact same meaning as the original word you intended to use!
KEY TIP: Do not use big words, do not use small words, use the RIGHT words.
So, how do you find the right word bank for you?
The conditions of your vocabulary bank should be suited to your specific needs. A focus on a need or theme enables more visible connections within the vocabulary bank. Having those connections will make it easier to 'memorise' new terms. Instead of compiling a dense 20-page glossary, try breaking your vocabulary bank up into smaller, specific sections like 'new verbs'.
Now, let's find new verbs instead of the typical bolded words below to express the author's intention:
The author argues
The author shows
The author criticises
The author supports
- Branch off 'argue' (Fervent tone): contends, asserts, posits, proffers…
- Branch off 'criticises' (Negative tone): condemns, denigrates, lampoons, parodies…
- Branch off 'supports' (Positive tone): praises, endorses, exalts, lauds…
Next, take your new vocabulary from storage to use:
After clarifying their definitions, try using some of your new words in a sentence or a paragraph, relating to either your texts or analysing argument. You can also extend your vocabulary bank by adapting the words to different sentence structures:
Example 1
Original sentence: The author criticises the superficiality of our consumerist culture.
Substitution:Theauthor condemns the superficiality of our consumerist culture.
Adaptation: In a condemnatory tone, the author delineates the ostentation of our consumerist culture.
Example 2
Original sentence: The author argues that gender is an arbitrary concept.
Substitution: The author asserts that gender is an arbitrary concept.
Adaptation: Asserting that gender is an arbitrary concept, the author explicates the categorist nature of human understanding.
Using convoluted expressions can be fun or exasperating! Whilst demonstrating extensive vocabulary may raise your mark, the key is to ensure harmony between your words and your understanding.
Remember: Do not use big words, do not use small words, use the RIGHT words.
The second half of this blog post was written by Joyce Ling.
Regardless of whether you’re writing a Text Response, Comparative, or even an Argument Analysis essay, it is easy to see the introduction as something inconsequential, that won’t change your overall mark. And as a result, far too many students view the intro as a mere convention of writing that simply needs to ‘tick off’ certain criteria before they get into the ‘meat’ of the essay. But, from my experiences in VCE English, I’ve found taking some time to write a concise, yet original, considered, and insightful intro (with a bit of flair when appropriate) can be hugely beneficial.
Why Your Teacher Says You Can’t Earn Any Marks in an Introduction
Everyone has heard it before:
You can’t win/lose marks in an introduction or conclusion
I’ll be the first to admit that in some ways, this is true. The purpose of a Text Response essay is to show an understanding of a text through analysis. So, it is natural that your essay is marked based on the quality of your analysis of the text. And, because very little of this analysis occurs in the introduction, it’s easy to think that an intro can’t influence or change your final mark. While this may be true in theory, the reality is that your introduction serves as a foundation for your analysis...and just like a house, without a solid foundation coming first the rest of your essay is more liable to be weak and fragile. In my mind, the introduction provides a basis for everything that you’re going to analyse in your body-paragraphs which can build upon the assertions you have made regarding the topic in your intro. In other words, the introduction sets the direction for your essay, which overall acts as a backbone allowing for a cogent argument to be presented in your piece.
How an Introduction Can Help You
Now that we have established how an introduction helps contribute to the overall cohesiveness of an essay, let’s have a look at how an intro can help you while you’re writing. Especially when writing under timed conditions, it can be difficult to produce a detailed plan which lays out the structure of an essay. Here's where your intro can be of great help. When considered carefully, your introduction can set the parameters within which your essay will be contained. In other words, your intro can define the scope of your essay, outlining which themes and characters you are going to explore, and most importantly what arguments you are going to posit throughout your script. This means that if you get lost, or go blank trying to figure out what you should write next you can refer back to your intro to find a sense of direction and regain a foothold in your essay and. In this way, the intro not only acts as a foundation for your body-paragraphs but also provides a blueprint for them which can guide you from point to point.
At the same time, although an introduction cannot explicitly earn you marks, I would argue that a quality introduction can help position your assessor to immediately categorise your essay as belonging in a higher mark bracket. At the end of the year, exam assessors have hundreds of scripts to mark. And the truth is, they will not dedicate more than a couple of minutes to read your essay. As such, if you can impress your assessor with a powerful opening, they are more likely to see your piece as one that should earn a high mark. The reality is that assessors can often tell a lot about an essay based on the quality of its introduction. Therefore, if you can write a 9-10/10 introduction, your assessor will already be leaning towards awarding you a mark in that range without even having read your body-paragraphs yet.
So, How Can You Write an Original Introduction That Doesn’t Sound Like Everyone Else's?
If there’s one thing English teachers and assessors hate, it’s reading essays that have been memorised and recited (though, if you absolutely insist, then here's a middle-ground option where you could use' templates'). What is crucial, then, is that from the very first line of your introduction you are responding directly and unswervingly to the topic. I would suggest trying to avoid starting with a cliche contextual statement in favour of a bold response to the topic.
For example, in response to the topic ‘Shakespeare’s Vienna is a world devoid of balance.’ I would try to avoid starting my introduction with a vague and easily memorisable statement such as...
‘Shakespeare’s Jacobean tragicomedy Measure for Measure explores the concept of balance in his extremest characters.’
Instead, a bold opening statement is preferable...
‘Whether it is in Vienna’s abject lasciviousness, Angelo’s ascetic self-governance, or even Isabella’s hyper-rectitude, Shakespeare’s conception of Vienna in Measure for Measure is one laced with problematic extremism.’
Consider opening with a quote which captures your take on the topic. In the Comparative task, most definitely try to avoid staring with the word ‘Both’, and instead consider shedding light on a theme or concept common to both texts.
For example, in response to the topic ‘Both Invictus and Ransom suggest empathy is key to creating unity.’...
Whether it is between African and Afrikaner or Trojan and Achaean, the capacity for human understanding is upheld as paramount to overcome societal fissures. After you have put forward a broad response to the topic in your opening sentence, your introduction can then proceed to ‘zoom in’ and offer more specific arguments. These specific ideas should essentially signpost the distinct arguments you are going to present in each of your body paragraphs.
‘One characteristic of high-scoring essays was recognition of the ways in which the ideas the student intended to discuss were connected.’
This means that the ideas you flag for discussion in your intro, should be logically connected to both the prompt and each other, and you should aim to outline these connections.
The specific ideas which you offer set the parameters for the rest of your essay, so it is a good idea to ensure that these insights take into consideration the implications of the key-terms of the topic, and attempt to take the topic further. This allows you to consider the text in a sophisticated and conceptual way while maintaining rock-solid links to the topic.
After you have ‘zoomed into’ the specific arguments you will be mounting in your essay, the final step is to ‘zoom back out’ and offer an incisive, and powerful overall contention which responds explicitly to the terms of the topic. We talk about this 'zoom in' and 'zoom out' technique in How To Write A Killer Text Response.
Ultimately, the introduction provides you with a great opportunity to show off to your assessors that you can write incisively, fluently, and with confidence.
In Victoria, VCAA are starting to update us on which SACs (particularly practical tasks) need to be completed on-site. No English subjects are really affected by this, mostly subjects with folios or labs, as well as environmental sciences—check here for details (under ‘School-based Assessments’ > ‘Unit 3 Practical Assessments’). The general advice for any of these is that they “must be completed in the school environment that adheres to current social-distancing advice.”
Study designs have also been adjusted for English Language, as well as Biology and all streams of Maths—same link, with info under ‘2020 Adjusted Study Designs’.
In Victoria, schools remain closed, and current distancing restrictions will remain in place until May/11 for certain, even as other states begin lifting their restrictions. This is ahead of a national cabinet meeting on May/8 which will make a call on whether or not to keep going with shutdown. It’ll also take into consideration how many people have downloaded the CovidSafe app, which has spawned its own set of controversies about privacy and government access to our data. It might seem invasive, but consider:
In Victoria, three new cases were recorded overnight. Around the country, even better—for example, SA and WA are reporting zero new cases, and the ACT currently has no active cases at all.
I wouldn’t necessarily say this means the end is in sight—just a shift into the next phase, which seems to revolve around the app. What a cheery thought, I know.
One last controversy to leave you with—the Victorian Deputy Chief Health Officer Dr. Annaliese van Diemen made a tweet on her day off which compared COVID-19 to the British colonisation of Australia:
Conservative politicians have been champing at the bit to jump in with “well, actually…” comments (e.g. “well, actually Cook only charted the East Coast”) and call for her resignation, while the Labor state government has defended her right to make this tweet and express her opinion. Premier Andrews has said: “I've got no comment to make on any member of the public health team other than thank you for the work you are doing because it is making a massive difference.” And so it is.
Maybe this tweet is relevant to the current pandemic, maybe not, but let’s not be defensive about it. Instead, let’s just keep in mind that most of us are in fact not the first Australians who’ve faced something scary and foreign which has completely changed how we live, because most of us aren’t First Australians. Definitely at least food for thought.
NSW also back to school this week
1 May 2020, 11:20am
And a very similar kind of chaos happened there as well, with some degree of conflicting state and federal advice; NSW Premier Gladys Berejiklian has implemented complete remote learning until at least May 11 in spite of the federal government’s insistence on reopening.
That said, their start of term 2 has also seen some new issues arise—now, more so than a fortnight ago, people are starting to feel the situation stabilise. The number of new COVID-19 cases is falling and the humdrum of home schooling is starting to get old, which is tempting parents to send kids (especially younger kids) back to school earlier.
This is also complicated by the federal government, which has since adjusted its approach based on initial tensions with Victoria. They are now simply offering private and Catholic schools financial incentives to reopen—in particular a 25% advance on next year’s funding if they have half their students back in classrooms by June 1. There are thousands of eligible schools around the country.
Those who are more adamant about distance learning—including Premier Berejiklian, Premier Palaszczuk of Queensland and Premier Andrews of Victoria—suggest that schools will struggle to cope with more students at the moment. Teachers will be more at risk, and the delivery of at-home learning may be compromised. Also, it would be much harder to shut schools again once reopened, than to just keep them closed until we’re sure.
NSW schools are contemplating staggered returns to school, based on things like alphabets, postcodes, year groups etc. or with limited days of the week delivered in person.
At home, VCAA is running webinars to provide advice for teachers and principals, which ran on April 30 and May 1. As April comes to a close (already—it honestly felt so short), the possibility of reopening schools as well as other sectors soon is feeling within reach, though not without some element of risk.
Key changes to Units 3 and 4
24 April 2020, 7:40pm
VCAA has spelled out some of the changes that will be happening to Unit 3 of the VCE. Firstly, it has recommended schools delay the end of Unit 3 until Jun/26. This should give more time for everyone to figure out exactly how SACs will be administered or modified, and whether any must be completed on-site. The deadline for schools to submit Unit 3 results has also been pushed back to Oct/12.
As for Unit 4, there is currently a review of whether or not SACs can be reduced.
VCAL dates are also set to change so that it takes place in parallel with VCE, though there won’t be changes to content or assessment.
VCAA has also changed the last day for official enrolment in or withdrawal from VCE Units 3–4 to Jun/8, and from VCE Units 1–2 to Nov/9. This means that Year 11 students will have more flexibility to pick up and change subjects in Semester 2.
In terms of technological support, the Victorian government will be lending out computers and SIM cards via schools, so speaking to school administration is the first port of call. You can also seek assistance from State Schools’ Relief.
Finally, VCAA is also trying to support teachers by opening up new communication channels where they can seek more focused and detailed information from experts. I’m not too clear what information is being made available, but this is what they’ve written about it:
“F–10 and senior secondary teachers may access two new interactive communication channels from 27 April 2020. These will enable teachers to ask questions and receive answers in real time from our subject matter experts across the organisation.”
What Term 2 looks like so far
23 April 2020, 10:51am
At this stage, Victorian schools do seem to be operating remotely by default. There was some confusion earlier in the week among teachers and parents, but things seem to be settling down for now. Bearing in mind that many teachers spent the holidays adjusting and reworking lessons for online learning, their frustration is probably understandable in this light.
There still isn’t a consistent national framework for how schools should operate in the medium- to long-term though. For example, Queensland schools are only mandating 5 weeks of remote learning for now, though also making sure that essential workers’ kids can still attend school in-person and making SIM cards and laptops available for students who need them.
The Victorian Department of Education has provided learning from home advice for students and parents, translated into a number of languages. One new tidbit in there is that small groups of students who need to gather and complete learning requirements on-site will be permitted to do so. I can’t imagine a lot of requirements falling under this umbrella, but this will be up to individual schools to provide.
Hear from 47 English and Literature 40 scoring tutor, Sarah about her experiences tutoring
17 April 2020, 10:12am
If you're curious about what tutoring with LSG entails, and would like to get to know a tutor a little bit better, this video is for you! Lisa recently sat down with Sarah, one of LSG's amazing tutors, and they spoke about the life of a tutor, various tutoring experiences, and even what it's like to conduct tutoring online.
Conflicting advice from the federal education minister
11 April 2020, 10:41am
There’s been a bit of conflicting advice from higher up, unfortunately. While state government has indicated that government schools will shift to remote learning in Term 2, the federal (national) government has other ideas.
On Apr/9, education minister Dan Tehan asked that independent and Catholic schools keep classroom learning available at the risk of losing federal funding. This is especially confusing for Victorians, as the state government has been decisive in implementing a remote Term 2 for government schools.
It’s a tricky scenario because the federal government funds independent and Catholic schools, while the state government runs government schools.
It’s definitely ok to feel frustrated by this—Independent Schools Victoria chief executive Michelle Green has described this as an “impossible situation…caught between conflicting advice from state and federal authorities.”
The federal government reasons that children of essential frontline workers need a classroom option, and they may not have any other choice because of their parents’ employment. However, the Prime Minister has also said that it is up to states and territories to make those decisions about what exactly will happen in schools.
We expect more clarification on this over the long weekend and the days to follow.
Latest changes to VCE
10 April 2020, 8:50pm
So what exactly is going on with this right now?
Schools are reopening after Easter but they will operate remotely for Term 2. It will be announced later if this extends to Term 3 or not.
Year 12 students will receive an ATAR for work completed in 2020. The GAT will be held in October or November instead of June; exams are postponed to December at the earliest. Exams may be modified or shortened, but nothing has been announced for certain yet. There are Plan-Bs to either delay exams further if needed, or derive ATARs from your GAT.
However, entry to tertiary study shouldn’t be affected—there’s usually a big window between VCE exams and the start of uni anyway, and government is in dialogue with universities about pushing back the start of 2021 if needed. Admissions processes may look different depending on the extent to which exams are affected, but universities are committed tobeing fair, consistent and transparent. There may also be catch-up, foundation or bridging classes in your first year.
If you don’t have the technology to learn remotely, the government will be loaning out 4,000 SIM cards and 6,000 laptops. They will also be working with Food Bank to make sure students who need breakfast clubs and lunches get it. Transportation services (school buses, disability transport and metro) will run as usual.
I’m feeling really iffy about some of this…
You’re not alone. Many people, students among them, are encountering all kinds of challenges with the changes that have been happening, and there is no shame in feeling powerless or in need of some extra resources in this time.
If you need any support for VCE or schoolwork, we’ll have plenty of content on ourblog andYouTube channel to help you address any concerns. We also have a team of experienced tutors available for online tutoring.
Maybe that covers all the bases, but chances are it doesn’t—individual circumstances are really different right now, and circumstances across society are constantly in flux.
Beyond your personal circumstances, you might also be feeling a little iffy about the increased policing, or the exclusion of migrant workers from wage protection.
Could there be any alternatives to policing, maybe some sort of community-based delivery service to ensure that society’s most vulnerable remain well-resourced? And is the government obliged to protect the wages of not only Australian citizens, but Australian taxpayers as well (anybody who lives in Australia is an Australian taxpayer).
A lot to think about if you haven’t done your Oral Presentation yet…
Learning remotely is difficult – how can you ensure that you keep up your marks?
10 April 2020, 11:20am
Across the state, students and teachers are transitioning to learning remotely — and it hasn't been exactly easy. There are a few things that you can do to ensure that your education isn't compromised and remains at a high standard. To hear more about these strategies, check out the blog post created by my fellow tutor, Angie, here.
Learning remotely means that many students of all ages are worried about how they'll be able to access tailored support from teachers busy with adapting their teaching methods and lesson plans who are often unable to give students the one-on-one attention they deserve due to this pandemic. Well, Lisa's Study Guides' online private tutoring service connects students with experienced tutors who scored in the top 9% or better in their recent completion of VCE. To learn more about how we can work with you to empower you to take control of your learning, head over to our information page here.
Lisa has also created a video talking about what online tutoring entails. Be sure to check it out below to learn more!
What’s the federal government doing?
10 April 2020, 9:26am
You might’ve heard the term ‘economic stimulus package’ being tossed around. This refers to when the government borrows money (i.e. increases government debt) and essentially gives it to people so that ‘business as usual’ isn’t disrupted, even when our jobs and our social lives might be. Even if you no longer have a source of income, government payments can now be spent on supplies which keep you alive, keep those businesses afloat, and keep their workers employed. Without any stimulus, the economic consequences of COVID-19 would be far more widespread.
Prime Minister Scott Morrison has put in place a range of economic stimuli which play a big part in flattening the curve. This has included wage guarantees (JobSeeker/JobKeeper payments) that look a lot like universal basic income—everyone* who is now out of work receives an equal, regular payment from the government that covers their basic needs.
Policies like this allow everyone*, no matter their income level beforehand, to get by and stay at home without needing to find a new job while it’s dangerous (and illegal) to go outside.
Australia has adopted similar policies before—the then-Labor government introduced economic stimuli during the financial crisis of 2009—but Scott Morrison was a vocal critic back then.
Finally, even though Australia’s response to COVID-19 appears to be working well, there are two big challenges coming up. One is Easter, a long weekend where people traditionally go out. This time, they’re being warned to stay home.
Another is the start of Term 2, when over a million Victorian students would usually be on the move. The transition to remote learning will prevent this in a bid to continue flattening the COVID-19 curve.
*everyone who is eligible—which currently doesn’t include temporary visa holders, many casual workers, people in arts and entertainment, charities etc.
By the numbers: the state of the virus
8 April 2020, 1:45pm
As of Wednesday April 8, we’ve seen 5,844 cases of COVID-19 across the country, with 1,212 of those in Victoria, where 60,000 tests have been administered. Among these:
• 12 have passed away
• 45 are in hospital, including 12 in intensive care
• 101 seem to be the result of community transmission
• 736 have recovered
In order to control the rate of the outbreak, Victorian Premier Daniel Andrews has introduced a range of regulations which promote social distancing. These have been increasingly restrictive, from closing down non-essential businesses and limiting the size of public gatherings to stay-at-home rules that are now enforceable—you might’ve heard of these as “stage 3 restrictions”.
As part of these restrictions, you may only legally leave the house for four reasons:
• Getting food and supplies
• Seeking medical care
• Exercise (that doesn’t involve groups of more than 2 people)
• Work and study (where remote options are unavailable)
There are also on-the-spot fines of $1,652 for anyone caught in breach of these restrictions, and as many as 114 such fines have been issued in a single day. Since March 21, Victorian police have conducted 16,039 spot checks in homes and non-essential businesses. People have been fined for having mates over for dinner parties, a cheeky video game sesh, even hanging out in the park.
At this stage though, there are signs that these restrictions may be paying off, and that Australia is ‘flattening the curve’ compared to other countries, especially other Western democracies such as the US (which now leads the world in COVID-19 cases) and the UK (where the Prime Minister has contracted the virus). ‘Flattening the curve’ basically means new cases are growing at a slower rate (a ‘flat’ increase) rather than at an exponential rate (a sharper increase).
What the coronavirus means for VCE
7 April 2020, 5:35pm
Right now, there's so much uncertainty and everyone has the right to be anxious. For the VCE, this is no different – it's ok for us to be unsure and worried about what'll happen with our study scores and ATARs. So, to put your minds at ease, Lisa (the founder of Lisa's Study Guides) recently created a video talking about what the coronavirus means for the VCE in 2020. Check it out below...
‘Will I finish VCE?’ and other COVID-19 questions, answered
7 April 2020, 12:00pm
You’ve heard of Love in the Time of Cholera; now get ready for VCE in the time of coronavirus. As far as we know, the VCE is indeed still on, and if you’re currently in Year 12, it looks like you’ll be on track to graduate at the end of 2020 as per usual.
So we’ll still have to do SACs and exams?
Yep. VCAA has allowed schools to administer SACs either remotely, or delay them to whenever in-person classes resume. Your school will make its own decisions on how you’ll actually be taking SACs—if you have personal access requirements or need for special provisions, speaking to them would be the best avenue. Same goes for how schools actually deliver the content—it’s all pretty flexible at the moment.
What if I’m afraid I’ll do worse on an online SAC?
On the one hand, VCAA seems to be raising the option of delaying SACs until school resumes pretty strongly. On the other, they’re suggesting that online SACs should be delivered as normally as possible if schools can’t accommodate a delay. This means that, just like on a real SAC, there’ll be limited time and potentially limited access to resources as well.
They’re also reminding us that even if SACs go online, your actual, numerical results are less important than your “correct ranking”. To determine this, individual schools are being advised to ‘validate’ remote SAC results with classroom-based assessments when they return. You may well get the best of both worlds.
In general though, everyone is in the same boat for now, and concerns around this are widespread (and valid!). Do the best you can, and your effort will be reflected in your ranking at the end of it all. Don’t forget that SAC scores also get moderated by VCAA at the end of the year.
Will I still get an ATAR?
Yes, and they’ll still be calculated the same way (from assessments, statistical moderation, and study scores). Remember that study scores and ATARs are also rankings, and everyone is going through this together; everyone is doing/can only do the best they can under the circumstances.
As things change, VCAA will also keep everyone updated on whether or not key dates change. This may include things like:
The start of Term 2 (Apr/15)
The deadline to enrol in/withdraw from the VCE (Apr/27)
The General Achievement Test (Jun/10)
They will also be “provid[ing] advice for schools every Monday from the start of Term 2”, so everyone will move at the same pace in these strange and difficult times.
COVID-19 is certainly unprecedented. The necessity of social distancing brings its fair share of challenges, and we’re all adapting as much as we can. At Lisa’s Study Guides, we’re doing our part by moving all our lessons online; it’s been an option that our tutors have worked with for years, and it’s just become a necessity now to minimise risk across the community.
There’ll still be online resources available though, both with your teachers and with us—please reach out if you need anything.
And there’ll be other challenges too, like having your co-curriculars and general social life going under for a little while. Make time for your hobbies where you can, and keep in touch with your friends as much as possible.
But where will all of this leave me when I graduate?
That’s a really great question—2020 is barely happening as it is, so it’s definitely normal to be anxious about the future, and whether or not you’ll feel prepared to return to life again in 2021 while also navigating the whole new world of university.
To be honest, we think you’ll be more prepared than most. University challenges most students to be more independent and self-reliant than they’ve ever been before—it’s a place where you have to choose to turn up, and actively stay on top of everything with less contact and support. You’ll come out of 2020 already having faced many of these challenges (and this’ll prepare you for life beyond uni too!).
And who knows how this will shape education going forward! It’s given everyone—not just you, but also your teachers, parents and principals—a bit of an awakening with regard to technology. Classrooms may never look the same again, even when we do go back.
For now, take it one day at a time. Stay at home when required, build routine in when possible, and do the best you can. If you need to access support services, try the following:
Hello! My name’s Mark, and I’ve been a tutor and content creator with LSG for about 3 years now. Because of the highly volatile nature of the COVID-19 pandemic, there have been a couple of changes to how we operate. One of those is this newsfeed, which I’ll be using to provide regular updates on any changes to VCE, education or the state of the virus more broadly.
We’ll also be implementing a chatbot on Facebook Messenger where you can ask for help more directly. This follows a broader movement across the education sector towards remote learning, which all of our tutors are currently practicing.
The coronavirus has undoubtedly impacted VCE and secondary education. What we know so far:
• The VCE is going ahead this year, though not without major changes. Year 12 students will receive an ATAR for study undertaken in 2020.
• Schools are free to either delay SACs until in-person classes resume, or administer them remotely in the meantime. VCAA’s official advice either way has been that SACs should be administered as ‘normally’ as possible, with restrictions on time and access to resources even if you get to do the SAC at home. Schools are encouraged to keep up regular assessments even if delays are being considered.
• Schools also have the option of ‘validating’ SACs conducted remotely with more in-person assessments when classes resume.
• The commencement of term 2 for government schools has been pushed back to April 15.
• However, all of term 2 will be administered remotely (unless this is absolutely not possible).
• The General Achievement Test (GAT) will be delayed until October or November. Year 12 exams will also be delayed, most likely to December.
Watch this space for more details on these changes, as well as any new updates as they develop. In the meantime, if you’re feeling stressed and want some tips on how to manage remote learning, check out our earlier blog post here, or video here.
Ahhh school holidays. The perfect two weeks to catch up on homework and forget about the stresses of school. Now, this scenario isn’t what the majority of our school holidays actually look like. For some, school holidays present a challenge whereby we don’t have direct access to our teachers to ask for help and we ultimately find ourselves in a bit of a ‘motivation downslide’.
Personally, the school holidays were a great time for me to go through all the concepts that I found tricky during the term. Yet, I always found myself running into a bit of trouble with what I like to call ‘the procrastination jungle’, especially with English. So, here are a few tips that can help you find some sparks of motivation for when you feel like there is simply no road ahead.
1: Write Down/Outline/Revisit Your Goals
Often the best way to figure out how you’re travelling through the year is to pause, breathe and reflect back (cue Disney’s Mulan, Reflection) on what was a busy and hectic term.
I always found it useful to revisit some of my previous goals that I had set for myself and tick them off if I had accomplished them. For instance, a goal that I had for the start of Term 2 was to ask my teachers more questions about concepts that I was still unsure of. When it came to the Term 2 holidays, I revisited this goal and was able to tick it off which gave me an incredible sense of achievement and reassured me that I was on track to finish the year off with a score that I was going to be super proud of in the end.
You might be asking, ‘what if I haven’t written down any goals throughout the year?’ Not to worry! It is never too late to start contemplating what your objectives are for the year. In fact, use this time now during the start of your holidays as a stepping stone to building up a habit of doing just this. This will help you tremendously in defining your journey towards accomplishing your aspirations and offer you perspective on any improvement areas you may need to address in your subjects.
But, how exactly are you supposed to make goals? Some may say that this process is somewhat ‘tedious’, but I’m here to help take the guesswork out of making, revisiting and addressing your goals using the ‘SMART’ technique:
Be specific (S) and measurable(M) with your goal → Maybe your aim is to get a 90+ ATAR by the end of Year 12 or maybe your goal is to improve your grade average from 80% to 85%. No matter what your goal is, be sure to make note of what needs to be accomplished and what steps need to be taken to achieve it. Let’s have a look at an example:
‘My goal before the end of Term 3 is to have written one English Essay for all of my novels every week and have it marked by my teacher’.
Notice how to the point this is? I’ve mentioned exactly what it is that I want to see completed, by when and the frequency - ‘one essay per week’.
Is your goal going to be achievable (A) and is it going to be relevant (R)? → While goal setting might encourage you to be ambitious, sometimes we need to take a step back and think to ourselves, is this goal realistic and is it relevant to what you personally want to achieve at the end of an academic year? Let’s have a look at another example:
‘My goal before the end of term is to read all four of my novels three times a week, write 10 essays for each novel every week and complete a three-hour practice exam every second day of every week’
Now I know what you’re thinking, anything is possible if you put your mind to it, but writing 10 essays for each novel and completing a three-hour practice exam every week?! Not only is this goal simply not realistic, but what relevance is this goal going to have when you’ll inevitably feel burnt out and tired from writing all those essays!
And last but not least, when will your goal be completed? This point stresses the importance of ensuring that your goal is realistic and attainable so that you can achieve it within a given time frame (T). We’ve been specifying in our examples that we would like to complete our goals by the end of the term but feel free to critically consider how long your goal may take in reality. Is the goal of wanting to improve your Language Analysis skills really going to be achieved within a matter of days?
2: Look for Gaps in Your Understanding
Pinpointing what you still need to go through and what you’ve already mastered is guaranteed to save you time and effort studying when it comes to SACs and eventually the exam. By doing this, you’ll feel a sense of control and direction when you begin another term, without experiencing the often icky feeling of being lost and unsure.
The way that I went about this was to:
1) Source the study design for each of your subjects (you can do this by going to the VCAA website) and either print them or have them saved onto your desktop. 2) Read through the study design and start to familiarise yourself with the dot points and what you have already covered in class. 3) Go through the study design and, using highlighters or coloured pens, come up with a colour coordinating system. I personally opted for:
Red = areas that you’re still unsure about and need further improvement
Green = areas of mastery
Orange = areas of the study design where you’re in the middle and could do with some polishing up
4) Link your existing notes to the study design dot points and if you haven’t already covered a particular dot point in your notes, take the time to study and add these in.
3: Pomodoro Technique
If you didn’t believe in magic before then you definitely will with the Pomodoro Technique. I used this method religiously back in Year 12 and still do at University. It involves breaking up your study into bite-size chunks whereby you complete intervals of 50 minutes of study followed by a 10-minute break. After every 3-4 cycles, add in a 20-minute break.
Let’s have a look at an example of my typical morning back in Year 12:
11:50am -12:10pm: An extended break! Make some lunch and play with my dog
What I love about this is that it enables you to break up the work into manageable pieces so that you focus solely on one task before taking a well-deserved break. This ensures that you don’t burn out from constantly studying without scheduling time for relaxation, recovery and recharge.
How you use your break time is completely up to you. Do anything to take your mind off your work for a few minutes before diving back into your studies!
4: Prioritise Your Mental and Physical Health
While it may feel productive to be studying and revisiting content covered in previous terms, there is no understating the importance of taking the time to practice good habits that improve your mental and physical health.
Consider taking your dog for a walk while listening to a few songs along the way, or going to your local swimming pool and doing a few laps! Anything to get your body moving will help to ensure that you break your routine up a little bit and experience something different to the often mundane task of studying and completing work. Maybe also get your friends involved too! You can try organising a volleyball game or whatever activity you are all keen on!
5: Don’t Compare Your Motivation Levels to Others
Everyone is sitting somewhere different on the motivation scale. Some may be extremely motivated to reread their texts, write up essay plans, write timed essays, etc. and others may find it difficult to achieve consistent motivation all the time, and that’s okay. To feel motivated all the time is failing to step back and reflect on how far you’ve come as a person in your personal journey.
Often it is when we compare ourselves to others and say ‘but look at how motivated they are’ or ‘they’ve already done so many practice exams and are going to get a really good study score’ that we fall into this trap of finding ‘flaws’ within ourselves. Comparing your diligence and beliefs in terms of your studies to others is only ever going to do you harm. Focus on your own journey and know that it is absolutely necessary to not expect to be motivated to study all the time. It’s simply not realistic.
6: Remind Yourself That This Won’t Go on Forever
The powerful verse ‘this too shall pass’ is something I had to always remind myself of back when I was in Year 12. Months and months of SACs, practice exams and feeling burnt out felt like an eternity and it started to impact my own sense of willingness to continue my personal academic journey. If it gives you any reassurance, however, know that one day you’ll look back on this chapter of your life with nothing but memories and perhaps even have a laugh or two at how young you were in your school photos!
2022 Update: Check out our TikTok and YouTube channel for the latest GAT updates and how you can succeed even without study!
If you're not entirely sure what the GAT is, head on over to this blog to find out more about it and why it's important!
[Modified Video Transcription]
What's up?! I got 10/10 on my GAT, so I'm going to tell you how I got perfect marks in Task One of the GAT. I'm also going to share with you my essay so that you know exactly what you need to do when it comes to doing your GAT.
Why Do I Need To Do Well in the GAT?
Here's a bit of information you need to know going into Task One, which is basically a Creative piece. Now, I've done a GAT video in the past, which I highly recommend you go and watch, because in that video I teach you essentially what you should be doing for the writing tasks and how you should organise your time in order for you to get the best possible marks in the GAT. No, you don't have to study for the GAT, but if you can do well in it, then you might as well because...you don't know….COVID might come back, you might need a derived score...you know what I mean? You just don't know what's going to happen so you might as well try to do your best and if this video helps you out with that, if you're willing to spend a few minutes doing it and yet bump up your marks heaps, it's definitely going to be worth it for you!
GAT Advice From a VCAA Examiner
I learned all of my skills from my tutor at the time, who was a VCAA examiner, so this information comes directly to you from an examiner, so, you know, it's legit!
A lot of people get really confused when it comes to Task One because they think that it's just a whole bunch of information that's put in front of them and what they're supposed to do is just regurgitate the information that's there and package it into an essay somehow. But, as I've talked about in my previous video, the way that you do this is to write a Creative piece using the information that's in front of you - just trust me on this.
Approaching the GAT Creatively
I know there's a lot of talk back and forth out there about how you should be doing Task One, but you can see (in the comment section of my other video) people who followed through with this Creative method and have done really well. Another reason I like this Creative approach is because it makes things easier for you. In the instructions, it says:
'Develop a piece of writing, presenting the main information in the material. You should not present an argument.’
So really what's left is (if it's not going to be persuasive) it either has to be an Expository, which is just like a normal Text Response essay, or it can be a Creative. A normal Text Response essay is going to be so boring for everyone out there - do a Creative instead! Why?! Because:
‘Your piece will be judged on:
how well you organise and present your understanding of the material.
your ability to communicate the information effectively’
So, what this means is if you're going to do a Text Response version of the information that's in front of you, the only way you can really do that is by regurgitating and just wrapping up similar pieces of information in one paragraph together. I don't know how you would do an Expository well, but if you take a Creative approach, it not only tests your organisational skills but also tests your understanding of the material as well.
What I mean by Creative piece is you can write a letter to the editor, you can write a diary entry, you can write an advertisement, you can write a brochure. There are just so many different types of Creative pieces you could use - the world is your oyster essentially. I'm going to talk you through how I did it for my particular GAT.
How a Creative Approach Got Me a 10/10 in My Trial GAT
This one here is actually a trial GAT. We had an examiner come in and grade our marks for us so it's not my actual GAT, which I don't think you can get back, but it's the closest thing to it, so, we'll work with that.
We did a really old GAT. This is the 2004 (which is ages ago) General Achievement Test. Some of you might've been born around this time! That is nuts!! Anyway, the GAT has not changed over the past 10 or so years, or the past 20 years even, so don't feel like this is information that's not going to be helpful, because every single year it's the same type of instructions with a similar type of information that's given.
Here you can see that I've got an island and there are just bits of information. There's a legend, there's a scale, there are facilities, there is a temperature and a bird's eye view of the island itself.
If you look at this, how are you going to write a Text Response on this? It's going to be boring. So instead, what I did was I said:
'Dear Diary: We arrived in Amaroo Island this afternoon and the view of this place from the plane was amazing!'
When I was in the GAT itself, I would cross out the section (in this case the photo of the island) that I had covered just to see how much information I was able to pack into my piece and know that I wouldn't need to touch it again.
'Magnificent blue water sea, sandy white coast and huge amounts of great green trees! From the airport, we travelled by bus to our hotel where we will be staying for two nights. On the way, we stopped at a historical ruins site. One of the tour guides whom we bumped into told us the ruins have been found to be from 1854! We stayed there for an hour, then caught the bus back again to our hotel. We were extremely excited to explore the hotel and its surroundings, so Dad, Mum, George and I quickly unpacked our luggage and changed for the night. We decided to have dinner at a restaurant which turned out to serve delicious food. After dinner, we explored a shopping centre, galleries and even a museum which is called ‘Maritime Museum’. So many facilities in just one place! That took most of the night and we were all tired from a long day. Tomorrow we will be going swimming and camping outdoors for the night. I'm excited!'
You can see just in this one paragraph I've tried to pack in as much information as I can, but in a way that makes it interesting and fun. You'll notice that with my vocabulary it's not like I am this 50 study score achiever who’s writing exceptionally beautiful language and, I don't know, making this GAT piece something that it's not. I'm just giving them information, having fun with it, making it creative and as a result, I did well!
Alright, let's keep going.
'Dear Diary: Our second day began with the sunshine pouring into our rooms.'
That's just a nod to the temperature. It's not an explicit nod, it's more of an indirect nod.
‘George and I were very eager to go swimming and were pleased to find that the weather for the day was 28°C!'
There's the explicit inclusion of the information.
'I'm glad we came here in January rather than July when we were initially planning to holiday.'
Adding more information without just forcing it down the examiner’s throat.
'Our travel guide booklet states that it’s only a maximum temperature of 15°C! degrees in July! We wouldn't have gone swimming then, that's for sure. Mum and Dad decided that even though there was a safe swimming area near Gali in Gali Bay, we should go to Dolphin Bay and then to Marlin Bay to stay for the night.'
Here I'm just including Gali Bay because I wanted to, but I wanted to also talk about the other bays as well. I'm just trying to be creative in how to include this information. It's all embedded within my storyline so it doesn't feel like I'm spoon feeding my examiner piece after piece of information.
'We caught the bus again to Dolphin Bay and there were many families as there was a caravan park situated right by the bay! How convenient is that! When we were swimming, we could even see the Cape Dolphin lighthouse in the distance. Afterwards, we travelled to Marlin Bay via bus. Marlin Bay is right next to Amaroo National Park, and we've seen some kangaroos and koalas amidst the trees but we're not allowed into the park as it's a marine reserve boundary. Tomorrow we're heading back to Gali Hotel, playing some golf and going riding along the coast!'
I'm pretty much almost done! You see that my essay wasn't actually that long. It was only a page and a half (of handwriting), and yet I still got 10/10. I think it just goes to show how many people out there just don't know how to do a GAT, so you only need to do a fraction better in order for you to do exceptionally well in your GAT scores. To finish off my story:
'Dear Diary: Our final day at Amaroo! We woke up early, had breakfast which Mum cooked up and then headed back home.'
Here I'm also adding in pieces of information that aren't necessarily on the page that's been given to us. I just thought it'd be a nice touch to say this, you know, we woke up early, we had breakfast which Mum made - it just adds to the storytelling.
'We didn't do much during that morning, just had lunch at the Gali restaurant. Afterwards, however, we did lots! We hired bikes from the shopping centre and rode along Gali Bay to Moonlight Bay. It was tiring but the scenery was amazing! We spent most of the afternoon riding but got back to Gali at 4 o'clock and Dad headed out for some golf. George and I decided not to because we were drained from all our exercise already. This is our last night in Gali, I'll be sad to leave Amaroo Island.'
That's it! If you guys want to see how I got 10/10 in my second task. Make sure you leave a comment for me over on Youtube, like the video and I'll get another video/blog out for you guys. Thanks so much for watching (or reading) and I wish you guys all the best for the GAT.
The Full Essay
Dear Diary:
We arrived in Amaroo Island this afternoon and the view of this place from the plane was amazing! Magnificent blue water sea, sandy white coast and huge amounts of great green trees! From the airport, we travelled by bus to our hotel where we will be staying for two nights. On the way, we stopped at a historical ruins site. One of the tour guides whom we bumped into told us the ruins have been found to be from 1854! We stayed there for an hour, then caught the bus back again to our hotel. We were extremely excited to explore the hotel and its surroundings, so Dad, Mum, George and I quickly unpacked our luggage and changed for the night. We decided to have dinner at a restaurant which turned out to serve delicious food. After dinner, we explored a shopping centre, galleries and even a museum which is called ‘Maritime Museum’. So many facilities in just one place! That took most of the night and we were all tired from a long day. Tomorrow we will be going swimming and camping outdoors for the night. I'm excited!
Dear Diary:
Our second day began with the sunshine pouring into our rooms. George and I were very eager to go swimming and were pleased to find that the weather for the day was 28°C! I'm glad we came here in January rather than July when we were initially planning to holiday. Our travel guide booklet states that it’s only a maximum temperature of 15°C! degrees in July! We wouldn't have gone swimming then, that's for sure. Mum and Dad decided that even though there was a safe swimming area near Gali in Gali Bay, we should go to Dolphin Bay and then to Marlin Bay to stay for the night. We caught the bus again to Dolphin Bay and there were many families as there was a caravan park situated right by the bay! How convenient is that! When we were swimming, we could even see the Cape Dolphin lighthouse in the distance. Afterwards, we travelled to Marlin Bay via bus. Marlin Bay is right next to Amaroo National Park, and we've seen some kangaroos and koalas amidst the trees but we're not allowed into the park as it's a marine reserve boundary. Tomorrow we're heading back to Gali Hotel, playing some golf and going riding along the coast!
Dear Diary:
Our final day at Amaroo! We woke up early, had breakfast which Mum cooked up and then headed back home. We didn't do much during that morning, just had lunch at the Gali restaurant. Afterwards, however, we did lots! We hired bikes from the shopping centre and rode along Gali Bay to Moonlight Bay. It was tiring but the scenery was amazing! We spent most of the afternoon riding but got back to Gali at 4 o'clock and Dad headed out for some golf. George and I decided not to because we were drained from all our exercise already. This is our last night in Gali, I'll be sad to leave Amaroo Island.
I’m sure a lot of you are sitting at home right now, excited but nervous about the year ahead. Let me be honest with you: year 12 is going to be tough. You’re only going to get out what you put in. There’s going to be stress and drama and unexpected turns. There’ll be long hours at the library and even more hours locked away in your room. But there’s also going to be fun and craziness and excitement. I know it’s a cliché, but this year truly is a marathon rather than a sprint, and you have to pace yourself. I know kids who went out way too hard and way too fast and by the middle of the year were completely burnt out. You want to be feeling fresh and ready by the time September comes around. There were a few things that really helped me to stay focused and sane during my final year of school, and I’d like to share them here with you. For me, these 6 factors were essential for staying happy and healthy, and they undoubtedly helped me to fulfil my potential during the VCE.
1. Routine – Have a solid, planned-out routine set up early in the year. Work out how much time you have outside of school and extra-curricular commitments. Schedule time each day for homework, study, revision. Schedule exercise, time with friends, and relaxation time for yourself. And after all that make sure you have still have time for a solid 8 hours of sleep! It’s important to make adjustments and revise your schedule if you find that it isn’t working out. I would suggest that sleep and relaxation time are two of the most important things on your timetable, so try not to cut them out! A regular routine will help keep you on track and make it easier to hit deadlines with minimal stress. It will also assist you in cutting out procrastination! If you’re ever overly stressed or feel like you need time off, it’s alright to take a night off! Just commit to it and really take the whole night off. Don’t think about work at all. Otherwise you’ll still be stressing and you won’t be able to properly relax.
2. Exercise – I cannot stress enough how important regular exercise can be for a VCE student. Given all the time spent on homework and study, I know it can sometimes seem difficult to squeeze anything else in. Trust me though, if you just find 30 minutes a day to go for a run, ride your bike, have a swim, play footy or whatever you like to do, you’ll be so much better for it. Your head will be clearer, you’ll have more focus, and you’ll be so much more productive in your study time. Exercise allows you to just shut your brain off and take some time out for yourself. It allows you to spend all that pent up energy that comes from sitting in the classroom all day. A tired body will mean a much better sleep too! It’s just 30 minutes. Drag yourself out of bed a little earlier in the morning, or schedule some time as soon as you get home from school. I promise you won’t regret it!
3. Sleep – Sleep is one of the key factors in having a good final school year. I know it can be tempting to pull all-nighters, cramming as much information into your head before SACs, exams and the like. This kind of thing can actually be counter-productive though. I’ll concede that sometimes it might be necessary to stay up late to get things done, but if you manage your time well there’s no reason why you shouldn’t be able to get a decent amount of sleep each night. I needed at least 8 hours a night to function properly; whatever your number is, make it a priority to get a solid sleep. Give yourself a cut-off point and stick to it. Just put your books away once it gets to a certain time. Studying on late into the night when you’re super tired can be a waste of time – the information is probably not really sticking in your head. Just stop and continue on the next day when you’re fresh and ready to learn again. I found it useful to take about 30 minutes before bed, just to chill out and unwind before you sleep. Watch TV, read a book, whatever you like to do to relax. Your head will be clear, and you’ll be able to get to sleep a lot quicker.
4. Socialising – Make sure you still find time to hang out with your friends during the year. Remember that you’re all going through the same thing, and you help each other out just by chatting and sharing your problems and stresses. Try to spend time outside during recess and lunch; don’t go to the library to cram in extra study unless you really need to! Taking time out to talk to your mates will be a lot more beneficial in the long run. Organise to catch up with friends outside of school too. There should be plenty of eighteenth birthday parties this year, so take the night off and go have fun. Don’t worry, you definitely have the time!
5. Family – It’s also important to communicate with your family during this year. Don’t shut them out! It’s easy to get angry or frustrated with family members during your VCE. It will be a lot more beneficial for you (and for them) if you let them in rather than pushing them away. Sit down for half an hour each night to have a family dinner and just chat about what you’re studying. Try explaining a concept or an idea or book you’re working with. Give your parents, siblings, grandparents (anyone!) copies of your essay drafts to read. Even if they’re just proof-reading, it’ll have a positive impact on your work and will allow your family to better understand what VCE is all about. Put your timetable and after-school schedule up on the fridge so that everyone knows when you need to be left alone and when they can chat with you. The support of your family can be invaluable, especially when it comes down to the crunch at the end of the year. You might be surprised just how much your family can help.
6. Fun – Just try to enjoy it! When you look back on your VCE, it will hopefully be filled with fond memories. I can honestly say that year 12 was one of the best years of my life so far, despite a lot of stress and drama and everything else that came with it. Get involved with school sport, music, drama, whatever you love to do. Those extra-curricular activities are where you’ll make some of the best memories. I don’t know what it is about year 12, but everyone just seems to become closer. It’s like the VCE is this common enemy, and students band together to take it down. Cliques and groups don’t seem to matter so much; the whole year level is just brought together by this shared experience. The year is going to go so fast. If you can, try to just stop from time to time and let it all sink in. There’ll be so much going on – both good and bad. Try to just enjoy this challenging and rewarding year!
Motivation
Ok, let’s be honest here. I’m not one to be easily motivated to do things. I’m what you call a part-time-verging-on-full-time procrastinator. Hell, if procrastinating was a career, I’d be rich by now!
But alas, there’s no time left in these last critical months of high school to sit back while you put even the smallest of tasks off because you can’t be stuffed. There’s always that one project, that one piece of writing, that one homework task that you just can’t bring yourself to sit down and do. That’s when you soon discover that you’ve got to find a teensy-tiny ounce of hope and drive in you to complete the unwanted task. Oh, what’s that called again? Ah yes!
M-O-T-I-V-A-T-I-O-N.
So how does one find that motivation to plough through lists of work, practice SACs and exam papers, and write yet another language analysis without going insane?
Well, I’ve said it once and I’ll say it again, I’ve always thought admirably of those top 99+ ATAR achievers in my school, the students that score 50s in each subject and the brightest kids in the state that appear on the front of newspapers come mid-December each year. It baffled me for so long that they appeared SO motivated to do all this work! How do they keep pushing themselves? How do they not lose confidence along the way? How do they stay focused for the entire Year 12? And I’ll let you in on a little secret… you can be one of them! Just find the motivation technique that empowers and energises YOU!
Motivation is SUCH a personal matter. It is 110% crucial if you plan on doing well for your final years of school, and once you discover what gets your engine roaring, it’s an invaluable tool you’ll need and keep for life.
Perhaps the most ‘obvious’ motivation for doing well in Year 12 is to get acceptance into your preferred University course, TAFE course, or other career or study pathway. But that’s not enough, in my humble opinion. Plenty of students start off Year 12 with such a great mind frame for the first few weeks or months, and then struggle to keep up the good work. You need to keep your goal as close to mind as possible. Don’t just have a 4-digit figure in the back of your mind or glued onto a pin board. Visualise what it looks like when you’re walking into your dream course, discovering your passion, meeting new people that feel as passionate about what they’re learning as you. Where will your dreams take you? Hold on to those images in your mind. They are pure gold.
If you feel like everything in Year 12 isn’t worth the stress and the effort, think of the holiday that greets you after finishing high school. For some, you might be trekking off overseas for 4 months or even spending a few days at Schoolies! Imagine where you could be in only a few months’ time. What will you be doing, where will you be relaxing, who will you be socialising with, how far will you be travelling? If you give your final year all you got, that break will feel even more rewarding.
Another technique I tried isn’t for everyone, and those that exercise it should do so with caution… but I motivated myself using the big fat F-word: FAILURE. I was emotionally invested in my subjects, so that if I felt that I wasn’t improving my scales, my oral comprehension, or my writing to the standard that I desired, then I would feel like I had failed my teachers. I respected them not only for their expertise, but for their faith and constant encouragement they showed for their students. A healthy dose of nerves and stress is okay, as it can spur you on even more to work harder, persevere and impress.
Year 12 is not a sprint, it is truly a marathon. The best part is, you’re almost there! But if you keep your eyes on the prize and let your friends, family and teachers hand you those water bottles and towels, you can take each part as it comes. It’s not going to be easy, but if you stick to a plan and give it all you’ve got with no regrets, reaching that finish line will be the best feeling in the world!
I’d like to leave you with this. Make the most of year 12. Know that it’s not the end of the world if you don’t get the marks you were hoping for. But don’t come out at the end thinking that you could’ve done more. Give it your all, remember the points above, and you’ll be satisfied in the fact that you couldn’t have done any better. Honestly, no matter how important your ATAR seems right now, it won’t matter at all once you get to uni. What really matters is knowing that you gave it all you could, and that you filled your year with fun memories alongside all that study. You won’t remember the hours in the library or those spent locked away in your room. You’ll remember chatting with your mates in the library during free period, or mucking around on the oval at lunchtime. Remember to make time for the important things!